Thinking Out Loud

July 14, 2017

Having Fun With Common Meter

We’ve run this one by you twice already, but I still think you can enjoy this or do things like it, unless of course you’re a follower of Bob Kauflin, the Reformed worship guru who says you don’t mess with the original composition. That’s okay, Bob. You do it your way.

Cornerstone by Hillsong incorporates the lyrics of the old hymn, My Hope is Built, and then adds a chorus, “Cornerstone, Christ alone; weak made strong in the Savior’s love…”

My Hope is Built is based on a rhythmic structure called Long Meter or simply L.M. for short. If you grew up with hymnbooks, you know there was a metrical index in the back and it’s there for a reason. Well, actually it was there mostly for the amusement of musicians since most churches never did switch up tunes or lyrics. But some did, especially on Sunday nights, which wasn’t always taken as seriously as Sunday morning. L.M. is also 8.8.8.8. which means any song with that same meter will work, though I’ve suggested a few that use C.M. or Common Meter which is 8.6.8.6. (though I’ve added words in some cases or you have to stretch in others).

For what it’s worth, I like Cornerstone just the way it is; and I would suggest retaining the first verse as it connects well with the theme. So you would probably only want to choose no more than a couple of these, but I’d strongly recommending the idea of ending with the last one here.

Alternatives

He left His Father’s throne above
So free, so infinite His grace
Emptied Himself of all but love
And bled for Adam’s helpless race

O for a thousand tongues to sing
My great redeemer’s matchless praise
The glories of my God and King
The triumphs of His love and grace

He breaks the power of canceled sin
The prisoners are each one set free
His blood can make the worst ones clean
His blood poured out for you and me

Forbid it Lord that I should boast
But for the death of Christ my God
All earthly things I hold so dear
I sacrifice them to His blood.

O God our help in ages past
Our hope for many years to come
Our shelter from the stormy blast
Our strength and our eternal home

Amazing grace how sweet the sound
That saved someone like you and me
We once were lost but now we’re found
We once were blind but now we see

No condemnation now I dread*
Jesus, and all in Him is mine
Alive in Him, my living head
And clothed in righteousness divine

People and realms of every tongue**
Dwell on His love with sweetest song
And infant voices shall proclaim
Their earthly blessings on His name

Faith of our Fathers, living still
In spite of prison, fire and sword
O, how our hearts beat high with joy
Whenever we hear that great word.

Praise God from Whom all blessing flow
Praise Him all creatures here below
And up above you heavenly hosts
Praise Father, Son and Holy Ghost.

* All the verse from And Can It Be? work well here.

**I really like Jesus Shall Reign here, I just selected a single verse. Cornerstone is a song of declaration, some of these verses turn the song into an anthem of praise, with Christ as the Cornerstone. You might want to do your own research and find other L.M. songs that work. And yes, the title of this blog post is technically wrong, but I like it better than “Having Fun With Long Meter.” And if you’re British, Australian or Canadian, just change “meter” to “metre” the way the word was intended!

Advertisements

April 30, 2017

A Cynic Looks at Modern Church Music

The first time I heard a bridge added to a traditional hymn was the addition of Wonderful Cross to When I Survey. I don’t know if I took to it the very first day, but I certainly grew to like it quickly, and as a worship leader, I’ve since used the Wonderful Cross section with the hymn Lead Me To Calvary, where it also works well.

Modern worship music has been greatly influenced by popular songs. Whereas a hymn generally just has either stanzas, or follows a verse-and-chorus format; modern worship will use introductions, bridges, codas, etc., and is often more prone to key changes.

Amazing Grace is another example. My Chains are Gone is certainly a suitable addition, I don’t challenge the musical or lyrical integrity of it by itself, or its fit with the time-honored verses that precede it.

To make the bridge stand out — or I prefer to say break out — musically, some of the chord changes in When I Survey or Amazing Grace are made more minimalist so that the declaration in the bridge introduces a powerful, triumphant transition. “Oh, the Wonderful Cross!” “My chains are gone, I’ve been set free!”

If I had a similar idea a few years ago, I would have positioned my finished work as a medley, not a new arrangement, but the chord changes necessitate the piece to be considered a re-write. And the original composers aren’t around to protest.

So it was only a couple years back when someone more cynical than me — yes, it’s possible — suggested that perhaps the motivation for doing this was financial. Then it was more than one person. Freshly re-minted songs that were formerly public domain can be performed with mechanical royalties (album and print music sales) and performance royalties (concerts, radio, television and even CCLI playlists your church submits) flowing to the composer. Nice work if you can get it.

I remembered something from years ago when I was working in Christian television. Unlike radio which used random station logs as representative samples, TV royalties were based on all logs from all stations all the time. When the ministry organization in question received some rather meager royalty checks for some tunes they had written, a situation emerged where (and this is a fairly direct quote from someone close to the process), “People who had never written a song in their entire lives suddenly found songs pouring out of them on a regular basis.” He was highly skeptical.

So economics can indeed be a wonderful motivator. I’m sure that the person who decides to modify an existing hymn or do a fresh arrangement takes time to study the lyrics and I’m not saying that some of these people don’t do this prayerfully, both before and after the process. 

Yes, I’m a cynic when it comes to such things. But you have to admire the ingenuity of finding a way to get royalties from songs heretofore part of Public Domain. A combination of total disdain and ‘Why didn’t I think of it?’

Occasionally these improvements to existing hymns simply don’t work. They involve a change in lyrical theme or rhythm or melody so as to constitute an unwelcome intruder. Like the guy who brings his accordion to worship team practice. Or the guy who wears a Hawaiian shirt to a funeral. 

Other times I fear that a generation of church musicians is being raised up to assume that this is how it’s done, and that adding bridges to existing hymn literature is the modus operandi of worship song composition.

But honestly, sometimes these new hymn versions can be the gift that keeps on giving. If the revenue is being plowed back into ministry, that’s great. Scripture tells us that we shouldn’t “judge the servant of another,” though honestly, I now find the cynicism was, in my case, somewhat contagious. But I’ll continue to “believe the best” that the starting place for adding a bridge or changing the chord structure of a song isn’t motivated by economics.

I hope you’ll do the same.

HCSB Prov 16:2 All a man’s ways seem right to him,
but the Lord evaluates the motives.

November 28, 2015

A Lesson in Songwriting

Filed under: music, worship — Tags: , , , , , , , — paulthinkingoutloud @ 7:24 am
Graham Kendrick

Graham Kendrick

And a Lesson in Humility

A guy I don’t actually follow* got my attention on Twitter yesterday and I knew I had to share this today…

Graham Kendrick songwriting

Learn more about Graham Kendrick at this link.

*click anywhere on the quotation to link to Tim Lucas

July 10, 2015

Hillsong and the Common Meter

If your church does modern worship, odds are that in the last few years you’ve been doing the song Cornerstone by Hillsong. This song incorporates the lyrics of the old hymn, My Hope is Built, and then adds a chorus, “Cornerstone, Christ alone; weak made strong in the Savior’s love…”

My Hope is Built is based on a rhythmic structure called Long Meter or simply L.M. for short. If you grew up with hymnbooks, you know there was a metrical index in the back and it’s there for a reason. Well, actually it was there mostly for the amusement of musicians since most churches never did switch up tunes or lyrics. L.M. is also 8.8.8.8. which means any song with that same meter will work, though I’ve suggested a few that use C.M. or Common Meter which is 8.6.8.6. (though I’ve added words in some cases or you have to stretch in others).

For what it’s worth, I like Cornerstone just the way it is; and I would suggest retaining the first verse as it connects well with the theme. So you would probably only want to choose no more than a couple of these, but I’d recommend the very last one especially.

Alternatives

He left His Father’s throne above
So free, so infinite His grace
Emptied Himself of all but love
And bled for Adam’s helpless race

O for a thousand tongues to sing
My great redeemer’s matchless praise
The glories of my God and King
The triumphs of His love and grace

He breaks the power of canceled sin
The prisoners are each one set free
His blood can make the worst ones clean
His blood poured out for you and me

Forbid it Lord that I should boast
But for the death of Christ my God
All earthly things I hold so dear
I sacrifice them to His blood.

O God our help in ages past
Our hope for many years to come
Our shelter from the stormy blast
Our strength and our eternal home

Amazing grace how sweet the sound
That saved someone like you and me
We once were lost but now we’re found
We once were blind but now we see

No condemnation now I dread*
Jesus, and all in Him is mine
Alive in Him, my living head
And clothed in righteousness divine

People and realms of every tongue**
Dwell on His love with sweetest song
And infant voices shall proclaim
Their earthly blessings on His name

Faith of our Fathers, living still
In spite of prison, fire and sword
O, how our hearts beat high with joy
Whenever we hear that great word.

Praise God from Whom all blessing flow
Praise Him all creatures here below
And up above you heavenly hosts
Praise Father, Son and Holy Ghost.

* All the verses from And Can It Be? work well here.

**I really like Jesus Shall Reign here, I just selected a single verse. Cornerstone is a song of declaration, some of these verses turn the song into an anthem of praise, with Christ as the Cornerstone. 

Of course, one prominent, Calvinist worship guru would shut this down very quickly, saying you don’t tamper with worship compositions. I reserve the right to sharply disagree with him.

April 30, 2015

How to Get Royalties for Songs in the Public Domain

treble clefThe first time I heard a bridge added to a traditional hymn was the addition of Wonderful Cross to When I Survey. I don’t know if I took to it the very first day, but I certainly grew to like it quickly, and as a worship leader, I’ve since used the Wonderful Cross section with the hymn Lead Me To Calvary, where it also works well.

Modern worship music has been greatly influenced by popular songs. Whereas a hymn generally just has either stanzas, or follows a verse-and-chorus format; modern worship will use introductions, bridges, codas, etc., and is often more prone to key changes.

Amazing Grace is another example. My Chains are Gone is certainly a suitable addition, I don’t challenge the musical or lyrical integrity of it by itself, or its fit with the time-honored verses that precede it.

To make the bridge stand out — or I prefer to say break out — musically, some of the chord changes in When I Survey or Amazing Grace are made more minimalist so that the declaration in the bridge introduces a powerful, triumphant transition. “Oh, the Wonderful Cross!” “My chains are gone, I’ve been set free!”

If I had a similar idea a few years ago, I would have positioned my finished work as a medley, not a new arrangement, but the chord changes necessitate the piece to be considered a re-write. And the original composers aren’t around to protest.

So it was only a couple years back when someone more cynical than me — yes, it’s possible — suggested that perhaps the motivation for doing this was financial. Then it was more than one person. Freshly re-minted songs that were formerly public domain can be performed with mechanical royalties (album and print music sales) and performance royalties (concerts, radio, television and even CCLI playlists your church submits) flowing to the composer. Nice work if you can get it.

I remembered something from years ago when I was working in Christian television. Unlike radio which used random station logs as representative samples, TV royalties were based on all logs from all stations all the time. When the ministry organization in question received some rather meager royalty checks for some tunes they had written, a situation emerged where (and this is a fairly direct quote from someone close to the process), “People who had never written a song in their entire lives suddenly found songs pouring out of them on a regular basis.” He was highly skeptical.

So economics can indeed be a wonderful motivator. I’m sure that the person who decides to modify an existing hymn or do a fresh arrangement takes time to study the lyrics and I’m not saying that some of these people don’t do this prayerfully, both before and after the process.

But honestly, sometimes these new hymn versions can be the gift that keeps on giving. If the revenue is being plowed back into ministry, that’s great. Scripture tells us that we shouldn’t “judge the servant of another,” though honestly, I now find the cynicism was, in my case, somewhat contagious. But I’ll continue to “believe the best” that the starting place for adding a bridge or changing the chord structure of a song isn’t motivated by economics.

I hope you’ll do the same.

HCSB Prov 16:2 All a man’s ways seem right to him,
but the Lord evaluates the motives.

 

October 8, 2014

Wednesday Link List

Okay, so this was everywhere online this past week, but if you missed it here’s an explanation of the Biblical phrase Gird Your Loins. (click image to link)

Gird-Up-Your-Loins-2

Here are the news and opinion pieces from the past week that stood out. You can also read today’s links at PARSE by clicking here.

Because this is Blogger Appreciation Month, you can catch Paul Wilkinson at Thinking Out Loud, Christianity 201, or @PaulW1lk1nson on Twitter.

Hotline to God

 

July 25, 2013

Alternative Verses to Cornerstone by Hillsong

If your church does modern worship, odds are that in the last few months you’ve been doing the song Cornerstone by Hillsong. This song incorporates the lyrics of the old hymn, My Hope is Built, and then adds a chorus, “Cornerstone, Christ alone; weak made strong in the Savior’s love…”

My Hope is Built is based on a rhythmic structure called Long Meter or simply L.M. for short. If you grew up with hymnbooks, you know there was a metrical index in the back and it’s there for a reason. Well, actually it was there mostly for the amusement of musicians since most churches never did switch up tunes or lyrics. L.M. is also 8.8.8.8. which means any song with that same meter will work, though I’ve suggested a few that use C.M. or Common Meter which is 8.6.8.6. (though I’ve added words in some cases or you have to stretch in others).

For what it’s worth, I like Cornerstone just the way it is; and I would suggest retaining the first verse as it connects well with the theme. So you would probably only want to choose no more than a couple of these, but I’d recommend the very last one especially.

Alternatives

He left His Father’s throne above
So free, so infinite His grace
Emptied Himself of all but love
And bled for Adam’s helpless race

O for a thousand tongues to sing
My great redeemer’s matchless praise
The glories of my God and King
The triumphs of His love and grace

He breaks the power of canceled sin
The prisoners are each one set free
His blood can make the worst ones clean
His blood poured out for you and me

Forbid it Lord that I should boast
But for the death of Christ my God
All earthly things I hold so dear
I sacrifice them to His blood.

O God our help in ages past
Our hope for many years to come
Our shelter from the stormy blast
Our strength and our eternal home

Amazing grace how sweet the sound
That saved someone like you and me
We once were lost but now we’re found
We once were blind but now we see

No condemnation now I dread*
Jesus, and all in Him is mine
Alive in Him, my living head
And clothed in righteousness divine

People and realms of every tongue**
Dwell on His love with sweetest song
And infant voices shall proclaim
Their earthly blessings on His name

Faith of our Fathers, living still
In spite of prison, fire and sword
O, how our hearts beat high with joy
Whenever we hear that great word.

Praise God from Whom all blessing flow
Praise Him all creatures here below
And up above you heavenly hosts
Praise Father, Son and Holy Ghost.

* All the verse from And Can It Be? work well here.

**I really like Jesus Shall Reign here, I just selected a single verse. Cornerstone is a song of declaration, some of these verses turn the song into an anthem of praise, with Christ as the Cornerstone.

December 7, 2011

Wednesday Link List

Hark how the links, sweet silver links, all seem to say, “Throw cares away!”

  • Gonna do something I’ve done here before and make the first link one from this very blog.  I’m getting a ton of hits for a piece I wrote here last year dealing with the burning question, Should Audiences Still Stand for the Hallelujah Chorus?  But with only eleven comments, there’s still room for yours, and it will get viewed many times over the next few days.
  • Just when think you’ve seen all the weird churches in the world, you discover this one, which has major parking problems, not to mention severe access issues.  Check out this mini photo essay from our old friend Abraham Piper at 22 Words.
  • It’s rare in the Christian blogosphere that you see someone give a Christian book a really bad review. Perhaps that’s what makes this review at the blog Supermoms Are Fake, in some ways, so refreshing.
  • Some of you remember Hermant Mehta at the blog, The Friendly Atheist, from his book I Sold My Soul on E-Bay.  Sometimes I check back to see how he’s doing, whereupon I found this one: Why Are This Many Atheist Scientists Taking Their Children To Church?
  • Leaders are readers. So begins a concise, 7-point piece by Dave Kraft at Leadership from the Heart, I Would Love to Read More, But…
  • Music video department: Enjoy a free taste of fourteen updated hymns at Indelible Grace III – For All The Saints.
  • …which got me poking around YouTube where I ended up listening to this updated version of Jesus I Come (which I know as Out of My Bondage) by the Shelly Moore Band.
  • Christianity Today music guy Mark Moring talks to Chris Tomlin aka the “worship song machine.” Tomlin just doesn’t see himself writing any other kind of music. Which I suppose suits us just fine.
  • Philanthropy meets good business sense as a Toronto group puts together winter survival kits for the homeless.
  • Canadian Charismatic Evangelist Todd Bentley is in the UK, but a Member of Parliament is telling Brits to beware the tattoo preacher.   The Sunday Express reports. (HT: Rick and Bene.)
  • The newest blog at Alltop Christian is called Slow Running Honey, another blog which seems to exist for the purpose of promoting a book. That’s fine, I guess, but the Christian blogosphere didn’t start out that way. (Though it got there quickly.)
  • Newest blog at Alltop Church is Nate Fietzer‘s which is a KidMin blog, meaning children’s ministry and leadership.  It’s him we also thank for the Life graphic below. Did you design that, Nate?

  • I think Justin and Tricia attend Pete Wilson’s church; I know Justin filled in for Pete once during the summer. Here’s an article that could revolutionize your marriage, and the concept is so simple, it revolves around one little three-letter word.
  • After a few days in Sick Bay, Rev. Billy Graham is now back home.
  • Okay, so you go to a church where women don’t teach, but they do scripture readings. But isn’t the public reading of scripture a type of teaching ministry? Or is it? What about soloists? Jesse Johnson wades into a thorny topic.
  • Sounds of the season: Drummer Sean Quigley is the latest to offer a fresh take on a classic, in this case The Little Drummer Boy.
  • Lots of videos this week, but you don’t want to miss this one: Bethlehemian Rhapsody, which was actually posted in 2009, but is still being discovered. (The sheep steal their scenes each time!)
  • Like all good link lists, we have another t-shirt for you. This is from Amanda at Faith in The Journey a tumblr blog packed with great graphic ideas. The shirt is from zazzle.com

April 17, 2011

Classic Worship: Matt Redman – I Will Offer Up My Life

Good Sunday morning to you.  Here’s one of my favorite worship songs.  Sit back, enjoy, then watch it again only this time singing along.

August 23, 2010

Stuart Townend – British Worship Leader & Songwriter

He co-wrote In Christ Alone with Keith and Kristen Getty.

Beyond that, Stuart Townend is perhaps better known in Canada where, despite its 5/4 time signature, How Deep The Father’s Love For Us is currently the 15th most used worship selection according to Christian Copyright Licensing (CCLI).   All the more so in England, where Christ Alone ranks first, and How Deep ranks third.

For my mostly U.S. blog readership, if you have some familiarity with the worship scene in the U.K., you could fairly draw a comparisons between Stuart and Graham Kendrick, though many Americans would still be at a loss since, other than Shine Jesus Shine, very little of Graham’s music has made it stateside, either.

Which is really too bad.  This is worship with a richness and depth that commands your heart’s attention and doesn’t let you walk away without knowing what type of music you’ve experienced.

What we have instead in North America is a worship agenda very much driven by Christian music execs in Nashville, and wannabe bands who think they have to fit a certain mold in order to achieve success.  (Yeah, worship and success in the same sentence; go figure.)  We need to distance ourselves from that sometimes, even if takes several thousand miles of ocean to do the distancing.

Churches in the U.K. don’t bow the knee to Nashville so much.   So we find a number of writers in Great Britain producing something just a little mellower that thereby satisfies the needs of more seasoned church members who want something new and fresh (see Isaiah 42:10) but still like a good melodic tune with a form that doesn’t contain too many melodic exceptions.   (That’s my term for various bridges, codas, irregular rhythms, or other variations on the musical form.  My belief is that the people can deal with only one exception per song.) (More on the contrast between UK and US worship in this post.)

What I’m trying to say here is, American Christians, you need someone like Stuart Townend.   Someone who can blow in like a breath of fresh air into the present worship scene as a reminder that things don’t always have to look a certain way in order to provide worship connection to our creator God.

And now you have that opportunity.

Under pressure from people like me — they call it whining actually — Kingsway Music U.S. has not only released Stuart’s full length album, There Is a Hope, but has included the full DVD recording as a bonus.  (There’s even more to the story, they’ve also opened up a full North American branch of Kingsway Music to broaden the music pipeline between the U.K. and North America.)

For my Canadian readers, if you enjoy the music of Robin Mark or you enjoyed the Today DVD by Brian Doerksen, you will want to add this CD/DVD to your worship collection.

What you’ll find is a live recording of 14 of Stuart Townend’s songs from a concert in Ireland; though strangely, it’s more like a collection of individual video cuts as there is no spoken patter anywhere.   The emphasis is on the songs themselves, and the atmosphere is worshipful to the point there is often no applause as a song concludes.

But this isn’t just a laid-back worship collection you buy for your grandmother.   The band contains some tight performances by players who handle a variety of instruments including valve trombone, flugel horn, Uillean pipes, violin, and the usual rhythm instruments and backup singers.   (Steve Hindalong’s name appears in the credits, though I didn’t spy him on the video.)   There are also guest vocal appearances by Kelly Minter and Aaron Keyes.

I first heard of this album, and started pressing for a release of the DVD here, through this song, Behold the Lamb (Communion Song).     (Again, for my Canadian readers, very reminiscent of Robin Mark’s The Wonder of Your Cross.)   You can never have enough cross-centered worship songs.   I’ve also embedded the opening song from the DVD, Across the Lands at my devotional blog, Christianity 201.

I can’t recommend this enough.  Find a Christian bookstore and purchase a physical copy (not a download) of the whole album, so that you get the whole DVD as well.  Then turn off the mobile phone and the computer, take the other phone off the hook, and enjoy an hour of worship in your own home like no other you’ve had before.

Create a free website or blog at WordPress.com.