In the sidebar at Christianity 201, there are a number of worship songs linked with devotional articles we’ve done there. Many of these would be recognizable to those of you who feature modern worship in your church or listen to Christian radio, but I thought today we would include some which are a good fit here at Thinking Out Loud which may be know to some of you, but not others.
August 4, 2016
July 9, 2016
It’s been awhile, but this is the third time for this article here, this time with revisions…
I’ve previously written here about how we’re big fans of sermon audio when we travel, and as someone who works in a Christian bookstore environment, it’s a given that I’m a huge booster of Christian books and music.
But today I want to approach this from a slightly different perspective. Many times I’ve written about the battle that goes on for our thought life, and how this takes place on a moment by moment basis. Back in June, I posted a great analysis of the types of thoughts, that are going on in our heads at any given point in time.
I don’t spend a lot of time commuting, but I am increasingly aware of the contrast that exists between the mental processes that take place when I omit to turn on the radio — which is mostly presets for Christian stations — and drive in silence, versus the times I have worship songs playing. This is a giant contrast in my thoughts and attitude, not a mild difference.
Listening to Bible Teaching
I frequently listen to sermons from Willow Creek, The Meeting House, Woodland Hills and North Point, in addition to live sermons at church, and the occasional streaming of conferences.
Life was not always so.
I can remember asking my parents why they had to constantly listen to more preacher programs. Their media of choice was WDCX, an FM station in Buffalo, and WHLD, a Buffalo AM outlet. Of course, my choice would have been Top 40 rock station 1050 CHUM in Toronto. I think that was the real issue.
But today, although I hunger to learn and grow and discover more about Christ through what others have learned, I also am acutely aware of what happens in the absence of Christian media in the home.
Bible teaching can come in other forms besides radio and television. There are the aforementioned sermons-on-demand and live-streaming church services on the internet, plus many pastors often do a separate podcast. But there are still audio CDs of sermons kicking around, and of course books.
Reading Christian Books
One of my latest rants is that, in the average 21st Century family, I’m not sure the kids have ever seen dad sitting in a chair reading, and here I’m speaking of reading anything, a newspaper or magazine would suffice. How much more is it important to take time out and immerse yourself in the Bible, devotional material and study resources. If you missed it, I encourage you to read an article we did on Bill Hybels’ “Chair Time” concept.
Listening to Christian Music
For some Christ-followers, the dominant form of uplifting, inspirational and wholesome media is Christian music; which may consist of hymns, mass choirs, southern gospel, adult contemporary, Christian rock in all its various genres, and the current favorite, modern worship.
Again, these can be accessed in various forms. Some choose mp3 files which can be played back in the car and in the home. Many people are still buying music CDs. Christian music song videos abound on video sharing sites like YouTube. There is an abundance of Christian radio available online, and here in North America, most people live within range of a broadcast station that plays music, teaching or a mix of both.
But I have to say that as a worship leader, nothing compares to the songs what you experience in a worship environment with your faith family. Even today, I hear a song and I’ll remember which church I was in when I heard it and who was leading worship that day. Or I’ll be reading a scripture and I’ll recognize the verse as a line from a worship lyric. If you happen to be blessed with a gift that allows you to play in the worship band, a particular song can get stuck in your head for hours, and in a good way.
For a listing of some of my favorite songs with video, visit the sidebar in the right margin at Christianity 201.
Our family was never a movie-culture family. We’ve been to the cineplex less than a dozen times, ever. But the production of Christian cinema has exploded over the last few years, and if you’re the type who enjoys gathering everyone around the home theater there are now some really decent films from which to choose, plus you’re supporting a genre that has tremendous outreach potential. You can purchase DVDs — great for loaning out after you’re done — or stream movies live.
Listening to God
These varied media I find to be a positive alternative to anything else, and in fact fulfill a direct instruction from scripture:
Phillips – Col. 3: 16-17 Let Christ’s teaching live in your hearts, making you rich in the true wisdom. Teach and help one another along the right road with your psalms and hymns and Christian songs, singing God’s praises with joyful hearts.
What will control your thought life this week?
May 7, 2016
When Grove City College Psychology Professor Warren Throckmorton reports on Mark Driscoll’s troubles or Gospel for Asia’s financial situation we link to it. But when he talks about K-LOVE it gets personal; we listen to that station in our car on a regular basis. So I was surprised on Thursday night to discover I was arriving to this nearly a week late, though I got the payoff of being able to also read the 50+ comments that followed. (Click the title below to read at source.) What follows are the highlights. If you’ve heard the station but don’t know much about the parent organization, you might want to pause to check out this Wikipedia article on the Educational Media Foundation.
The Christian radio empire K-LOVE (complete list of stations) is in the middle of their Spring Pledge Drive. To be blunt, the constant solicitations are annoying.
After hearing a claim recently that K-LOVE’s CEO Mike Novak’s salary is over half a million dollars, I decided to do some exploration of K-LOVE’s finances. K-LOVE is one of two radio enterprises run by Educational Media Foundation (Air One is the other). Because EMF is a non-profit, their finances are available via their 990 form. The organization is quite large and took in just over $152-million during 2014.
Concerning the salary claim, it is true that CEO Mike Novak got a hefty sum of $531,256 in 2014. Numerous employees, including one of the DJs got over $200k in compensation. K-LOVE pushes an “easy” giving level of $40/month on the air and their website. It takes 1,107 people making that monthly pledge just to pay Novak’s salary. By comparison, the executive director of Doctors Without Borders, Sophie Delaunay, got just over $160k for running an organization that took in twice what K-LOVE received in donations.
K-LOVE also spent $267,463 on “pledge drive coaching.” The return on investment was phenomenal in 2014 in that they raised over $32-million attributed to the effort. [emphasis added]
Then follows some screenshots and a discussion of compensation of board members. On the subject of compensation he added in the comments:
Having said that, I am sure you can find non-profits CEOs who get more. My point in posting the info was to alert donors that K-LOVE won’t close down if some widow on a fixed income fails to give $40/month.
More transparency in the actual appeals would be refreshing. “We need your easy monthly $40 gift because we have a heap of debt and we are wanting to aggressively expand into areas which already have Christian radio stations. We need your contribution to help push local Christian stations out of the market.”
But it was this conclusion that really got to me:
K-LOVE’s net revenue over expenses for 2014 was over $64-million. At $40/month, that means 133,761 donors could have given their money elsewhere and K-LOVE would have covered operational expenses. While it clearly takes lots of money to run a high quality media operation, it may come as a surprise to donors who sacrificially give $40/month that K-LOVE is doing quite well financially.
I am not saying that K-LOVE is doing anything wrong (although I think they could make it more clear that staff board members are handsomely paid). My intent is simply to provide potential donors with information that is not provided by K-LOVE. It may be that your local church or food pantry needs that money more than this mega-station. [emphasis added]
Again, in the comments he repeated:
…I just want people to know that if they are considering their local church or KLOVE, the church probably needs it more.
While I don’t want to get into the reader comments, this one from FormerCCMRadioPerson gets back to the heart of what Christian radio is all about.
The huge difference between EMF (KLOVE’s Parent Network) and other networks is that they [KLOVE] own tons of signals, but only have 3 different Formats.
EMF runs the nearly-same feed of KLOVE, Air1, and Radio Nueva Nida on their vast network of signals. So if you hear that a local long-time Christian radio station is selling their station [to] KLOVE, that means the local DJs (and other local workers) just dropped to zero. No local presence. No local weather, ads, connections with churches, outreaches, whatever. It costs precious little to keep those EMF stations on the air. If KLOVE starts up a signal in rural Montana it’s the exact same thing that they’re listening to in Chicago, Miami, and Fairbanks.
Also inflating EMF’s claims is the vast amounts of “translator” stations they run. These are tiny FM repeaters with a 5-15 mile radius that are far easier to license, and they take virtually nothing to maintain compared to their full-powered signals. Many of those KLOVE signals (and Air1) are translators — some of which are owned by IHeartRadio (aka “Clear Channel”) through an arrangement.
None of this is to say that a CEO deserves more or less, but it does mean that EMF/KLOVE’s uniformity makes it far different from comparable companies like Clear Channel or CBS. [emphasis added]
Again, click the article’s title next to Warren’s picture to read this at source with all the comments.
April 1, 2016
After my wife opened up a worship music can of worms yesterday, our good friend, veteran Canadian Christian broadcaster, and satellite music channel programmer Lorne Anderson wrote to weigh in with an article previously composed for MoreRadio, a radio trade journal. You can read more of his writing each and every day at Random Thoughts from Lorne.
MORE OR LESS WORSHIP MUSIC?
The first Christian song I played on the radio, in 1979, was a worship tune. I didn’t think of it as a worship song, it just laid out what I wanted to do with this new radio show. The performer was Steve Camp, the song a cover version of Larry Norman’s “If I Were A Singer.”
The last song I announced when I left CHRI-FM in 2006 was also a worship song – Steve Taylor, “I Just Wanna Know.”
By strict definition both those songs could be classified as worship, in that they are prayers directed towards God. However they aren’t suited for congregational singing. They are worship, but from a personal perspective.
When MoreRadio Magazine asked Canadian radio programmers if we were still in the worship music trend, I got to thinking about worship music and radio. I had just finished leading an 18 week seminar on worship at my church, so the topic has been somewhat on my mind lately. I asked the publisher if there was room for more than the usual couple of lines, and he suggested I share these thoughts.
I am a fan of worship music. It can life up the spirits when you’re feeling down, it draws you closer to God and to his people when you group together to sing His praises.
But I’m not a big fan of worship music on the radio, even though I play a lot of it myself. These days we all do. It has been the trend in recent years. Take a look at a recent radio chart, whether it is CCRC, Billboard or whatever, worship artists and worship songs are a much larger percentage than even five years ago – up to 50% depending on the week. Some of it is very good. Some is quite mediocre (though we don’t like to admit that). But does any of it belong on the radio?
What is the purpose of Christian radio, especially in Canada? Back in the 1970s there were no Christian radio stations here (history lesson another time maybe). The very few contemporary Christian music programs were in hard fought for slots (usually Sunday mornings) on secular stations, which is how I started. The CRTC [our equivalent of the FCC] held hearings into religious broadcasting in 1982 and kept the status quo. It was another decade before they changed their policy, and it took longer for stations to appear.
Those of us who were around before the policy change were excited about Christian musicians who were expressing their faith in an accessible, contemporary form. As a radio disc jockey, my all-time favourite listener call came from someone looking for some Led Zeppelin to spice up his Sunday morning. I explained I couldn’t play them because they didn’t fit the format, I was only playing Christian music. The response (edited for obvious reasons): “Holy bleep, you mean this bleeping bleep is bleeping Jesus music? It’s bleeping fantastic.” You don’t get phone calls like that when you’re playing worship music. You just don’t reach that audience.
Christian music programming in Canada in the 1970s and 1980s, and when Christian stations first began being licensed, was aimed at much at non-believers as believers. When Bob Du Broy started CHRI-FM in Ottawa in 1997 he wanted at least one song an hour to be something recognizable, accessible to the non-Christian that would draw them in. (That was a nice idea in theory, in practice it meant a lot of bad cover songs and the practice was discontinued.)
The shift in musical emphasis to programming worship music says to me that we have abandoned our early desire to reach our communities with the gospel in musical form and instead are opting to feed the sheep. Admittedly the sheep do need to be fed, but are they the ones with the greatest need? What happened to our original calling?
And I won’t even go into the quality issue. In an interview with me more than 35 years ago, Bruce Cockburn, talking about what he liked and disliked about Christian music, said “most Christian music is crap, and crap for Christ’s sake is still crap.” Sadly little has changed.
To the non-Christian who accidentally finds a Christian radio station, worship music is a stumbling block. It’s not something they can relate to, not yet anyway. It’s a reason to change the channel, it just sounds too different. When radio programmers play a lot of worship music we’re narrowcasting. There’s nothing wrong with that if that’s what we’ve decided to do. But I don’t think we made a conscious decision to narrow our focus, it happened slowly, almost imperceptibly and many of us haven’t realized that we have abandoned our original vision to take Christ into our communities through radio.
So who do we want to reach, and how do we best reach them? What is the purpose and the vision for Christian radio in Canada (and the USA)? Is it worship music for the Church, or accessible artistic expressions of Christian faith and life?
Lorne Anderson is a veteran broadcaster and musicologist who programs “The Light” for Stingray Music. The channel is heard on cable television systems and satellite broadcast in Canada and the US.
May 1, 2015
I’ve written before about the common thread in all the different ministry ventures I’ve worked with. With radio, I got to introduce people to new songs and new artists. With worship leading, I got to connect people to vehicles that could be part of their personal expression of praise to God. As a book and music reviewer, the motivation was more obvious. As a blogger, I get to share information about other voices online. As a link list curator for Leadership Journal, I was able, by the news and opinion pieces I noted, to be influential in the lives of Christian leaders.
But let’s return to radio for a minute. If I were to return to it — and I did look into various avenues — I would no longer get to choose the songs being played unless I brokered the airtime and picked the playlist myself. Radio stations either use consultants or have their own formula for choosing what goes into the rotation. Even the morning show guys, when they’re done with their banter, simply play the next song on the list.
You could solve this, I suppose by being the consultant or music director, but there are only so many openings, and even in small-to-medium markets, it’s often just one guy who controls a number of regional stations.
With worship leading, similar formulas apply. There’s often a tacit understanding that if a new song was introduced by last week’s team, you’re expected to continue with that song over the next three weeks. In demographically wide churches, you draw from different sources representing different ages and tastes to create an eclectic music set.
Music reviews largely don’t exist. Unless you write for Relevant Magazine, you’re about 500 times more likely to receive books in the mail to review than a CD. (We’ve reviewed several here, but it’s the exception, not the rule.) Bloggers tend not to be excited about specific books as they were five years ago; as Christian publishing faces challenges there are fewer and fewer new writers stepping onto the scene; and there appears not to be the push by publishers to utilize social media.
With my role at PARSE now ended, I look for new ways to share the passion of sharing. The one role that never ends is my two days a week at the Christian bookstore. There, I still have some influence, though there is always the suspicion on the part of some that I’m wearing my shopkeeper hat, and not my role as friend, counselor, or helper. Where ministry and retail converge, it’s not always an ideal fit.
My observation there is always the same: The greatest connector for people and products is the local church pastor, but for that to work, the pastors first need to know about the book in question, and most don’t have the interest, the time, or both.
But trust me, from YouTube to the Christian blogosphere to the world of Christian music and publishing, there are a ton of resources out there.
Finding and utilize them will enrich your life, and the lives of family members, extended family, neighbors, co-workers and others in your circle.
April 30, 2015
The first time I heard a bridge added to a traditional hymn was the addition of Wonderful Cross to When I Survey. I don’t know if I took to it the very first day, but I certainly grew to like it quickly, and as a worship leader, I’ve since used the Wonderful Cross section with the hymn Lead Me To Calvary, where it also works well.
Modern worship music has been greatly influenced by popular songs. Whereas a hymn generally just has either stanzas, or follows a verse-and-chorus format; modern worship will use introductions, bridges, codas, etc., and is often more prone to key changes.
Amazing Grace is another example. My Chains are Gone is certainly a suitable addition, I don’t challenge the musical or lyrical integrity of it by itself, or its fit with the time-honored verses that precede it.
To make the bridge stand out — or I prefer to say break out — musically, some of the chord changes in When I Survey or Amazing Grace are made more minimalist so that the declaration in the bridge introduces a powerful, triumphant transition. “Oh, the Wonderful Cross!” “My chains are gone, I’ve been set free!”
If I had a similar idea a few years ago, I would have positioned my finished work as a medley, not a new arrangement, but the chord changes necessitate the piece to be considered a re-write. And the original composers aren’t around to protest.
So it was only a couple years back when someone more cynical than me — yes, it’s possible — suggested that perhaps the motivation for doing this was financial. Then it was more than one person. Freshly re-minted songs that were formerly public domain can be performed with mechanical royalties (album and print music sales) and performance royalties (concerts, radio, television and even CCLI playlists your church submits) flowing to the composer. Nice work if you can get it.
I remembered something from years ago when I was working in Christian television. Unlike radio which used random station logs as representative samples, TV royalties were based on all logs from all stations all the time. When the ministry organization in question received some rather meager royalty checks for some tunes they had written, a situation emerged where (and this is a fairly direct quote from someone close to the process), “People who had never written a song in their entire lives suddenly found songs pouring out of them on a regular basis.” He was highly skeptical.
So economics can indeed be a wonderful motivator. I’m sure that the person who decides to modify an existing hymn or do a fresh arrangement takes time to study the lyrics and I’m not saying that some of these people don’t do this prayerfully, both before and after the process.
But honestly, sometimes these new hymn versions can be the gift that keeps on giving. If the revenue is being plowed back into ministry, that’s great. Scripture tells us that we shouldn’t “judge the servant of another,” though honestly, I now find the cynicism was, in my case, somewhat contagious. But I’ll continue to “believe the best” that the starting place for adding a bridge or changing the chord structure of a song isn’t motivated by economics.
I hope you’ll do the same.
HCSB Prov 16:2 All a man’s ways seem right to him,
but the Lord evaluates the motives.