Thinking Out Loud

April 13, 2018

Boy Who Didn’t Come Back From Heaven Now Suing Tyndale House Publishers

Tuesday in The Washington Post:

On Nov. 14, 2004, as 6-year-old Alex Malarkey drove home with his father Kevin in rural Ohio, a left turn nearly took his life. As Kevin turned the car it collided with another vehicle, and the boy’s skull became completely detached from his spinal cord.

But Alex did not die — and that’s the central fact behind a long-running controversy that has now led to a lawsuit.

Two months after the crash, Alex emerged from a coma as a quadriplegic. The injured boy also began telling family and friends about traveling to heaven and meeting Jesus and Satan.

In July 2010, Kevin and Alex Malarkey penned an account of the boy’s religious experience, “The Boy Who Came Back From Heaven.” The book was published by Tyndale House, a publisher of Christian books. It went on to reportedly move more than 1 million copies and spent months on the New York Times bestseller’s list. The book was part of a bumper crop of similarly geared narratives — tales of near-death experiences and brushes with the Almighty published by religious imprints.

Then it all fell apart. In January 2015, Alex, now paralyzed from the neck down, admitted he had fabricated the story.

“I did not die,” he wrote in a blog post. “I did not go to Heaven. I said I went to heaven because I thought it would get me attention.”

The admission created a firestorm within the worlds of evangelical faith and Christian publishing. The controversy was revived this week when Alex — now 20 years old and living off Social Security — filed a lawsuit against Tyndale House in Illinois’s DuPage County, where the publisher is located. The complaint alleges Kevin Malarkey was the main actor behind the fabrication…

continue reading here

Christianity Today picks up the story Wednesday:

…Tyndale took the book out of print in 2015, after Malarkey admitted he made up the story of dying and going to heaven after the accident.

“Now that he is an adult, Alex desires to have his name completely disassociated from the book and seeks a permanent injunction against Tyndale House requiring it to do everything within reason to disassociate his name from the book,” according to the complaint, which was covered in The Washington Post.

Malarkey has sued on the grounds of defamation, financial exploitation, and publicity placing a person in a false light, saying that Tyndale went forward with initially publishing and promoting the book knowing his opposition. He states that he did not write any part of the book or consent to the use of his name as a coauthor and story subject.

The suit states that he has “never been permitted to read the contract, nor to review any accountings provided under the contract, he refuses to acknowledge that the contract ‘is in effect and binding,’ now that he has reached the age of majority.” …

…Tyndale said in a statement issued this week that it no longer promotes the book or makes it available for sale, and that it has complied with the terms of the book contract.

“This is a terribly unfortunate situation, which deeply saddens all of us at Tyndale,” said Todd Starowitz, the publisher’s spokesman. “Despite the claims in Alex Malarkey’s lawsuit, Tyndale House paid all royalties that were due under the terms of our contract on his book, The Boy Who Came Back from Heaven. Tyndale took the book out of print in 2015 when Alex said that he had fabricated the entire story. Any books still available from online vendors are from third-party sellers.” …

continue reading here

Clarification: Since the product recall, many mistook the story being recanted as belonging to the book Heaven is For Real by Todd Burpo (Thomas Nelson) since both are about kids. Bookstore sales staff continually need to emphatically set the record straight.

Product which was available as of January 16th, 2015 before the recall. Image captured at Ingram/Spring Arbor.

 

The book was one of many similar titles on the New York Times bestseller list in August, 2011

 

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April 11, 2016

The Downside of Major Music Corporations Owning Christian Labels

This post first appeared in April 2012 at Christian Book Shop Talk

All music products follow a natural cycle from top sellers to the delete bin. In the book industry, we call them remainders, with CDs their deletes. Not sure which is worse: Being ‘leftovers’ or ‘write offs.’ The end result is the same.

There are two surefire ways to make sure your songs don’t die after the album sales die: One is to make a comeback every five years; the other is to make sure the songs are remembered and perhaps even rediscovered years later to be covered by other artists.

If you’re an upcoming band or solo artist, you want to get signed to a label, and you want to get signed to a good label, and a good label is one that will work hard to aggressively promote your music and aggressively protect your copyrights, right?

Well, maybe not. Those royalties will certainly buy a lot of groceries and nobody wants to see their music blatantly ripped off. But I don’t think any musician lying on their deathbed is preoccupied with performance royalties or mechanical royalties.

They would much rather see their music outlive their lives.

I’m returning of course to the issue raised the other day concerning EMI-CMG, the Christian music group of EMI. Is getting signed with this label the top prize, or might you do better, in the long run, to sign with a more ministry-focused organization?

Today I decided to listen online to the song “More” by Mylon LeFevre. Classic Christian rock. “More of Jesus, less of me…” Beautiful harmonies.

But instead, I got the far too recurring black screen telling me the song is not available in my country. Apparently people in Canada are tripping over themselves trying to profit from Mylon’s material. (If I wrote this on one of my mainstream blogs, I would get back, “Mylon who?”) It’s a shame really, because the song is most worthy of a cover version.

I’m sure somebody at EMI thinks they are just doing their job; bowing to whatever copyright oddities permit the song in the U.S., but ban it in Canada, Japan, Serbia and three other countries you’ve never heard of. And in fairness, the notice also implicates Warner Music Group, who aren’t so much of a player on the Christian music scene, but probably own a song or two that you and I would want to recall.

The bottom line is this:

  • Christian music exists for a different purpose
  • Christian songs ultimately belong to the body of Christ
  • Christian artists answer to a higher boss

For years, the CCM industry yearned for “crossover,” we wanted to see our products rack up the numbers in K-Mart and Target and be equal players in the larger industry. So independent record companies like Sparrow sold out to the majors.

Perhaps it’s time to stop chasing success and start crossing over in the other direction; time to take back our music. And if you are a music artist on the cusp of signing with a ‘major,’ think twice about where you want your music to be long after the songs are deleted and the band breaks up. Available or locked in a vault somewhere?


Update: Today (at least) you get to hear the song if you’re in Canada. And for those of you who didn’t know what song I was speaking of; here it is:

January 31, 2013

Christian Bookstore Closings Affect The Broader Community

Filed under: books, music — Tags: , , , — paulthinkingoutloud @ 7:24 am

With electronic devices, the proliferation of online ordering, and a general lack of reading taking place, it’s easy to know the why of what happens when a community loses a Christian bookstore.

But in the process, the community also loses its Christian music store and its Christian DVD store and its Christian greeting card store and its Christian giftware store and its Christian apparel store and its outlet for tickets for Christian events and its church supplies store and its Bible store and its place to meet up with other Christ followers in a non church setting.

Instead: The church community loses a marketplace presence.

Instead: The community at large loses the effects of the church being in that marketplace.

Maybe, even though they don’t own the businesses in question, local churches should be standing side-by-side with the remaining stores and fighting for their survival.

April 29, 2012

Christian Bands and Artists: Think Twice About Selling Your Soul

This post appeared yesterday at Christian Book Shop Talk

All music products follow a natural cycle from top sellers to the delete bin. In the book industry, we call them remainders, with CDs their deletes. Not sure which is worse: Being ‘leftovers’ or ‘write offs.’ The end result is the same.

There are two surefire ways to make sure your songs don’t die after the album sales die: One is to make a comeback every five years; the other is to make sure the songs are remembered and perhaps even rediscovered years later to be covered by other artists.

If you’re an upcoming band or solo artist, you want to get signed to a label, and you want to get signed to a good label, and a good label is one that will work hard to aggressively promote your music and aggressively protect your copyrights, right?

Well, maybe not. Those royalties will certainly buy a lot of groceries and nobody wants to see their music blatantly ripped off. But I don’t think any musician lying on their deathbed is preoccupied with performance royalties or mechanical royalties.

They would much rather see their music outlive their lives.

I’m returning of course to the issue raised the other day concerning EMI-CMG, the Christian music group of EMI. Is getting signed with this label the top prize, or might you do better, in the long run, to sign with a more ministry-focused organization?

Today I decided to listen online to the song “More” by Mylon LeFevre. Classic Christian rock. “More of Jesus, less of me…” Beautiful harmonies.

But instead, I got the far too recurring black screen telling me the song is not available in my country. Apparently people in Canada are tripping over themselves trying to profit from Mylon’s material. (If I wrote this on one of my mainstream blogs, I would get back, “Mylon who?”) It’s a shame really, because the song is most worthy of a cover version.

I’m sure somebody at EMI thinks they are just doing their job; bowing to whatever copyright oddities permit the song in the U.S., but ban it in Canada, Japan, Serbia and three other countries you’ve never heard of. And in fairness, the notice also implicates Warner Music Group, who aren’t so much of a player on the Christian music scene, but probably own a song or two that you and I would want to recall.

The bottom line is this:

  • Christian music exists for a different purpose
  • Christian songs ultimately belong to the body of Christ
  • Christian artists answer to a higher boss

For years, the CCM industry yearned for “crossover,” we wanted to see our products rack up the numbers in K-Mart and Target and be equal players in the larger industry. So independent record companies like Sparrow sold out to the majors.

Perhaps it’s time to stop chasing success and start crossing over in the other direction; time to take back our music. And if you are a music artist on the cusp of signing with a ‘major,’ think twice about where you want your music to be long after the songs are deleted and the band breaks up. Available or locked in a vault somewhere?

January 11, 2011

Top 40 Christian Books

I grew up on bestseller charts, especially ones dealing with popular music and various sub-genres. I read them, studied them, and at several stages of life was involved in preparing them. For me, Billboard Magazine was like a textbook; and I carried this love of charts into my still-growing affection for books and readings.

If you spend any time at all in the Christian blogosphere, you tend to get focused on a collection of titles that is both eclectic and esoteric, but one that doesn’t always reflect what’s going on in the trenches; what books are being scanned at the cash registers of various Christian stores. Furthermore, because the Christian blogosphere is not balanced denominationally — I’ve written about this before — certain publishers’ products tend to dominate.

So here’s a look at the top 40 Christian book chart from my part of the world — sans any additional commentary — which I think is fairly reflective of national trends in North America. The comment section is all yours to discuss any of the given authors or charts in general, but on the latter, remember that for Christian retailers, awareness of what people are buying is a necessary evil, and objectively,  nobody is presupposing that one book worthy of more  honor than any other on the list.


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