Thinking Out Loud

April 27, 2018

Songs of Mission: Part One

Wall maps like this one at Wolverine Baptist Church in Michigan adorned many a church bulletin board with push pins and string highlighting the church’s mission outreach around the world.

We’ve written before about the shift to vertical worship means there are no longer songs of testimony. But also missing are songs of mission, as well as other categories. I realize that it is no longer politically correct to talk about evangelistic crusades and that songs like Onward Christian Soldiers sound different to 2018 ears than it did when the 1865 lyrics were combined with music in 1871. But I thought we’d collect some stanzas from these classics today perhaps for a last look before they disappear into obscurity.

These are hymns, but you could include some 1980s fare like “Shine Jesus Shine” and “We Wanna See Jesus Lifted High” in this list.


We’ve a story to tell to the nations
That shall turn their hearts to the right
A story of truth and mercy
A story of peace and light

For the darkness shall turn to dawning
And the dawning to noon-day bright
And Christ’s great kingdom shall come to earth
The kingdom of love and light


From Greenland’s icy mountains
From India’s coral strand
Where Afric’s sunny fountains
Roll down their golden sand;

From many an ancient river
From many a palmy plain
They call us to deliver
Their land from error’s chain


Far, far away in heathen darkness dwelling
Millions of souls forever may be lost
Who, who will go, salvation’s story telling
Looking to Jesus minding not the cost?

“All power is given unto Me
All power is given unto Me
Go ye into all the world and preach the gospel
And lo, I am with you always.”


There’s a call ringing o’er the restless waves
Send the light! Send the light!
There’s are souls to rescue, there are souls to save
Send the light! Send the light!

Send the light, the blessed gospel light
Let it shine from shore to shore.
Send the light, the blessed gospel light
Let it shine forever more.


Rescue the perishing, care for the dying
Snatch them in pity from sin and the grave
Weep o’er the erring one, lift up the fallen
Tell them of Jesus, the mighty to save.

Rescue the perishing, care for the dying
Jesus is merciful, Jesus will save.


O, Zion haste! Thy mission high fulfilling
To tell to all the world that God is light
That He who made all nations is not willing
One soul should perish, lost in shades of night

Publish glad tidings, tidings of peace
Tidings of Jesus, redemption and release.


Out in the highways and byways of life
Many are weary and sad
Carry the sunshine where darkness is rife
Making the sorrowing glad

Make me a blessing, make me a blessing
Out of my life may Jesus shine
Make me a blessing, oh Savior, I pray
Make me a blessing to someone today.


A charge to keep have I
A God to glorify
A never-dying soul to save
And fit it for the sky


To the regions beyond, I must go, I must go
Where the story has never been told
To the millions that never have heard of his love
I must tell the sweet story of old

To the regions beyond, I must go, I must go
‘Til the world, all the world His salvation shall know


Hear the Lord of harvest sweetly calling,
“Who will go and work for me today?
Who will bring to Me the lost and dying?
Who will point them to the narrow way?”

Speak my Lord, speak my Lord
Speak and I’ll be quick to answer thee
Speak my Lord, speak my Lord
Speak and I will answer, “Lord send me.”


Jesus shall reign where’er the sun
Does His successive journey run
His kingdom spread from shore to shore
‘Til moons shall wax and wane no more


Who is on the Lord’s side? Who will serve the King?
Who will be His helpers other lives to bring?
Who will leave the world’s side? Who will face the foe?
Who is on the Lord’s side? Who for Him will go?

By Thy call of mercy, by Thy grace divine
We are on the Lord’s side, Savior we are thine.


So what’s the point of all this? Just a trip down memory lane for some older readers?

No, the issue is that we don’t have anything today — with the exception of the Getty’s revival of Facing a Task Unfinished, which wasn’t entirely new lyrics — that is thematically equivalent. Our songs are all introspective. We don’t challenge each other.

This was the music of the church, until recently. This is the content that Christians sang on Sunday morning. This was the power of music being used to inspire us to think beyond our church walls, beyond our city, beyond our state, beyond our country and to consider our response to the Great Commission. 

We ought to lament this loss.

 

 

April 21, 2018

Adding to the Difficulty of Singing Modern Worship Songs

Filed under: Christianity, music, worship — Tags: , , , — paulthinkingoutloud @ 8:12 am

When the musical aspect of the last ten years of modern worship is examined, the unique technical distinctive that will be remembered is what’s known as “the octave jump.” For reasons outlined in the video below, it has become a staple of modern worship. Unlike “the key change” which increases energy, but usually doubles the number of chords required for any given song, octave-jumping allows musicians to continue following the same basic chord structure, while the vocalists do the heavy lifting.

If we’re talking about a concert, then it’s the people onstage who are trained singers. However, in a church setting, the aforementioned vocalists are you and me, and the result is going to be vocal strain. Bungee jumping might be safer than octave jumping, and that’s allowing for the screaming when you first jump.

After two weeks looking at the issue of the pitch range of modern worship songs — especially when contrasted with their hymn counterparts — a veteran worship leader looks at octave jumping. We’re joining David Wesley in the middle of a series here, so if you’re up for more or are just a frustrated congregation member who wants to forward something to your worship leader (!) click through to YouTube — on the bottom right of the video — then click his channel name underneath the video.  On the other hand, you can just click here.

 

April 3, 2018

Cruising the Liturgical Worship Continuum

A few years ago, Evangelicals starting using words like Advent and Lent and Lectio Divina. While some purists probably thought this was the proverbial “Road to Rome,” some of us were thankful that the Episcopals, Anglicans and Catholics didn’t have a copyright on the liturgical calendar.

However, at the same time as this is taking place there is another distressing trend at the other end of the worship continuum. Increasingly, worship leaders seem blissfully unaware that there are songs which are especially suited for Easter Sunday and more disturbingly, Good Friday, or the mandate that these days issue to them.

I attended a number of Good Friday services this year and got to witness this firsthand. The lack of focus was rather appalling, however, as I said, the standard has been eroding for at least the past decade, to the point where younger worship leaders and worship planners have never had an Evangelical Good Friday service properly modeled for them.

I covered this in two previous articles:

One of the services I attended included Hosanna, which is a song for Palm Sunday and comes packed with the mood you’re not trying to create on Good Friday. Ironically, of all the services we attended or watched online, it was a capital “L” Liberal denomination’s church that got it right. We sat in a room with only 22 attendees and although there was no sermon, I give them 100% for liturgy and 100% for music in terms of capturing the intent of a Good Friday service.

This is a rant I will never stop. I’m sorry, but… well, here’s what I tweeted a week ago, possibly in anticipation of the weekend which was to follow.

It’s not just Good Friday, either. Thanksgiving has slowly fallen off the worship leaders’ radar. I’m not saying we need to sing We Gather Together or Come, Ye Thankful People Come endlessly; I’ll take a modern worship expression of the same theme. But the people choosing our songs apparently live in a total vacuum when it comes to awareness of the seasons in question. (And yes, I know Thanksgiving isn’t part of the liturgical calendar.)

December 7, 2017

Free Open-Source Worship Lyric Projection Software

When we’re asked to lead worship at another church, I try to get as much information as I can about the congregation and which songs they have been singing and what a typical service looks like. However, on a more practical level, we also need to know what type of piano/keyboard they have and which presentation software they use for worship songs (PowerPoint, EasyWorship, etc.).

The church we’ve been asked to assist this coming weekend introduced us to something new in terms of software, and my wife was impressed with some of its features. Furthermore, it’s free. I asked her if she’d be willing to share this discovery with readers here…

by Ruth Wilkinson

As a worship leader in my home congregation and occasional “guest worship leader” here and there, I enjoy writing, arranging, creating and sharing music and images that help people engage with Scripture and the God who gave it to us.

Over the years I’ve found no shortage of people wanting to sell me stuff to help the process. And fair enough.  A workman is worthy of his wages, after all.

But as a volunteer, I must say it’s lovely when, now and then, I come across a freeware or open source piece of software that has a lot to offer.  Most of the programs I use week to week fall into this category.

Most recently, we were introduced to VideoPsalm, a presentation program that describes itself as “missionware.” As with many freeware programs, this seems to be a labour of love (I didn’t even see a ‘donate’ button on the website). The terms of use simply ask the user to support a missionary/organization financially or in prayer and to “take a little more at heart the evangelical Christian mission.”

The functionalities are comprehensive — images, text, video, PowerPoint, scripture, announcements, countdowns… — with one particular addition I really like: It’s ChordPro friendly.  Which means that, with some editing, chord charts can be projected along with lyrics. (Now if only someone will develop a ‘lead line’ option to make teaching new songs easier. (Dear Santa…)) But this is definitely a nice feature.

As with any program, there is learning to do (for example, how to import a particular song from CCLI.) Video tutorials are available through the website.

For smaller churches or home groups, VideoPsalm could be a real God-send, considering the cost of the commercial presentation software.

…And for what it’s worth, a few other budget friendly (ie free) programs:

OpenOffice –  Word processing, spreadsheets, “PowerPoint” with thorough format compatibility

MuseScore – Music notation software with pdf, midi and mp3 exporting

SoftChord – ChordPro editor

Gimp – Image editing (like photoshop) with a lot of tools and options

OpenShot – Video editing software.  I haven’t used this one myself, but I’ve heard good things

StudioOne Prime – Nice audio editing program.  This is the free version, fully functional but lacking some fancier features

Audacity – A more basic editing audio suite, but quite user friendly and good for recording sermons and whatnot

 

October 27, 2017

God’s Power? Yes, As Long as We Are in Full Control

If you grew up in Africa, the West Indies or even in the North American Black church, you’ll wonder what all the fuss is about in today’s column.

Lord, send the old time power;
The Pentecostal Power

Although we sang that gospel hymn at many of our church’s evening service, indications of God’s power were looked on with extreme suspicion. While the Charismatic Movement had contributed to explosive church growth in many locations, the megachurch where I grew up was having behind-the-scenes meetings to discuss how far they were willing to let that movement invade our fellowship…

…I noticed her across the auditorium from the corner of my eye. Middle aged woman positioned ideally on the aisle for what she was about to do. We were singing a very lively hymn, possibly even the one above and the music at the church was quite loud as she started moving to the music, then stepping out into the aisle putting one foot ahead and back, and then one foot behind and then back. The aisle sloped slightly so she was moving forward and backward, up and down the aisle, though never far from her seat.

The ushers serving that aisle watched each other from the back for confirmation and then wasted no time. Swiftly she was confronted but apparently lost in the music continued the dance.

Then the unthinkable happened. They attempted to pick her up. She went rather rigid at that point — to avoid injury to them one would think — and they carted her out of the service like she was a large piece of lumber. She was perpendicular to the floor and one carried her head and shoulders while the other carried her feet.

I kid you not. Down the aisle and out the door. Never to return…

…Maybe your church has stories of people shutting down Charismatic expression. (The man who ran up on the stage at John MacArthur’s church to give a word of prophecy comes to mind. That was dramatic!) …

…One of the songs in that church’s youth group was “The Holy Ghost Will Set Your Feet A-Dancing.” This was a noble goal for those seeking the fullness of God’s Spirit, as long as things didn’t get out of hand. I don’t remember us doing much more than clapping to that piece. But then a discussion would follow about wanting what the Pentcostals and Charismatics had; wanting to see more of God’s power displayed and active in our church and in our lives…

…Today’s there’s the bridge in “I Could Sing of Your Love Forever” which goes,

O, I feel like dancing.
It’s foolishness I know.
But when the world has seen the light
They will dance with joy like we’re dancing now.

My wife and I haven’t used that song much when leading worship, but when we did, we always skipped that bridge. The purpose of leading worship is to give voice to the congregation to express the worth-ship of God and their aspirations of response. Most of the people in our congregations did not feel like dancing in those moments, and if you’re not dancing, the song really makes no sense.

They would concur the second the line however, “It’s foolishness I know.” David danced before the Lord. Thank goodness we’re in the New Testament now…

…I’m sure the woman in my story recognized that our church wasn’t the best fit for her and eventually found a home in the many Pentecostal and Charismatic church springing up all over the city where you could take a few steps back and forth without being a distraction.

I wonder how many that Sunday night secretly admired her freedom?


It would be interesting to know what insurance providers and court judges would think of the physical confrontation I watched. Do not try this at home…

…And yes, YouTube would be several generations down the road, but this one would have been great to have captured. Today camera-phones would have been tracking her from the first few steps of her jig.

 

August 31, 2017

Could Your Worship Leader(s) Pass a Basic Theology Test?

What just happened? I was trying to make the connection between two elements of a single spoken section between two worship songs, but I figured I had just missed something. Someone came to me after the service and asked what I thought. I said I didn’t think it made any sense. They said they thought it was heretical.

Last night my wife and I continued the discussion.

A pastor was once expected to spend an hour in study for every minute in the pulpit. 30 hours preparing the sermon. I don’t know what the expectation was if they also had to do a different sermon in the evening service (back when churches had them) but I’ve known pastors who if they don’t hit 30 hours come respectably close. One I know these days always has books and commentaries spread out on his desk throughout the week; and the payoff is evident with each new message.

So if a worship leader is going to have five minutes worth of patter between songs, should they not spend five hours preparing that? I know worship leaders that have spent a long time, in addition to selecting the songs, in preparation for what they’re going to say at the beginning and little comments interspersed throughout the worship set.

So…

Could your worship team leader(s) pass an elementary test of basic theology?

Could your worship team leader(s) provide helpful counsel to someone who seeks them out after the service?

Could your worship team leader(s) deliver a homily; a message; a sermon if asked to speak in a format longer than the short song introductions they give at weekend services?

I wonder how much thought is given to this when interviewing prospects for paid positions in the modern Evangelical church?

Have you ever experienced really bad theology during a worship set?

Does your church let the worship leader say much or is their mandate to simply play music?

If the modern Evangelical expectation is that pastors have a Masters level education, should there be a lesser but similar educational requirement for worship team leaders?

August 25, 2017

Parts and Pieces of Praise Production

Yesterday we looked at some very superficial reasons which draw people into the larger music business with a hope that church musicians can understand their own music-personality type. Today we want to stay somewhat shallow (!) in looking at the raw practicalities of drafting the music for Sunday morning.

When it first appeared, yesterday’s piece‘s title was about motivation with this one being about methodology. Both are important and it’s something I first taught at a musicans’ seminar back in the — let’s just say a long time ago. You need the right people with the right building blocks.

treble clefFinding the recipe

If you look at a recipe, it’s always divided into two sections. First you have a list of ingredients, and then you have the instructions as to how you wish to use them. Worship planning is very similar. There’s a list of songs you want to use, but how do you blend and mix them? Perhaps there’s a song that is going to occur at the beginning and the end of the service. Possibly two songs might play off each other (i.e. How Great Thou Art and How Great is Our God). Some might stand alone, while others might combine into medleys.

Ingredients are key

You want to choose your ingredients carefully. Just as in baking, some elements might conflict. Some choices might be too spicy. Others might be too bland. In a salad, you go for color and music is no different. A seasoned worship leader will have about 5,000 songs in their head at any one time. Unless you get to plan a worship night, you’re probably only going to do about five songs. You have 4,995 songs to leave out.

What people are hungry for

Your job is to give people the means by which they can respond to God for his greatness and goodness, his holiness and majesty, his love and compassion; just to name a few. The songs should resonate with young and old, and therein lies a challenge. With different strains of ingredients (classic hymns, 20th century gospel hymns, Maranatha! Music, Vineyard, modern worship leaders, modern hymns, soaking music, Hillsong, UK-based songs, etc.) you can appeal to different demographics, or you can choose to present a more musically-unified selection. If you want to see a younger demographic, you also have to skew your choices to people who perhaps aren’t there yet. That’s risky, but some churches do this.

Appetizer or main course?

Some Evangelicals see the worship time as preparing the hearts of people for the teaching of the word. Some Evangelicals see the praise time more liturgically valid on its own. I personally lean more to the second position. Still you want to know what the sermon topic is so your two selections don’t conflict.

Toppings

A worship time will be rather uneventful if it is just straight singing. You want to intersperse related quotations, read one of the verses before or after singing it, include quotations, or even do a “story behind the song” type of introduction. Many leaders default to Psalms, but some congregants tune them out. But there are exceptions; last week in our church the readings were all from the same Psalm and the songs chosen around that.

A shared meal

One of the values of corporate worship is that there are things we can do together that we can’t do alone (i.e. just listening or singing along with an album or Christian radio station at home.) The music should somewhat exploit the congregational dynamics. There should be some lively songs (by whatever parameter you measure that in your style of church) and there should be some songs where the beauty of blended voices can be both heard and felt. There’s also a value to silence.

When people like the recipe, don’t take credit

It’s very humble to say, “God gave me these songs this week;” but better to deflect the credit to the creators of the songs, or best, God Himself. “This is a new song, written by a musician who God is really using to stir us to deeper worship.” Or, “This song really focuses on God’s knowledge and wisdom and helps us consider how the ways of the Lord are so much beyond anything we could understand.” With opening statements like that it takes the focus away from you; you’re seen rather as a hunter and gatherer of worship that’s already out there.

We’re part of a much larger banquet

Occasionally, I would remind our congregation of the vast number of churches that were joining us in worship across our city, across our denomination, and in our nation; and then I would remind them that in North America, we occupy a place at the end of the timezones, joining a worship service that has been taking place around the world that weekend. Just thinking about that now, I am reminded of its potential to reshape how we approach worship.

So those are the superficial factors. But there are also some very spiritual considerations. That would make a great third part to this weekend series, but Laura covered that for us so well I’m going to invite you to simply click here.

August 24, 2017

The Personality of the Platform People

So what attracts people to work in the music industry? A few years ago, writing under the title “Motivation for Music Ministry” (which is equally alliterative to the one chosen today) I looked at the traits of people in the music sector of the entertainment business listed below and extrapolated from that to make application to the church context. I also added one, at the end of the list, that I believe is more common only within Christian experience, though that’s not say that many musicians don’t have a cause.

Worship leaders: Perhaps finding what attracts you to music in the first place will help you understand your personality type as a musician.

treble clefPerformance

Some people just want to play. They live to gig. If you’re a drummer and you can’t sing, you’re never going to be center stage, and people might not even know your name, but that’s okay, right? The idea is to simply make music, either in a live context or in a studio. The busier the schedule, the better.

Profile

For others, being center stage is really important. They are attracted by the idea of being a name you would know. They might already have their own web domain. Or an agent.

Product

The goal for some people is just to make an album. They aren’t looking for bookings and they aren’t looking for fame. They just want to have that physical CD in a plastic case that they can give to their friends, and show to their kids some day. (“That’s neat, Mom. Too bad we can’t play it on anything.”) Sales in retail stores would be an added bonus.

Publishing

The nice thing about this as a goal is you don’t have to give a single concert or even be able to carry a tune. But if you can compose meaningful songs and get others to perform them your music can travel to places you can’t. For people who are happy behind the scenes, this is an achievable goal, though usually the singer/songwriter usually has their own material. For people who do perform, the goal here is getting their songs covered by other groups or solo artists.

Production

Just as there are frequencies that only dogs can hear, there is a smell in recording studios that only some people detect. To most of us, a 48-channel recording console looks intimidating, like the cockpit of a jet plane, but to them, the lights and dials create an adrenaline rush, or at the very least are all part of a day’s work. Their job demands that they live to serve the needs of others, but we know the names of many producers who have never recorded a single note themselves.

Profit

Although this can apply to any of the areas listed above, if we’re dealing with the area of motivation, then money can be a driving force. If you’re competent at publishing, performance, production, etc. and you need to pay the bills, you do what you’re good at.

Proclamation

This is the one I feel is more common to Christian musicians, though it’s not entirely unique since it applies to anyone who feels they have a message to communicate, whether it’s 60s hippies protesting the Vietnam War, or 80s rockers crusading for environmentalism. Today the message might still be anti-war, or racial equality, or perhaps gay rights. It is in this milieu that Christian artists raise their voices to express their faith or tell their story, though in the last dozen years, Christian music has been dominated by vertical worship which lessens the number of testimony or teaching songs being heard. We have, as Randy Stonehill put it many, many years ago, “the hottest news on the rack,” and so that motivates Christian musicians to make music which reflects their core faith beliefs.

…Of course, playing because you want to have a message to share is a noble ideal, but many musicians also fall into one of the other categories as well. They want to make an album, or achieve popularity, or be able to make a living from their art. That’s okay, right?

In Part Two we’ll look at some of the practical ingredients of worship, comparing it to a recipe that worship leaders bake each week!

August 22, 2017

Church Life: Special Music

In a majority of the middle part of the last century, a feature of Evangelical church services was “the special musical number” or “special music” or if the church didn’t print a bulletin for the entire audience, what the platform party often logged as simply “the special.”

While this wasn’t to imply that the remaining musical elements of the service were not special, it denoted a featured musical selection — often occurring just before the message — that would be sung by

  • a female soloist
  • a male soloist
  • a women’s duet
  • a men’s duet
  • a mixed duet
  • a mixed trio
  • a ladies trio
  • an instrumental number without vocals

etc., though usually it was a female soloist, who, in what would now be seen as an interruption to the flow of the service, would often be introduced by name. “And now Mrs. Faffolfink, the wife our beloved organist Henry, will come to favor us with a special musical number.” This was followed by silence, with the men on the platform party standing as the female soloist made her way to the microphone. (We’ll have to discuss ‘platform party’ another time.)

While the song in question might be anything out of the hymnbook, these were usually taken from a range of suitable songs from the genre called “Sacred Music” designed chiefly for this use, compositions often not possible for the congregation to sing because of (a) vocal range, (b) vocal complexity such as key changes, and (c) interpretive pauses and rhythm breaks. These often required greater skill on the part of the accompanist as well.

A well known example of this might be “The Holy City” which is often sung at Easter, though two out of its three sections seem to owe more to the book of Revelation. “The Stranger of Galilee” and “Master the Tempest is Raging” are two other well-known examples of the type of piece. Sometimes the church choir would join in further into the piece. (The quality of the performance varied depending on the capability of soloists in your congregation.)

By the mid-1970s commercial Christian radio stations were well-established all over the US, and broad exposure to a range of songs gave birth to the Christian music soundtrack industry. More popular songs were often available on cassette from as many as ten different companies. Some were based on the actual recording studio tracks of the original; some were quickly-recorded copies; and some of both kinds were offered in different key signatures (vocal ranges.) Either way, they afforded the singer the possibility of having an entire orchestra at his or her disposal, and later gave way to CDs and even accompaniment DVDs with the soundtrack synchronized to a projected visual background.

Today in the modern Evangelical church, this part of the service has vanished along with the scripture reading and the pastoral prayer. If a megachurch has a featured music item, it’s entirely likely to be borrowed from the Billboard charts of secular hits, performed with the full worship band.

This means there is an entire genre of Christian music which is vanishing with it. This isn’t a loss musically — some of those soloists were simply showing off their skills — as it is lyrically. The three songs named above were narrative, which means they were instructional. They taught us, every bit as much as the sermon did; and were equally rooted in scripture texts. The audience was in a listening mode, more prepared to be receptive. Early church historians will still despair over the passive nature of listening to a solo, but I believe the teaching that was imparted through the songs was worth the 3-4 minutes needed.

My personal belief is that this worship service element will return, albeit in a slightly different form, as congregations grow tired of standing to do little more than listen to pieces they can’t sing anyway because of vocal range or unfamiliarity. This may be taking place already in some churches.

We’ll be better served when that happens.

 

July 14, 2017

Having Fun With Common Meter

We’ve run this one by you twice already, but I still think you can enjoy this or do things like it, unless of course you’re a follower of Bob Kauflin, the Reformed worship guru who says you don’t mess with the original composition. That’s okay, Bob. You do it your way.

Cornerstone by Hillsong incorporates the lyrics of the old hymn, My Hope is Built, and then adds a chorus, “Cornerstone, Christ alone; weak made strong in the Savior’s love…”

My Hope is Built is based on a rhythmic structure called Long Meter or simply L.M. for short. If you grew up with hymnbooks, you know there was a metrical index in the back and it’s there for a reason. Well, actually it was there mostly for the amusement of musicians since most churches never did switch up tunes or lyrics. But some did, especially on Sunday nights, which wasn’t always taken as seriously as Sunday morning. L.M. is also 8.8.8.8. which means any song with that same meter will work, though I’ve suggested a few that use C.M. or Common Meter which is 8.6.8.6. (though I’ve added words in some cases or you have to stretch in others).

For what it’s worth, I like Cornerstone just the way it is; and I would suggest retaining the first verse as it connects well with the theme. So you would probably only want to choose no more than a couple of these, but I’d strongly recommending the idea of ending with the last one here.

Alternatives

He left His Father’s throne above
So free, so infinite His grace
Emptied Himself of all but love
And bled for Adam’s helpless race

O for a thousand tongues to sing
My great redeemer’s matchless praise
The glories of my God and King
The triumphs of His love and grace

He breaks the power of canceled sin
The prisoners are each one set free
His blood can make the worst ones clean
His blood poured out for you and me

Forbid it Lord that I should boast
But for the death of Christ my God
All earthly things I hold so dear
I sacrifice them to His blood.

O God our help in ages past
Our hope for many years to come
Our shelter from the stormy blast
Our strength and our eternal home

Amazing grace how sweet the sound
That saved someone like you and me
We once were lost but now we’re found
We once were blind but now we see

No condemnation now I dread*
Jesus, and all in Him is mine
Alive in Him, my living head
And clothed in righteousness divine

People and realms of every tongue**
Dwell on His love with sweetest song
And infant voices shall proclaim
Their earthly blessings on His name

Faith of our Fathers, living still
In spite of prison, fire and sword
O, how our hearts beat high with joy
Whenever we hear that great word.

Praise God from Whom all blessing flow
Praise Him all creatures here below
And up above you heavenly hosts
Praise Father, Son and Holy Ghost.

* All the verse from And Can It Be? work well here.

**I really like Jesus Shall Reign here, I just selected a single verse. Cornerstone is a song of declaration, some of these verses turn the song into an anthem of praise, with Christ as the Cornerstone. You might want to do your own research and find other L.M. songs that work. And yes, the title of this blog post is technically wrong, but I like it better than “Having Fun With Long Meter.” And if you’re British, Australian or Canadian, just change “meter” to “metre” the way the word was intended!

« Newer PostsOlder Posts »

Blog at WordPress.com.