Zac Hicks should write a novel. In his book The Worship Pastor: A Call to Ministry for Worship Leaders and Teams (Zondervan) he proves himself as a master of analogy. Not one or two, but more than a dozen comparisons between the person you might see on the stage at weekend services leading us sung and spoken worship, and other ministry and non-ministry occupations with which you are familiar.
The need for these comparisons is simple: Worship leaders wear many hats. Those who are paid full-time to do this vocationally at larger churches are definitely multi-tasking, but even in smaller congregations, the task of directing us, as well as leading the worship team itself, is multi-faceted.
For that reason, I would argue that for those who perform this function, this is a book that will be referred to on a constant, ongoing basis. The Worship Pastor is basically an encyclopedia of everything related to the responsibility of planning and executing what is, in many of our churches, up to if not more than half of the total service time.
The author has been writing at his blog, ZacHicks.com since May of 2009. His bio notes that he “grew up in Hawaii, studied music in Los Angeles, trained in Philosophy and Biblical Studies at Denver Seminary, and his current doctoral work is in the theology and worship of the English Reformation. Zac’s passions include exploring the intersection of old and new in worship and thinking through the pastoral dimensions of worship leading.”
Indeed, the brilliance of the book is his ability to speak to two vastly different audiences: Those leading in a traditional, liturgical setting, and those serving in a modern, free worship environment. In both cases those leading have more in common in than they realize, and face many of the same challenges.
Back to the analogies. At the book’s website, these are spelled out and it helps you understand the book best to restate them here:
Chapter 1: The Worship Pastor as Church Lover
Chapter 2: The Worship Pastor as Corporate Mystic
Chapter 3: The Worship Pastor as Doxological Philosopher
Chapter 4: The Worship Pastor as Disciple Maker
Chapter 5: The Worship Pastor as Prayer Leader
Chapter 6: The Worship Pastor as Theological Dietician
Chapter 7: The Worship Pastor as War General
Chapter 8: The Worship Pastor as Watchful Prophet
Chapter 9: The Worship Pastor as Missionary
Chapter 10: The Worship Pastor as Artist Chaplain
Chapter 11: The Worship Pastor as Caregiver
Chapter 12: The Worship Pastor as Mortician
Chapter 13: The Worship Pastor as Emotional Shepherd
Chapter 14: The Worship Pastor as Liturgical Architect
Chapter 15: The Worship Pastor as Curator
Chapter 16: The Worship Pastor as Tour Guide
The title of the book (reiterated in each chapter) also deserves a second look. Hicks clearly sees the job as pastoral and would have those who serve in this capacity see it as nothing less. For those of us who have been criticized by pastors who felt their toes were being stepped on by a music director wanting to express this type of role in the statements, readings, and off-the-cuff remarks on a Sunday morning, this book grants them the authority to pursue their calling as a pastoral role.
I couldn’t help but note that for a book written by a musician, this one definitely builds to a crescendo in its later sections.
Wondering about that 12th chapter? “Death is the unspoken anxiety of North American culture…Our people bring all those fears right into the services we plan and lead. Each week, death is the biggest elephant in the sanctuary.” That one was fun reading. (Full disclosure, the chapter also deals with worship directors called upon to assist with funerals.)
Chapter 14 is actually a high point in the book and one that is anticipated throughout earlier sections. We’re presented with a worship flow (my word, not his) which then maps onto various liturgical and contemporary church service models, from Vineyard to Anglican.
But what about choosing some songs? Hicks doesn’t get around to anything as pedestrian as song selection until Chapter 15, and he does it in a rather unique way: By calling on the various ‘people’ in the previous models he is basically asking us to consider what songs ‘they’ would choose. (As a practitioner, I once commented that a longtime worship leader has heard about 5,000 compositions, but song selection isn’t about the five songs you choose, but the 4,995 you have to leave out.) He applies this also to choosing prayers (and how they are worded) and considering transitional segments.
Through the use of illustrations from the author’s experience, this book is accessible to all, however having said that, I believe it is also written at a somewhat academic level, thus I would expect The Worship Pastor to appear in textbook lists for worship courses. For those who want to go deeper, the footnotes represent a vast array of literature which sadly ended up on the cutting room floor. I would love to see Hicks explore those writers in greater detail. (The Worship Pastor: Director’s Cut, perhaps?)
My recommendation? This should be required reading for both worship leaders, singers, musicians, and senior pastors.
Thanks to Miranda at HarperCollins Christian Publishing Canada for an opportunity to read The Worship Pastor. Any physical resemblance between Zac Hicks (pictured here) and Steven Curtis Chapman is purely coincidental.