Thinking Out Loud

July 1, 2019

Earlier Modern Worship Songs Which are Still Viable

Long ago, in a time before Hillsong, Jesus Culture and Elevation; in a world uninhabited by Chris Tomlin, there existed another universe of praise and worship…

This list is comprised of songs which are not the most popular from the ’90s, but chosen by a criteria consisting of, “Would these songs work well with today’s congregations?” or, “Are these songs which could be re-introduced?”

Why this matters: There were some substantive songs which people who have been around church remember, but are not currently sung. The songs represent music for a demographic that is not longing for the nostalgia of the Gaither Music years — they aren’t that old yet — but longing for some connection to past songs where there is greater singability. 

This could include things from Maranatha Music, Vineyard Music, etc.

Statistically, the median age of established churches rises over time. The key is to keep this demographic engaged, but present music that doesn’t sound dated to the younger demographic churches are hungry to reach.

This is the list I assembled:

  • You Are the Mighty King
  • The Servant King
  • You Are Worthy of My Praise (I Will Worship With All of My Heart)
  • Blessed Be the Lord God Almighty
  • Above All
  • Glorify Thy Name (Father, I Love You…)
  • You Are My King (with 2nd verse)1
  • Once Again
  • Shout to the North
  • Majesty2
  • All Heaven Declares
  • You Are My All in All
  • Lord I Lift Your Name on High (with 2nd verse)
  • Trading my Sorrows
  • Open the Eyes of My Heart

Related: A History of Modern Worship Music

1 You are My King 2nd Verse
2 Majesty Extra Verses

June 26, 2016

More from the Lost Songs Channel: CCM’s Early Days

Part two of the top-ranking songs on the YouTube channel I manage for Searchlight Book. See yesterday’s post for the top 5 Click through to YT for descriptions. And when I say top-ranking, realize this is a rather obscure YT channel. These are very old CCM songs and the criteria for choosing them was to select songs that had not been uploaded (that we could find) on the day they were posted.

#6 Noel Paul Stookey – Building Block (1982)

#8* Danniebelle Hall – Work The Works (1974)

#9 Wayne Watson – Born in Zion (1985)

#10 Craig Smith – God and Man at Table are Sat Down (1979)

#12* John Fischer – Righteous Man

*Items 7 and 11 on this site are spoken-word (non-music) extras.

Yes, John Fischer had two songs on this list. I always felt the chorus of the one featured today, Righteous Man, would make a great song for Promise Keepers.

June 25, 2016

Samples from the Lost Songs YouTube Channel

Today, the top-ranking songs on the YouTube channel I oversee which is sponsored by Searchlight Books but has never, to the best of my knowledge, posted anything that has anything to do with books. We think of it as a “Lost songs of Christian music” channel, and that’s what it should have been named; additionally we started out with songs that had not been posted by others, so these were intended to be unique in terms of what’s on YouTube. Click through to YT for descriptions. And when I say top-ranking, realize this is a rather obscure YT channel.  Again, remember these are very old CCM songs.

#1 Barry McGuire – Communion Song (1977)

#2 Ken Medema – Lord, Listen To Your Children Praying (1973)

#3 Scott Wesley Brown – I Wish You Jesus (197?)

#4 John Fischer – All Day Song (197?)

#5 Michael and Stormie Omartian – Seasons of the Soul (1978)

April 10, 2014

Larry Norman: Still Preaching from Beyond the Grave

Filed under: Uncategorized — Tags: , , , — paulthinkingoutloud @ 7:36 am

Our friends at Flagrant Regard* sent us this picture from a Facebook page dedicated to the memory of Christian musician and songwriter Larry Norman:

Larry Norman Gravestone

The caption on Facebook read:

I was able to visit Larry’s grave last week. I was feeling very sad until I went into the office to ask where Larry’s grave was. I was told that it was easy to find because their was a mail box next to the tomb stone. my reply was “of course there is.” (That is so Larry.) I spent a few minutes there where I shed a few tears and reflected on the impact that Larry had on my life, I looked into the mailbox to find it had a message from his family and a bunch of CDs. I left encourage. Larry is still spreading the message of Jesus.

I love the line “Evangelist Without Portfolio.” Shouldn’t that describe all of us?  

  • larry norman bwRelated: Billboard Magazine reported last week that along with U2’s The Joshua Tree, Larry Norman’s Only Visiting This Planet was selected for “long-term preservation” by the Library of Congress.

For our Canadian readers: We still have lots of sealed Larry Norman CDs for sale. See the full list here.


*If you haven’t seen them, here are my two favorite Flagrant Regard videos:

 

 

October 5, 2013

Remembering Chuck Smith

Time Magazine June 21 1971

“Little country church on the edge of town
People comin’ every day from miles around
For meetings and for Sunday School
And it’s very plain to see
It’s not the way it used to be”

The first time I saw the sprawling campus of Calvary Chapel, Costa Mesa was November, 1979. We didn’t have the term ‘megachurch’ then, nor was I prepared for a style of church architecture which, owing to the California climate, didn’t require indoor hallways to connect the various classrooms, departments, and offices.

The first service I attended there featured Chuck Smith doing what he did every single Sunday without exception: Preaching consecutively through the Bible, verse-by-verse, with that deep voice that transmitted much Biblical authority, but also much peace and calm. Thus, it was your choice to become engaged in the exposition or to fall asleep; either was possible, the latter was not encouraged.

Chuck Smith died this week at age 86. Many of the tributes have mentioned Calvary’s most renowned spinoff, Maranatha! Music and its related Maranatha Studios and the Ministry Resource Center (MRC); the Saturday night concerts; or the baptisms at Pirate’s Cove which made the cover of Time Magazine.

Baptism at Pirate's Cove

Baptism at Pirate’s Cove

The story has it that when the church occupied a smaller building — that later became a bookstore — studded jeans were popular and the older members were concerned that the studs were scratching the church pews. So Chuck ordered the pews removed. By the time I arrived in the late ’70s, there was still floor seating available at the front — a tribute to those days, perhaps — and one week I spent a Sunday morning service sitting on the floor, partly to have that experience and partly to release a scarce seat to someone who might need it more. The place was packed. 

If you attend a church that uses contemporary music or modern worship, you are, as I wrote here, a direct product of those early Jesus Movement days on the American west coast. Even if your church is more conservative and uses a hymnbook on a Sunday morning, odds are it contains a few Maranatha! Music copyrights.

But Chuck’s greatest legacy was Calvary Chapel, the denomination.

It is said that back then you didn’t need theological degrees to plant a Calvary, rather they were looking for individuals who already had a “proven ministry.” I don’t know how it works today, but I love that concept. A few of the pastors came out of the bands that played at the original Calvary at those Saturday night concerts. Today, Calvary Chapel churches in Fort Lauderdale, FL, Albuquerque, NM, Philadelphia, PA, Phoenix, AZ, Diamond Bar, CA, Chino, CA, Downey, CA, West Melbourne, FL, Jacksonville FL, and a handful of others are among the top megachurches in the US.

One generation megachurch pastor to another: Chuck Smith and Rick Warren

One generation megachurch pastor to another: Chuck Smith and Rick Warren

Some of the other musicians from those early days, such as Chuck Girard from Love Song, continue to bless us with worship leadership; while the spirit of Calvary Chapel lives on in other churches that sprang from that era, such as Harvest Church in Riverside, CA. Harvest pastor Greg Laurie paid tribute to Chuck Smith this week.

Chuck Smith’s ministry in California was an example of the right man, in the right place, at the right time, with the right vision.

He will be missed.

…The song lyrics which began this article are from “Little Country Church” by LoveSong, written about those early days at Calvary Chapel, Costa Mesa. The file is audio-only.

June 20, 2011

The Jesus Movement Turns 40

I am a direct product of the Jesus Movement.

That is not an admission of age, for if you are a member of the contemporary Church — that is to say, any church that is not locked into a business-as-usual, same order-of-service way of doing things as church circa 1940 — then you are also a direct product of the Jesus Movement, even if, unlike Buck Herring, you never had a pair of blue suede sandals.*  This period of time, rewrote the playbook for Christianity, and the June 21, 1971 cover of Time Magazine was really prophetic, since the movement wouldn’t truly hit its stride until the mid to late part of that decade.

The Jesus Movement was the catalyst that propelled the church into the 20th century, albeit nearly 75 years too late.  Music changed.  Dress change.  The stage was set for the emergence of social justice and compassion ministries that wouldn’t come to fruition until the late 1990s.  The evangelical church got away from country club religion — with its ‘for members only’ attitude — and became more about reaching out.   Years before the term ‘next generation ministry’ would be coined; the Jesus Movement paved the way for a new generation of leaders; with some of the changes being perhaps superficial, but others birthing entire new denominations.

Chuck Smith invited the kids to come to church and when his parishioners charged that their studded jeans were scratching the pews, Smith removed the pews and while he was at it, moved the baptism services to Pirates Cove on the Pacific ocean.  Larry Norman caught much criticism for his long hair, but was actually a rather gifted Bible teacher if only the older generation would have taken time to listen, and around him gathered a generation of teens and twenty-somethings who the church might have otherwise drifted away.  Barry McGuire went from protest singer to the man who would write “Communion Song” one of the best ‘lost’ worship songs, while Campus Crusade’s Michael Omartian brought the sound of keyboard synthesizers into the music mix while singing about Old Testament prophets. 

Kids traveled to Pennsylvania dairy farms for outdoor festivals where the speaker list was held as equal to the musician list, with two favorite teachers being the team of Larry Tomczak and C. J. Mahaney.  Paul Baker and Scott Ross put Christian music on radio stations both sacred and secular, and in the process put Christian music on the map.  A man named Arthur Blessitt carried a cross (yes, literally) across many continents and challenged a generation to find their own expression of bold witness. The Highway Missionary Society took to the road while Jesus People USA took to the Cabrini Green projects of inner city Chicago at the same time Nicky Cruz went from New York City gang leader to evangelist.

It was the best of times.  Period.   It was possibly the most significant spiritual movement to take place in North America in the 1900s.  Really.  I mean that. And I’m not the first to suggest it.

So happy birthday to all the aging Jesus People, and to those who wish you were there.   This week Andrew Jones shares some memories, but it also might be the right time to read Ed Underwood’s challenge to recapture the spirit and energy (and innocence) of those days as he writes in Reborn To Be Wild.   Because the Evangelical church today is a product of those times, you might actually want to read all you can about what happened and why.  You might even want to start your own revolution.

*I have no proof that Second Chapter of Acts’ Buck Herring actually owned blue suede sandals, but that was the rumor back in the day.  And yes, for several hours a couple of us did share the back of Daniel Amos’ Alex MacDougall’s house with Larry Norman, but Larry mostly slept and did laundry. 

Pictured: Time Magazine cover, June 21, 1971

January 19, 2011

Wednesday Link List

Enjoy this week’s links; there’s ice cream at the end!

  • You Give Me Your Shows and I’ll Give You Mine Department:  Canada’s Christian television network, CTS has put together a reciprocal deal with Robert A. Schuller’s American Life Network to share programming and media platforms.  Currently a limited list of CTS programs are available on the NRB Network.  Read more at BDBO.
  • Tattooed Pastor Department:  Jay Bakker has a new book out, Fall to Grace (Faithwords) which Tony Jones reviews at Take and Read.
  • Read This One For the Gipper Department:  Here’s another book review, this one for The Faith of Ronald Reagan by Mary Beth Brown, reviewed by Darrell Dow.
  • Biting The Hand That Feeds Them Department:  The Feed-a-Friend program in downtown Houston, Texas is now being required to purchase a $17/day permit from the city to carry out its mission of feeding the homeless.  The group is trying to avoid an us-versus-them mentality.
  • Killing Me Softly Department: Dee at Wartburg Watch takes a trip down memory lane profiling a not-yet-published book by Irishman Charlie Boyd, and reminds us of The Jesus Movement, Arthur Blessitt, Larry Norman, The Late Great Planet Earth, the Shepherding Movement, Calvary Chapel, and so many other times and places worth remembering.
  • Big Bang Theory Department:  If your tastes run to quantum physics, Michael Belote’s recent posts at Reboot Christianity might be just what you’re looking for, starting with the most recent, Schrodinger’s Christianity. (This makes a good forward for your science-type friends. Spoiler: Our souls are like quantum particles.)
  • Ministry Copycat Department:  We all know of churches which offer conferences and seminars for pastors to learn how the big guys do it.  The seminars aren’t free; the churches are basically selling their expertise.   Now comes word that one megachurch actually charges a fee just to see the wording of their staff job descriptions. Yikes!
  • Dialing for Doctrine Department: At The Arminian Blog (caption line: Theology in the Dutch Reformed Tradition of Jacob Arminius) comes this article about inconsistencies among Southern Baptist Calvinists when it comes to missions.
  • Glass Houses Department: We all have a public persona and a private persona, but what really goes on behind the closed door of our houses when it’s just us and the fam?  It’s a question worth considering in the light of this homespun article by Trey Morgan listing ten things you’d notice if you were a guest. Not sure why I’m attracted to this article, but after reading it, I feel I’ve already spent time with Lea, Trey and the boys.
  • Church Plant Withers Department:  This is a link to Jamie Arpin-Ricci’s blog, selected because it takes you to all four parts of Jason Coker’s blog where he describes the final days of the Ikon church plant in San Diego.  Or you can also get there from David Fitch’s blog along with much additional analysis. The similarities between Jason’s experience in southern California and my own experience with Transformation Church an hour east of Toronto are rather striking.
  • Authors of Confusion Department: Keith Brenton lists some indicators of bad theology in a December piece I missed earlier, How To Spot False Teaching.
  • Higher Education Department: At my own alma mater, The University of Toronto, a couple of local churches and ministry organizations are lending support to a Jesus Awareness Week. Oh, to be a student again, and be part of the events.
  • Interfaith Dialog Department:  Mark Galli at Christianity Today suggests that step one in starting the conversation with people of other faiths actually lies in evangelizing ourselves.
  • Truth is Stranger Than Cartoons Department:  We leave this week with two, count ’em two links to the blog American Jesus.  The first is a 40-second mystery video about church pageantry and formality gone wrong.  The second link gets you an explanation for the picture which appears below.  See ya in seven days with more links.

April 16, 2010

April 10, 2010

Currently Reading: Reborn To Be Wild

It was 11:30 PM Thursday, I was getting into bed when I suddenly remembered that about twelve hours previously, I had received a delivery — a white cardboard box — which I had never got around to opening.   I knew it contained books from David C. Cook, but decided to walk back to the living room to open the package.

The book that caught my eye was Reborn to be Wild: Reviving Our Radical Pursuit of Jesus. I had never heard of Ed Underwood.   Never heard of the book.

The back cover offered this question:

Why did the Jesus Movement stop moving?

I was hooked.  By midnight I was about 50 pages in, and I was up early on Friday morning to squeeze in another 50 pages before heading out of town.

Underwood was part of the Jesus People scene in California.   No not that Jesus People scene in 1972.   He was there for the earlier grassroots events that sparked the whole thing in the late ’60s, 1968 in particular.

He tells his story.  But he weaves lots of good scripture into his text. It’s a book that is autobiographical in nature.   It’s a book that has teaching as a primary goal.

And I’m hooked.  And this isn’t even the book review I’ve yet to do when I’ve covered the next 200 or so pages.    Here’s a sample:

Picturing Revival

One sentence inside the story of Paul’s work in Ephesus describes its impact in words I would use to tell people what happened in the Jesus Movement.  “And this continued for two years so that all who dwelt in Asia heard the word of the Lord Jesus.”  (Acts 19:10a)

Nowhere in the entire Bible is there another report of the love and knowledge of Christ growing so quickly and deeply into a culture.  In only two years everyone living in the Roman province of Asia — today’s Asia Minor — had heard the word of the Lord Jesus.   It’s amazing to me that most of the people who speak in order to help us understand God’s Word, try to explain it away.

In one of my “only for preachers and other smart religious people who know Greek” books about Acts 19:10, the author drones on about how the time reference is obviously hyperbole because it really isn’t possible for God to do something that big, that fast.  He concludes that Paul must have meant to say, “a lot of people” instead of “all.”  In bold red ink, I wrote in the margins, “That’s because you’ve never seen revival.”

I have and it moves just that fast and it penetrates just that deep.

The book releases in June in paperback from David C. Cook.   In the meantime, here’s their rundown:

A long-time pastor ponders why the Jesus Movement stopped moving…and challenges all generations of believers to the radical commitment that fuels revival. Long before becoming a pastor, Ed Underwood was a “Jesus Freak”–a young man transformed by the Jesus Movement in the 60s and 70s. He and his friends threw their hearts into a revival they thought would change the world. But somehow, the Jesus movement stopped moving. How did these radically committed young people morph into today’s tame, suburban evangelicals?

That’s the question that sparked this passionate, provocative book, which aims at nothing less than fanning the flames of enduring revival today. Underwood draws on his personal revival experience and his study of the New Testament to expose six seductive lies that can easily sidetrack a movement and affirms five life-changing truths that can keep it going.

Ed Underwood is a pastor and author whose life was transformed by the Jesus Movement and has never lost his passion for revival. He oversees the ministries of the historic Church of the Open Door in Southern California.

November 7, 2008

A Complete History of Modern Worship Music

The History of Modern Worship Choruses

Rummage through old piano benches in church basements and you’re almost certain to locate a classic chorus sheet consisting of short stanzas written in the first half of the last century. By today’s standards, the material does not hold up well, but it serves as a reminder that what we call ‘choruses’ are nothing new.

Not that this should come as any surprise. Twice in the new testament, Paul uses the terms “Psalms, Hymns and Spritual Songs.” While one commentator has suggested that these are just different words for the same things, most others agree that the variance in meaning suggests a graduated difference in both style and substance.

To be sure, some of the choruses from times past endure in Children’s ministry, while others are preserved as camp songs or ‘retro’ youth ministry favorites. But whether it’s “Constantly Abiding,” “I Love Him Better Every Day,” or “I’ve Got Peace Like a River;” there is a fairly distinct line at which some of these traditional songs end, and our modern worship begins.

For this writer, a turning point was when Paul B. Smith, pastor of Toronto’s People’s Church returned from a missions trip in the 1970s and taught a simple chorus with just one word, “Allelujah” repeated eight times. (One publisher actually produced an overhead projector master for the lyrics.) Out of the preceding 100 years of church music at least, non-Charismatic people were for the first time “losing themselves” in worship.

music_for_worship1Allelujah or Hallelujah is a somewhat trans-lingual word, and another universal symbol of surrender to God is upraised hands. So it’s not surprising that at the same time as people sang this song with lifted hands, the charismatic movement was taking place, and with it, songs that had been heretofore reserved for Pentecostal or Assemblies of God churches suddenly found their way into Evangelical churches.

At the same time, the so-called “Jesus Movement” was beginning in Southern California. It’s at this point, we see one of the main forces of modern worship, Maranatha! Music beginning as a music ministry of Chuck Smith’s Calvary Chapel in Costa Mesa. However, when I visited in 1979, a full seven years after the Time magazine cover of “Jesus People” being baptized in Pirate’s Cove; the morning services at Calvary consisted exclusively of selections from the Inspiring Hymns book my own church had purchased in the late 1950’s.

But on concert nights, Calvary began each Christian rock concert with a time of worship. In fact, some argue that the Maranatha! Praise series taught the rest of the U.S. to worship.

That assumption is only partially correct however, for while the Jesus People were swaying to the guitars on the west coast, a New Zealand couple, David and Dale Garratt were compiling and recording many of the new “scripture choruses” as part of their ministry, Scripture in Song.

By the late 1970’s a small group had broken away from Calvary Chapel to form a network of churches called The Vineyard. The first two churches were led by Kenn Gulliksen and John Wimber. Vineyard’s music was simple, reflective and sometimes chant-like in its repetitions of key lines, while Maranatha! Music’s owed a greater debt to the country rock sound of bands like The Eagles.

Vineyard’s simple approach to songwriting would later stand in sharp contrast to Hosanna/Integrity Music’s live worship albums which incorporated a slicker, tighter sound including a full brass section, jazz chords and frequent key changes which suggested a more sophisticated level of musicianship was necessary.

Integrity Music albums were said to be based largely on some worship tapes that had circulated from Christ For the Nations. These recordings of live, seamless worship somewhat resembled live concert recordings.

In subsequent years, Integrity Music also introduced listeners to a greater focus on who the worship leader was. First the pictures appeared on the back covers, then the front, and eventually it was hard to tell the difference between their worship albums, and the contemporary Christian music (CCM) performance “artist” albums. Although this was toned down in some later releases, to this day, Integrity customers want to know who is leading, and Integrity introduced us to the ministry of Marty Nystrom, Paul Baloche, Ron Kenoly, and Don Moen, just to name a few.

Across the pond in the U.K. churches were embracing the music of one worship leader, Graham Kendrick. Although many Canadians know Kendrick (author of “Shine, Jesus Shine,” “Meekness and Majesty”, “The Servant King”) the one American. release on Integrity was not immediately followed up in the states., which was their loss, since Kendrick’s British. catalogue consisted of literally dozens of recordings.

No discussion of modern worship music is complete without mention of Kendrick’s influence, because he paved the way for other U.K. worship ministries. The entire Worship Together family of albums and artists; the music of Delirious, Passion, Matt Redman and many others all originates in the wake of Kendrick’s influence.

Integrity Music also introduced us to the music of the worship team from Hill’s Christian Assembly in Australia. Today, Hillsongs is a category in itself, with its trademark use of rhythm section, backup singers and huge choir (and often more than one choir.)  It restores a connection between modern worship and the black gospel choir or mass choir; which owes its roots to the ‘spirituals’ sung in the deep south of the U.S.

Just as Hillsongs is roooted in a local church, often a congregation will popularize a single chorus. Jack Hayford’s “Majesty” came during his pastorate at the Church On The Way in California.

This brings us to today’s megatrend of “double albums” on CD. The vinyl and cassette customer never fully embraced the concept of “samplers” but the Compact Disc medium seemed perfect for it. Today, if it’s a double worship CD, it sells, no matter who originates it. The best example is the series of recordings released through The WoW! Partnership, which includes Maranatha, Vineyard, Integrity, and Worship Together as the primary participating record companies.

But no discussion of our modern worship is complete without mention of the great influence of youth ministry. From local junior high, senior high and college & career groups; to camp minstries and major summer festivals; many of our current choruses began as youth ministry material. Many churches today “use” their youth groups to both test out and introduce new worship compositions to the larger congregation.

In recent years, this trend has gone full circle, as our popular choruses become the substance of children’s music ministry. In some churches, the content of the children’s worship includes exactly the same titles the adults are singing in a nearby auditorium.

What will be the next major wave in worship? We will know soon enough because of a service called Christian Copyright Licensing Inc. CCLI monitors the material being used in tens of thousands of churches, and its website chronicles the most-used choruses in a “Top 100” styled chart format, with specific charts for Canada, the U.S., the U.K. and Australia.

The idea of a chart for music intended to be lifted up as worship often grates on the spiritual conscience, but it does help worship leaders’ awareness of what material is being used in other places. While each church has their local favorites, and some churches produce original music, it’s not unwise to focus on the CCLI list, especially in today’s climate where people migrate more freely from church to church.

worshipRecently, we’ve also noticed a shift in how we sing. Hymnbooks gave way to overhead projectors which in turn gave way to video text projection. Today, those texts often have picture backgrounds consisting of still photos, animations, or even full film treatment. In one service we visited (dubbed “Ancient/Future” because of elements from many generations) we counted seven different video projectors in use.

The upside is that the video projector is often used by the pastor to emphasize the sequential points of the sermon, or to include a video clip. The inclusion of these began with short scenes from popular movies, but more recently an entire industry has grown up around manufacturing video clips for use around different themes and preaching subjects.

The downside is that we’ve lost an important element of worship which was prevalent when we had hymnbooks: Four-part harmony. However, in its place, we have more songs emerging which use different parts sung at once, having their roots in the antiphonal music and canons of the past. The growth of the Taizé movement is another example of the growing desire for worship which is more musically complex. Rhythmically, “How Deep The Father’s Love For Us” allows a congregation to effortlessly sing in 5/4 time.

What of the hymns? Many still endure, but of course some argue that many of the so-called choruses of the last twenty years are hymns. Certainly everything from “Meekness and Majesty” to the more recent “In Christ Alone” follow the hymn style, while “Wonderful Cross” simply attaches a new chorus to an existing hymn, “When I Survey.” In other churches, rediscovery of some of the “lost” stanzas to popular hymns is unfolding as is a resurgence of more liturgical elements (prayers, readings, etc.) in evangelical churches.   Others have suggested that the hymns, as a form, aren’t really disappearing at all, only the mid-twentieth century ones (circa 1920 – 1960) are fading from use.

The late Robert Webber probably wrote more about worship than anyone and popularized the term “Blended Worship.” Mixing “something old, something new” not only provides musical and theological balance, but is a wise move for worship leaders trying to achieve peace in a congregation with a broad demographic.

Music is always changing, though; and while many of our children and youth are learning theology through music as we did when we were younger; there is no doubt that the songs will sound antiquated over time. The Bible encourages the writing of new songs of praise (see Is. 42:10) and hopefully our generation will be able to allow the next generation to create, hear and sing their own compositions which express of the ways of God, the truths of God, and the Word of God.

(c) 2008 Paul Wilkinson; Originally blogged here on April 2nd, 2008; a reprint and update of an earlier article published in 2004; this also appeared on a previous blog.  This article is always subject to minor revisions; last update 01/25/10.

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