Thinking Out Loud

June 27, 2015

The Hallelujah Chorus Tradition

 

Hallelujah Chorus

This weekend we’re re-posting two of this blog’s all-time most viewed posts, and today’s couldn’t be more different from yesterday’s. It looks at the tradition of audiences standing during the playing of Hallelujah from Messiah by G. F. Handel. Unlike yesterday’s topic, this one also generated a lot of comments. If you want to leave yours, you’ll have to do so at the original posting, so that we keep all the responses together in one place.

Hallelujah Chorus: Should Audiences Still Stand?

We live in a world where many formal traditions are dying out. I was thinking a few days ago how the mug has replaced the cup and saucer. How a generation of North American men don’t know how to tie a tie. How the courtesy of a reply to a letter has gone the way of the dinosaur. So what about this seemingly quaint tradition involving a popular classical choral work?

Wikipedia tells us the origin of the tradition under consideration here:

In many parts of the world, it is the accepted practice for the audience to stand for this section of the performance. The tradition is said to have originated with the first London performance of Messiah, which was attended by King George II. As the first notes of the triumphant Hallelujah Chorus rang out, the king rose to his feet and remained standing until the end of the chorus. Royal protocol has always dictated that when the monarch stands, everyone in their presence is also required to stand. Thus, the entire audience and orchestra stood when the king stood during the performance, initiating a tradition that has lasted more than two centuries. It is lost to history the exact reason why the King stood at that point, but the most popular explanations include:

  • He was so moved by the performance that he rose to his feet.
  • Out of tribute to the composer.
  • As was and is the custom, one stands in the presence of royalty as a sign of respect. The Hallelujah chorus clearly places Christ as the King of Kings. In standing, King George II accepts that he too is subject to the Lord of Lords.
  • He had been dozing and woke with a start.

But it could be argued that, “that was then and this is now.” I mean, if historians can’t agree as to the why, it really leaves us with a tradition that is somewhat empty.

So, with Handel’s Messiah still being performed frequently — especially at Christmas and Easter — should audiences continue the tradition of standing for the Hallelujah Chorus? Turns out this is a very heated topic, now with over 50 responses. Be sure to read the comments and take a moment to add yours.


Comment highlights:

  • Handel’s Messiah has more entertainment value than that of liturgical worship…
  • …even if no one else stood with me, I would stand.
  • No one stood. I could not remain seated! I had to stand out of honor for my King. After several stanzas someone behind me asked me to sit down, they couldn’t see. I was so sad.
  • …we always seem to be dumping wonderful traditions.
  • I now find that it is very disruptive and halts the flow of the music. Not only is the magnificent introduction to the movement often drowned out by the noise of an audience rising, the final bars of the preceding tenor aria are often ruined by the shuffling of people in their seats waiting to stand.
  • It is absolutely nu-American to stand. Why are we still honoring the grandfather of George III? Read the Declaration of Independence.
  • There is nothing to say that we have to stand while the Hallelujah Chorus is sung, but there is nothing that says we have to say when our team scores a touchdown either, but we do.
  • I was told as a youngster that this was sort of the national anthem of music. We always stood. Went to Boston Pops Christmas concert today and no one stood.
  • Tradition and respect are two wonderful things which sadly are being diluted in today’s world
  • …current thinking is that King George II just needed to use the lavatory…
  • Just came from the full performance in one of the great acoustical halls. Disney in Los Angeles. The standing sheep seriously degraded the sound. (I got really mad at that one and suggested that the “standing sheep” are really “informed concert-goers”)

and many more.

December 5, 2012

Wednesday Link List

Wednesday List Lynx

Wednesday List Lynx

Not only these, but there was a link list on Saturday as well. *UPDATE* 8:00 PM — Yes, I know about the PSY parody. We might run it here Friday. Click to watch Farmer Style. *END UPDATE*

Religiously Confusing Sign

  • The lynx is not alone this time: We end today with some book covers which appeared here in a 2008 post dealing with whether or not Fluffy and Fido will be in heaven. These are real books that were available for purchase when the post was written. First we took the Chuck Colson position that argues against animals in the afterlife. Then, four months later, in August, 2008; I was persuaded by the Randy Alcorn position which argues for furry friends, though not resurrected ones. Trust me, you could split a church over this topic…

Animals in the Afterlife

December 14, 2010

Hallelujah Chorus: Should Audiences Still Stand?

Filed under: Christmas, music — Tags: , , , , , , — paulthinkingoutloud @ 8:51 pm

We live in a world where many formal traditions are dying out.   I was thinking a few days ago how the mug has replaced the cup and saucer.   How a generation of North American men don’t know how to tie a tie.   How the courtesy of a reply to a letter has gone the way of the dinosaur.

Wikipedia tells us the origin of the tradition under consideration here:

In many parts of the world, it is the accepted practice for the audience to stand for this section of the performance. The tradition is said to have originated with the first London performance of Messiah, which was attended by King George II. As the first notes of the triumphant Hallelujah Chorus rang out, the king rose to his feet and remained standing until the end of the chorus. Royal protocol has always dictated that when the monarch stands, everyone in their presence is also required to stand. Thus, the entire audience and orchestra stood when the king stood during the performance, initiating a tradition that has lasted more than two centuries.   It is lost to history the exact reason why the King stood at that point, but the most popular explanations include:

  • He was so moved by the performance that he rose to his feet.
  • Out of tribute to the composer.
  • As was and is the custom, one stands in the presence of royalty as a sign of respect. The Hallelujah chorus clearly places Christ as the King of Kings. In standing, King George II accepts that he too is subject to the Lord of Lords.
  • He had been dozing and woke with a start.

But it could be argued that, “that was then and this is now.”   I mean, if historians can’t agree as to the why, it really leaves us with a tradition that is somewhat empty.

So, with Handel’s Messiah being performed frequently at this time of the year, should audiences continue the tradition of standing for the Hallelujah Chorus? Be sure to read the comments and take a moment to add yours.

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