Thinking Out Loud

November 14, 2015

The Pastor and the Worship Leader Need to Be Best Friends

Note to readers: Because we were away all day Friday, this post was scheduled before we learned of the tragic events in Paris, France yesterday. For that, we have no words.

I came across the article in the spring of 2007 in Worship Leader magazine, never realizing how it was about to change my life. They interviewed a number of worship leaders in the U.S. — magazines like WL are usually unaware that anything exists outside the U.S. — on the subject of their relationship with their senior pastor.

worship-leaderMany mentioned the need for friendship, the need to be doing things together outside the office. As someone who was involved in a weekly worship activity that resulted in a senior pastor relationship which was entirely “task related,” I suddenly figured out why I had the nagging feeling that something was missing. The WL magazine article very clearly articulated the disconnect I was feeling, and realizing that was not about to change, I quit doing that job at that particular church. 

Basically, I realized that I was a utility, an implement; and while he was willing to listen to my opinions about a variety of subjects, I was really there because I knew how to play the piano. Nothing more. But what to do with the extra time and creative juices?

I knew that I made the right decision each morning when I would log in to the internet. Both the readers of this blog and the writers at the vast number of other blogs I monitor each week have gave me a new ministry life that far exceeded the boundaries of anything I was doing previously. And it wasn’t a cold turkey ending to my music life: I occasionally still got to do a few things musically, but also reached an age where I was actually consulting with other worship leaders and getting to give all kinds of advice, some of which was actually respected.

But I often consider the question of the relationship between pastor and worship-person, and here is what I have concluded:

(1) It’s not enough to know where the Holy Spirit is leading and guiding you and your congregation in the worship element of the service; you need to also have a sense of where the Holy Spirit is leading and guiding the senior pastor in the teaching element of the service, and the other participants leading the service, too. You need to work, no make that minister well together.

(2) While the Holy Spirit is able to impart all kinds of information like this to you supernaturally, and while the Holy Spirit is hopefully leading both pastor and worship leader in the same direction, this aspect of ministry can only work well if the pastor and worship person know each other well as humans, as people, as friends. It’s only when I know the natural impulses and responses that a person manifests on a human level that I can truly appreciate when God is doing something unique on a given day on a supernatural level. You need to know each other well.

Worship leaders and pastors should be good, good friends. Maybe not BFF friends, but they should have both a good working relationship, and a good off-task relationship.

September 7, 2015

Labor Day Monday Music

Filed under: Christianity, music, worship — Tags: , , , — paulthinkingoutloud @ 6:22 am

It’s Labor Day, or as we call it Canada, Labour Day. Today I want to feature some worship songs that have appeared at Christianity 201. These aren’t necessarily the newest — many are >5 years old — but may be unfamiliar to some of you…

Apologies to those of you still on dial-up

Bonus track: Relevant magazine featured this song on a post last week, it’s been stuck in my head ever since…

Breaking new music: This is the song I mentioned on Wednesday’s link list. In future we’ll do a compilation like this of the various tracks that have been Video of the Week on past lists…

August 11, 2015

David Wesley’s Music Crosses Demographic Lines

Basement PraiseAs of last night, he had 27,629 YouTube subscribers. Four million views. Not too shabby. He performs and records and posts YouTube videos under the name David Wesley and we’ve had numerous contacts since he moved into our neighborhood a couple of years ago. I’ve linked to his videos before, but today I want to fully feature a couple of the more recent ones.

His album is titled Basement Praise and it’s available through the various channels listed below. And yes, he wears a different hoodie for each part and somehow manages to keep track of them!  These are new tracks that aren’t on the album, but the quality is consistent to the a cappella sound you’ll hear on Basement Praise.

Physical CD: Collide Media
Amazon: (pending)
Google Play:…

YouTube: DavidWesley on YouTube

Facebook: David Wesley Music

August 4, 2015

An Alternative Worship Menu

Filed under: Christianity, Church, music, worship — Tags: , , , , , — paulthinkingoutloud @ 7:57 am

I don’t get to lead worship now as often as I once did, but enjoy writing on the subject from the perspective of someone who has been on both sides of the platform. Recently Worship Links contacted me about doing a guest post for them, which ran last week. (I told they they’d have the first chance to run it.) Now it’s time for y’all to have a look at it here.

article for Worship Links

The Hidden Menu

The Roland keyboard our church bought more than twenty years ago had 32 basic sounds, but if you held the “A” bank key down at the same time as you turned on the power, a larger, 128-sound hidden menu unfolded. While we didn’t use them all, we used them frequently, though most of the time Piano-1 was the default setting, as I suspect it is at most churches.

In our family, the term “hidden menu” became synonymous with a whole lot of things. When the car CD player quit on a road trip, we were forced to scan the FM dial from top to bottom, and finding nothing to our liking, I said, “Where’s the hidden menu?” We don’t have cable or satellite and don’t watch a lot of television, but on one search throughout a rather large number of broadcast signals, my wife turned and said, “Try the hidden menu.”

Sometimes I find myself in a worship service where I keep thinking there’s something else we should be doing with that time. As someone who has spent years leading worship myself, I think I approach this time with a positive attitude, but there are days when I consider the possibility that just listening to the original recordings of the compositions and singing along might be an improvement on what the worship team is attempting. Or doing a morning of classic Christian camp and retreat songs. Or rediscovering some obscure hymns. Or getting all liturgical and mixing readings with chorus or bridge sections of songs for which we don’t need projected lyrics.

Then, a few weeks ago, it occurred to me that perhaps I had already found the hidden menu.

About a year ago I wrote a blog post titled Who Says Youth Groups Won’t Sing? It centered around an eight-minute video posted by the Rural Hill Church of Christ, who operate a summer camp, which has a section at the front of one of their buildings called The Singing Porch. With no musical instruments, these kids were singing with a passion and energy that would be foreign to many churches, especially those small to medium churches trying to do today’s modern worship songs but without the luxury of Hillsong’s or North Point’s band, and thereby forced into a situation where the audience stands politely but is afraid to truly sing out.

I did some further exploration of the Church of Christ, and particularly their a capella music tradition. I listened to YouTube videos for hours. I kept coming back to the above mentioned video, especially “Let it Rise” and the part at the six-minute mark where they show a few seconds of “Get Right Church.” I know I might not be able to sell this at your church, but I kept wishing I could bottle some of this and take it to my church. Honestly, our relationship to many of the songs we sing on Sunday morning can only be described as passive. These kids were engaged.

Another way is possible.

That got me thinking about another experience we had, visiting an alternative service in an Episcopalian church and being introduced to the music of Taizé. This form involves taking very short lyrical fragments and building them into short pieces which are then sung in very easy-to-learn parts. It’s what we call a round in children’s ministry, but it wasn’t so long ago — recall “Father, I Adore You” — that this was part of weekend service sets. Taizé is more liturgical and more meditative. Call it soaking music for Anglicans. You can learn more at the movement’s website, or through a simple YouTube search.

Both the a capella style of the Church of Christ and the liturgical-flavored form of Taizé may seem too traditional for you, but studies over the past year seem to indicate that Millennials are looking for something more than what our Top-40 worship songs and bland contemporary Church architecture have on offer. The late Robert Webber proposed a model of blended worship that gave rise to the term ancient/future, but some of the surveys suggest some twenty-somethings are willing to just explore ancient.

I would wager to say that some of them are looking for the hidden menu, and I think you can consider other musical options without sacrificing the relevance of your preaching or the programs and ministries that everyone assumes are provide a younger demographic appeal.

July 25, 2015

Worship Moments

Filed under: Christianity, worship — Tags: , , , , , , , , , , — paulthinkingoutloud @ 10:34 am

Last week we attended an outdoor Sunday service in which the focus was honoring and respecting God’s creation. Toward the end, I was reminded of a poem I thought we had posted here, only to learn I had done so on a different website. On Friday’s post at Internet Monk, there was a statement that “American readers will refuse to read poetry.” Reading the poem there, I was reminded again of the one below.  I know nothing of the author of this poem, which I had memorized when I was much younger; in fact I had always thought it was written by Tennyson. Some conservative Christians will bristle at the phrase “Mother Earth,” but I love the premise of the first verse and last verse especially.


Scott, Frederick George

THIS is God's house--the blue sky is the
 This wood the soft green carpet for His
Those hills His stairs, down which the brooks
   come stealing
 With baby laughter, making earth more

And here His friends come, clouds, and soft
   winds sighing,
 And little birds whose throats pour forth
   their love,
And spring and summer, and the white snow
 Pencilled with shadows of bare boughs

And here come sunbeams through the green
   leaves straying,
 And shadows from the storm-clouds over-
And warm, hushed nights, when Mother
   Earth is praying
 So late that her moon-candle burns ill

Sweet house of God, sweet earth, so full of
 I enter at thy gates in storm or calm;
And every sunbeam is a joy or pleasure,
 And every cloud a solace and a balm.

July 10, 2015

Hillsong and the Common Meter

If your church does modern worship, odds are that in the last few years you’ve been doing the song Cornerstone by Hillsong. This song incorporates the lyrics of the old hymn, My Hope is Built, and then adds a chorus, “Cornerstone, Christ alone; weak made strong in the Savior’s love…”

My Hope is Built is based on a rhythmic structure called Long Meter or simply L.M. for short. If you grew up with hymnbooks, you know there was a metrical index in the back and it’s there for a reason. Well, actually it was there mostly for the amusement of musicians since most churches never did switch up tunes or lyrics. L.M. is also which means any song with that same meter will work, though I’ve suggested a few that use C.M. or Common Meter which is (though I’ve added words in some cases or you have to stretch in others).

For what it’s worth, I like Cornerstone just the way it is; and I would suggest retaining the first verse as it connects well with the theme. So you would probably only want to choose no more than a couple of these, but I’d recommend the very last one especially.


He left His Father’s throne above
So free, so infinite His grace
Emptied Himself of all but love
And bled for Adam’s helpless race

O for a thousand tongues to sing
My great redeemer’s matchless praise
The glories of my God and King
The triumphs of His love and grace

He breaks the power of canceled sin
The prisoners are each one set free
His blood can make the worst ones clean
His blood poured out for you and me

Forbid it Lord that I should boast
But for the death of Christ my God
All earthly things I hold so dear
I sacrifice them to His blood.

O God our help in ages past
Our hope for many years to come
Our shelter from the stormy blast
Our strength and our eternal home

Amazing grace how sweet the sound
That saved someone like you and me
We once were lost but now we’re found
We once were blind but now we see

No condemnation now I dread*
Jesus, and all in Him is mine
Alive in Him, my living head
And clothed in righteousness divine

People and realms of every tongue**
Dwell on His love with sweetest song
And infant voices shall proclaim
Their earthly blessings on His name

Faith of our Fathers, living still
In spite of prison, fire and sword
O, how our hearts beat high with joy
Whenever we hear that great word.

Praise God from Whom all blessing flow
Praise Him all creatures here below
And up above you heavenly hosts
Praise Father, Son and Holy Ghost.

* All the verses from And Can It Be? work well here.

**I really like Jesus Shall Reign here, I just selected a single verse. Cornerstone is a song of declaration, some of these verses turn the song into an anthem of praise, with Christ as the Cornerstone. 

Of course, one prominent, Calvinist worship guru would shut this down very quickly, saying you don’t tamper with worship compositions. I reserve the right to sharply disagree with him.

June 16, 2015

Finding Blog Topics in the Middle of Sunday Worship

Filed under: Christianity, Church, worship — Tags: , , , , , — paulthinkingoutloud @ 6:37 am

Applegate Christian Fellowship

On Sunday our church had its annual “Church In The Park” service. Since we normally meet at two different service times, it’s nice to have everyone altogether.

During the worship time, I couldn’t help but look around and see families and individuals in the unique out-of-doors context. There was one family that I’ve known for years, but their one child seemed troubled during the singing time. Another family that I’ve known a long time is new to this church and it was great to see them entering in wholeheartedly as we we worshiped. I saw a number of people who were by themselves and as this particular service especially caters to families with kids, I made a point to speak to one of them.

I also wondered how the four of us looked to others.

Every picture tells a story; each person is an unfolding story.

“Paul;” some will be thinking, “It was the worship time, and you should have been focused on the attributes of God, his love and majesty, and expressing your thanksgiving and praise to him.”

I guess I allowed myself this different track because of something my wife said to my youngest son earlier in the week about how she is experiencing that time in our weekend services. I asked her to explain:

As an introvert with eclectic music tastes, I find the ‘modern worship’ pool at the churches we attend growing increasingly shallow and, to be honest, uninteresting.  As we stand and sit and stand again during the ‘worship time’, I am less and less engaged in the singing, so I look around. 

I see a man who I remember going through a dark time several years ago and recall how God brought him through.  I see a woman still healing from her surgery, hands raised, eyes closed and a smile on her face.  I see a family, faithful attenders, working to stay close to each other despite disappointments and pain.  I see a woman trusting God for an answer in the middle of her weakness and anxiety.   And the weight, the power, the joy of what God has done in their lives, of what he is continuing to do, hook themselves into my heart. 

In looking into those lives I’m reminded of God’s faithfulness, love, healing and hope deeply and irresistibly.  In that, and in silence, I worship. 

This all got me thinking as well about how some of my fellow-bloggers say they have a tough time coming up with topics; that they never know what to write about.

Look around you.

There are many, many stories. If they are ‘too close to home’ then change up the names, locations and situations, but keep the essence of what you see. If you’re not a good storyteller, then generalize what you feel are the important themes that come to mind. (‘I’ve been thinking lately about…’) 

Summing this up, I think the making of a good writer involves (a) being out and about in the real world, and (b) being observant; having one’s eyes open. Even in the middle of worship when everyone else’s eyes are closed.

Photo: Applegate Christian Fellowship in Oregon. They don’t have to go to the park, they have this on their property.

May 29, 2015

Your Favorite Praise Song May Not Be For Congregational Use

The blue Pacific on a summer’s day
Rushing in to meet the yellow sand
The view’s terrific I see Monterrey
Lookin’ mighty fine from where I stand
The water dances in the sun’s reflection
A thousand silver birds fly in my direction
Now isn’t it beauty, isn’t it sweet perfection?

If someone were to ask me my favorite worship song, I suppose I could easily think of songs like “Shout to the Lord,” “Majesty,” “How Great Is Our God,” “Revelation Song,” and a number of hymns including “Our Great Savior,” which you may or may not know.

But not every praise song is meant to be sung congregationally, and we do ourselves a disservice when we try to take every great worship chorus and force congregations to sing songs that perhaps don’t match up with their personal expression of adoration to God. Sometimes we’re just meant to listen to someone else’s thoughts.

The song embedded below is an example of that. The late Tom Howard wrote “One More Reason” with a first verse that expresses the beauty of God in creation that he is familiar with growing up in California, with its references to the Pacific Ocean and Monterrey; the spirit of which was captured by the person who made the tribute video. To sing this in our church, the first thing I would want to do is make that verse more generic, but I’ve never got around to writing different lyrics because I rather enjoy the song just the way he wrote it.

The sky is singing, the earth proclaims
Always one more reason to praise Your name.

March 16, 2015

The Sound of Keys: Modern Worship Instrumentation

The new Nord Lead A1 analog modeling synthesizer joins brands such as Moog, Korg, Novation, Studio Logic, Akai, Access, Yamaha and Roland.

The new Nord Lead A1 analog modeling synthesizer joins brands such as Moog, Korg, Novation, Studio Logic, Akai, Access, Yamaha and Roland.

If you track the worship sections of church service podcasts, you can’t help but notice a couple of subtle shifts taking place in what instruments are on stage. Some churches are manifesting one of these, others have both:

  1. The influence of Roots music or even Appalachian music, in particular the use of banjos, ukeleles and mandolins and compositions by bands such as All Sons and Daughters, Rend Collective and I Am They.
  2. The re-introduction of more keyboards, not just the use of what is called pads or textures, nor synthesizers which are being used for their digital samples of existing instruments or variants; but rather, the more raw synthesizer sound itself being used to drive the melody or create linear counter melodies or lines between verses.

For this writer, the second situation can’t happen soon enough. After three or four decades of having both Contemporary Christian Music (CCM) and modern worship dominated by Nashville — most of the major record and publishing companies are physically based there as well — it’s time to refresh things by changing it up a bit, and allowing the UK or European sound to influence the sound of weekend church services. To date, both CCM and church worship in North America has had Tennessee’s country music looking over its shoulders.

That doesn’t mean the guitarist is done. Watching services this weekend at North Point Community Church as well as the ‘release party’ church service at City Church for Judah Smith’s new book Life Is _____, it was apparent that even though the sound was revised in several songs and very much keyboard-driven, the guitar player is still front and center providing leadership.

Where Christianity meets culture and worship meets the arts, there are always going to be opinions and counter-opinions, but trying new things is not harmful. If anything, keyboard players who were excluded from the team roster now have an extra instrument — a second digital keyboard of synthesizer — which can be included.

The resultant sound is bright, crisp and certainly inspiring.

March 1, 2015

5 Perspectives for Power Point People

While it’s not listed in the New Testament, assisting the worship leader or worship team by being the computer graphics or Power Point person is definitely a gift, if not a spiritual gift. Here are some things on choosing who serves in this area, or if you are that person, the qualities needed:

1. You need to be really comfortable around a computer.

The goal is to minimize distraction and allow people the freedom to enter wholeheartedly into expressing their worship to God. The last thing you want is for the computer to decide to run updates in the middle of the service, and you need to know how to make sure none of that happens, or what to do if something goes wrong.

2. You don’t get to sing along.

Unfortunately, as much as you may love musical worship, you will eventually run into problems if you decide to sing along with the congregation. While playing various instruments with a worship band there are times I get to sing along, but there are also times I need to focus entirely on a particular instrumental part. Sorry, but you need a certain level of detachment or you get distracted.

3. You need to know the songs.

Most worship leaders I’ve worked with have their weekend set(s) established by noon on Thursday at the latest. Make sure you have the list and then give the songs — especially the new(er) ones — a listen on YouTube, playing each one several times.

4. You need to see yourself as part of the worship team.

That means attending relevant practices and being on time for the sound check. As much as you can track each song fully during the rehearsal process, you’re less likely to make errors during the actual service.

5. People need to form the next word before they sing it.

Your changes between slides need to occur slightly before people actually sing, because the brain needs to be able to tell the mouth to shape the words coming next. You can’t wait for the band to move on to that next line, you need to know exactly where they’re going so that you can get there ahead of time.

Again, this is not everyone’s gift. Placing someone in a position of trust here when they don’t have the necessary aptitude results in a messy slide presentation. I believe God wants excellence in worship. Band practices and rehearsals are a great opportunity for interested volunteers to see if this is a good fit. Otherwise, perhaps there are other areas of service for which they are more suited.

Bonus item:

6. People who do a great job with the worship slides might not do a great job with the sermon slides.

And vice-versa. Furthermore, in most churches the pastor’s sermon notes are often prepared in a different program than the program that runs the worship lyrics. They may even originate from different computers. The person doing the sermon notes need to focus on the sermon and intuit where the pastor is going next, even if the preacher stays somewhat close to a fixed manuscript. At this point in the service, a change in personnel may be the best way to avoid errors. This means your weekly schedule may mean you’ve got two different people working each service. But don’t change people in the case of multiple services; any issues arising in the first service — i.e. worship leaders spontaneously adds an extra chorus — are better resolved in the second service.

Writing about people needing time to form the lyrics reminded me of this video, where guitarists can see the chord that’s coming next.

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