Thinking Out Loud

September 27, 2018

A Worship Liturgy on Sin and Forgiveness

For the past few months, Ruth has increased her role as a contributor to Christianity 201. For last Sunday, she provided not only text, but two images and two song suggestions. After taking the time to format everything, I decided to share it here as well.

by Ruth Wilkinson

Then He took a cup, and after giving thanks, He gave it to them and said,
“Drink from it, all of you. For this is My blood that establishes the covenant; it is shed for many for the forgiveness of sins…”
Matthew 26:27‭-‬28 HCSB

There are a number of words in the Bible that are translated to our English word “sin.”

Different words that paint different pictures of different behaviours, but that all have one thing in common — they describe things in our lives that come between us and the God who loves us.

Things like:

  • Missing the target (hamartano) – because sometimes we really do try our best, and still fail;
  • Wandering, going off the path (planay) – because sometimes we stop paying attention, and suddenly realize we’ve gone off course;
  • Defiance, Rebellion (parabaino) – because sometimes we just choose say no to God. Or to say yes to something that is not for our best.

As we take some time to pray through this prayer for forgiveness either out loud or silently,
listen for His still, small voice and what He might want you to see in yourself.

Then take a moment of silence and talk to Him about it.

Lord, forgive me.
For the things I’ve done impulsively, without thinking.
For the things I’ve done gradually, over time.
For the places I’ve gone that I had no business going.
Forgive me, Lord.

For the things I’ve held tightly that I should have dropped or given away,
For the things I’ve given away that I should have held sacred.
For the things I’ve let go that I should have fought to keep.
Forgive me, Lord.

For the things I’ve said or typed, the links I shouldn’t have clicked.
For the times I’ve kept silent or stood off to the side when I should have spoken up.
Forgive me, Lord.

For the ways I’ve used or put down other people, or held myself more highly than I ought.
For the things I’ve taken that were not mine to take.
Forgive me.
Forgive me.
Forgive me, Lord.

This leads to our second word…

There are a number of words in the Bible that are translated to our English word “forgive.”

Different words that paint different word pictures of how God responds when we ask what we have just asked.

Pictures like:

  • Drop, send away (aphiemi) – because He promises to send our sin to the bottom of the ocean, to the depths of the wilderness, never to be even remembered;
  • Cover, make peace (kaphar) – because He reaches his hand to shelter us from the justice we’ve earned and to reconcile us to himself;
  • Pick up and carry (nasa) – because he takes our burden, pays our debt and sets us free.

And says… “You are forgiven. Let’s start fresh.”

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September 3, 2018

Meditation for Labor Day

Filed under: Christianity, worship — Tags: , , , , , — paulthinkingoutloud @ 9:00 am

The Message Romans 12.1 So here’s what I want you to do, God helping you: Take your everyday, ordinary life—your sleeping, eating, going-to-work, and walking-around life—and place it before God as an offering. (italics added)

Jesus touched on the subject of work in an unusual parable of laborers hired at different hours but all receiving the same pay. For a devotional on that subject, click this image.

For several weeks now, Ruth has been more actively contributing to Christianity 201, our devotional blog, and especially our Sunday Worship feature. Many of the pieces are derived from the liturgies she writes for the congregation she leads in worship.

This is the Labor Day Weekend in the U.S. and Canada and she wanted to find some worship content having to do with the theology of work, only to discover that, from a worship leader’s perspective, there isn’t much out there. The second verse below, which some of you know better as, “Do everything as unto the Lord;” is a reminder that our worship life toward God is holistic. We don’t worship only on Sundays or only in song, but we can make elements of what Eugene Peterson (in the quotation above) calls our “everyday, ordinary life” an offering to God.

by Ruth Wilkinson

Labor Day is part of a weekend that historically stands to celebrate and honor workers and those who have worked to humanize working conditions. Part of that celebration, aptly enough, is a day off work. (And all God’s people said, “Woohoo!”)

And while everybody likes a day off, there’s more to work than just obligation born of necessity.

The God who created us modeled us after himself.

This is a God who imagines and designs and builds.

A God who plants and grows and provides.

Who teaches and directs and supervises.

Who looks after animals and cares for people.

And he put within us the same inclinations and capacities as exist in himself.

Whether we’re earning a wage, or just helping a neighbor in need, our work is a gift from the Father who loves us and made us to be like Him.


In the beginning, The LORD put the man in the Garden of Eden to work it and take care of it. Then God brought to the man every wild animal and every bird of the sky, so the man could give them all their own names.

In the same way, whatever work you do, do it willingly, with all your heart – working for the Lord, and not only for a human boss.

The soul of the lazy one craves everything and gets nothing…

But the wise one rises early, providing food for her household and jobs for her workers. She studies, and invests, and makes an honest profit;
She wraps herself in strength, because her arms are strong.
Her lamp does not go out at night.
She learns her trade and uses her tools.
She opens her hand to the poor, and reaches out to the needy.
And when winter comes, she’s not afraid for her household.

The soul of the lazy craves everything and gets nothing…
but the soul of the diligent is richly supplied.

So let the thief steal no longer, but let him do honest work with his own hands, so he has something to share with anyone in need.


O grant us, God, a little space
from our daily work set free.
To meet within this holy place
we’ve built apart for Thee.

But this is not the only place Your presence may be known;
In all our daily work, Your grace and blessing you have sewn.

Around us rolls an endless tide –
labor and trade and care.
Today we choose to turn aside
for one brief hour of prayer.

But this is not the only place Your presence may be known;
In all our daily work, Your grace and blessing you have sewn.

Work can be prayer, if it is wrought
as you want it to be done;
And prayer, by you inspired and taught,
can with our work be one.

For this is not the only place Your presence may be known;
In all our daily work, Your grace
and blessing you have sewn.

– Scriptures based on Genesis 2, Colossians 3, Proverbs 13, Proverbs 31, Ephesians 4
– Hymn by John Ellerton, 1870, Edited by Ruth Wilkinson


Consecrating our work to God:

I wanted to include Take My Life and Let it Be as a conclusion to Ruth’s liturgy, but searched for a tune different from the traditional one, or the Chris Tomlin one. This one is sung in the UK, and uses the tune Nottingham by Mozart.

August 25, 2018

Music Ministry: Methodology

Yesterday we looked at some very superficial reasons which draw people into the larger music business with a hope that church musicians can understand their own music-personality type. Today we want to be more specific in looking at the raw, on-the-surface practicalities of drafting the music for Sunday morning.

treble clefFinding the recipe

If you look at a recipe, it’s always divided into two sections. First you have a list of ingredients, and then you have the instructions as to how you wish to use them. Worship planning is very similar. There’s a list of songs you want to use, but how do you blend and mix them? Perhaps there’s a song that is going to occur at the beginning and the end of the service. Possibly two songs might play off each other (i.e. How Great Thou Art and How Great is Our God). Some might stand alone, while others might combine into medleys.

Ingredients are key

You want to choose your ingredients carefully. Just as in baking, some elements might conflict. Some choices might be too spicy. Others might be too bland. In a salad, you go for color and music is no different. A seasoned worship leader will have about 5,000 songs in their head at any one time. Unless you get to plan a worship night, you’re probably only going to do about five songs. You have 4,995 songs to leave out.

What people are hungry for

Your job is to give people the means by which they can respond to God for his greatness and goodness, his holiness and majesty, his love and compassion; just to name a few. The songs should resonate with young and old, and therein lies a challenge. With different strains of ingredients (classic hymns, 20th century gospel hymns, Maranatha! Music, Vineyard, modern worship leaders, modern hymns, soaking music, Hillsong, UK-based songs, etc.) you can appeal to different demographics, or you can choose to present a more musically-unified selection. If you want to see a younger demographic, you also have to skew your choices to people who perhaps aren’t there yet. That’s risky, but some churches do this.

Appetizer or main course?

Some Evangelicals see the worship time as preparing the hearts of people for the teaching of the word. Some Evangelicals see the praise time more liturgically as valid on its own. I personally lean more to the second position. Still you want to know what the sermon topic is so your two selections don’t conflict.

Toppings

A worship time will be rather uneventful if it is just straight singing. You want to intersperse related quotations, read one of the verses before or after singing it, include quotations, or even do a “story behind the song” type of introduction. Many leaders default to Psalms, but some congregants tune them out. But there are exceptions; last week in our church the readings were all from the same Psalm and the songs chosen around that.

A shared meal

One of the values of corporate worship is that there are things we can do together that we can’t do alone (i.e. just listening or singing along with an album or Christian radio station at home.) The music should somewhat exploit the congregational dynamics. There should be some lively songs (by whatever parameter you measure that in your style of church) and there should be some songs where the beauty of blended voices can be both heard and felt.

When people like the recipe, don’t take credit

It’s very humble to say, “God gave me these songs this week;” but better to deflect the credit to the creators of the songs, or best, God Himself. “This is a new song, written by a musician who God is really using to stir us to deeper worship.” Or, “This song really focuses on God’s knowledge and wisdom and helps us consider how the ways of the Lord are so much beyond anything we could understand.” With opening statements like that it takes the focus away from you; you’re seen rather as a hunter and gatherer of worship that’s already out there.

We’re part of a much larger banquet

Occasionally, I would remind our congregation of the vast number of churches that were joining us in worship across our city, across our denomination, and in our nation; and then I would remind them that in North America, we occupy a place at the end of the timezones, joining a worship service that has been taking place around the world that weekend. Just thinking about that now, I am reminded of its potential to reshape how we approach worship.

So those are the superficial factors. But there are also some very spiritual considerations. That would make a great third part to this weekend series, but Laura covered that for us so well a few years ago, I’m going to invite you to simply click here.

August 24, 2018

Music Ministry: Motivation

So you want to be a rock ‘n roll star? You can do that in many ways in many places, including your local church.

What attracts people to work in the music industry in general? I’ve listed a few things below that I think apply both within and outside the church context, and one, at the end of the list, that I believe is more common only within Christian experience. Worship leaders: Perhaps finding what attracts you to music in the first place will help you understand your personality type as a musician.

treble clefPerformance

Some people just want to play. They live to gig. If you’re a drummer and you can’t sing, you’re never going to be center stage, and people might not even know your name, but that’s okay, right? The idea is to simply make music, either in a live context or in a studio. The busier the schedule, the better.

Profile

For others, being center stage is really important. They are attracted by the idea of being a name you would know. They might already have their own web domain. Or an agent.

Product

The goal for some people is just to make an album. They aren’t looking for bookings and they aren’t looking for fame. They just want to have that physical CD in a plastic case that they can give to their friends, and show to their kids some day. (“That’s neat, Mom. Too bad we can’t play it on anything.”) Or worst case, the digital equivalent. Sales in retail stores would be an added bonus.

Publishing

The nice thing about this as a goal is you don’t have to give a single concert or even be able to carry a tune. But if you can compose meaningful songs and get others to perform them your music can travel to places you can’t. For people who are happy behind the scenes, this is an achievable goal, though usually the singer/songwriter usually has their own material. For people who do perform, the goal here is getting their songs covered by other groups or solo artists.

Production

Just as there are frequencies that only dogs can hear, there is a smell in recording studios that only some people detect. To most of us, a 48-channel recording console looks intimidating, like the cockpit of a jet plane, but to them, the lights and dials are all in a day’s work. Their job demands that they live to serve the needs of others, but we know the names of many producers who have never recorded a single note themselves.

Profit

Although this can apply to any of the areas listed above, if we’re dealing with the area of motivation, then money can be a driving force. If you’re competent at publishing, performance, production, etc. and you need to pay the bills, you do what you’re good at.

Proclamation

This is the one I feel is more common to Christian musicians, though it’s not entirely unique since it applies to anyone who feels they have a message to communicate, whether it’s 60s hippies protesting the Vietnam War, or 80s rockers crusading for environmentalism. Today the message might still be anti-war, or racial equality, or perhaps gay rights. It is in this milieu that Christian artists raise their voices to express their faith or tell their story, though in the last dozen years, Christian music has been dominated by vertical worship — we could have had another P-word, Praise — which lessens the number of testimony or teaching songs being heard. We have, as Randy Stonehill put it many, many years ago, “the hottest news on the rack,” and so that motivates Christian musicians to make music which reflects their core faith beliefs.

…Of course, playing because you want to have a message to share is a noble ideal, but many musicians also fall into one of the other categories as well. They want to make an album, or achieve popularity, or be able to make a living from their art. That’s okay, right?

Tomorrow we’ll look at some of the practical ingredients of worship, comparing it to a recipe that worship leaders bake each week!

This may not interest everyone, but today, one of the other blogs in the Thinking Out Loud blog network is celebrating its tenth anniversary. Christian Book Shop Talk is written for the owners, managers and staff of Christian bookstores in Canada. To drop in on the party, click this link.

 

July 15, 2018

Worship Planning is both Simple and Complex

I write a lot about the worship part of our church services because that is the area where I have served most frequently and consistently. If I had spent a lifetime serving in the church nursery, perhaps that would be the focus!

Years ago, when my wife was putting together worship sets, she encountered people who saw her work has very specialized and perhaps a bit mysterious. They viewed her adeptness at this with awe, often saying things like, “I don’t know how you do that each week;” or “I could never do that.”

The point is, at the basic level, they could do it. They could pick 5 songs and put together a worship set just as easily as anyone reading this could.

But in the modern worship environment, if you’re having to supply chord charts for band members, prepare presentation files for projection, deal with sound volunteers, and organize rehearsals; the job can get quite complex.

There are certain songs which just don’t follow other songs, usually for reasons of the pitch or key of each, but often for rhythmic or lyrical reasons. There are songs some churches don’t know and others that used far too frequently. A handful of popular ones today would go against the grain of the doctrinal position of certain churches.

Trying to be helpful to my wife, and as an occasional member of her team (I play keyboards, bass, incidental percussion and occasional guitar) I created the above document. It was a recognition of several things we were dealing with at the time.

First, it’s easy in rehearsals to under-communicate introductions and endings. Second, we sometimes feel instrumentalist on stage needs to be playing on every song, when in fact, the instrumentation would work better if some people took a song out to just sing. Third, it helped me personally visualize where some of the spoken readings fit into the larger set list, especially if I was only given a song set list, and the readings weren’t actually introduced until the actual service. Lastly, she was often run off her feet and I thought she’d appreciate the use of an organizing tool where churches didn’t have a budget for anything more sophisticated or personnel were still dependent on print resources.

Feel free to borrow it.

Yes, there is some complexity to all this, but again, if the demands are less complicated, this is something anyone can learn how to do.

July 5, 2018

Theology for which we Don’t Have Songs

This post originally appeared under the title,

When We All Get to Heaven

Rapture art

If someone were to ask me if there are any paradigm shifts I’ve noticed in Christian perspectives on various issues, I would have to say that among my peers and those with whom I converse online, three things might quickly spring to mind:

  • A rethinking of the afterlife as ‘New Earth,’ rather than a ‘heaven’ that’s up there as opposed to down here. (For this, see the book Heaven by Randy Alcorn.)
  • A reconsideration of the ‘rapture theology’ that has dominated Evangelicalism for the past several decades. (See End Time Delusions by Steve Wohlberg.)
  • A re-assuming of our social justice responsibilities as opposed to placing the weight of our emphasis on doctrinal proclamation. (See Pursuing Justice by Ken Wytsma.)

However, the songs that we sing in our churches today — and by ‘our’ I mean those of us who have moved toward modern worship as opposed to gospel and classical hymns — do not reflect this change in thinking.

The hymns and gospel songs were consistent with things being preached in the pulpit and for many of us, these doctrines were ingrained through exposure to the music. Consider:

Some bright morning when this life is over
I’ll fly away

That’s rapture theology pure and simple. The hymn When We All Get to Heaven does talk about seeing Jesus and being in His presence, but implies that we are going to get to heaven, some place that’s out there.

Another example of a song under reconsideration, Onward Christian Soldiers talks about taking the cross to the world, but our crusade doesn’t appear to include demonstrating compassion or there being servant leaders among the soldiers. (Most people today agree that crusade is the wrong word; even the Billy Graham Association has dropped the term.)

I’m not opposed to those songs entirely; they shaped who I am today. It’s just that in today’s vertical worship environment, we don’t have songs that tell our story and describe more of the thinking that is currently being taught in our churches. Let me conclude with an illustration.

Last weekend we visited the anchor store in a large chain of musical instrument dealerships. I was telling the manager how my son, recently graduated in electrical engineering, has an interest in designing mixers, keyboards and especially synthesizers. I asked him if the store, when it hires people, is looking for product specialists or people who are good at sales.

He said basically that the product knowledge is a given. Nobody is going to apply who isn’t already a customer and very familiar with what’s in the store. So it’s the sales aptitude that they look for and develop in their staff.

Similarly, if I were asked to speak at a Christian songwriting conference, I wouldn’t talk about the basics of musical composition, I would, like the store manager, take that as a given. Instead, it’s a knowledge of the the lyrical foundation in the writing process that I would want to cultivate. I would want to encourage young Christian musicians to craft pieces that express where the church is today, the things that are central to us, and the things for which presently no songs exist.  

It’s not that vertical worship we have is inadequate in and of itself, but perhaps the whole vertical form is over emphasized to the point we no longer have songs of proclamation that fit our doctrine as it is constantly being amended (i.e. the parenthetic reference to crusade above.)

As we re-think certain Biblical interpretations, our music — or specifically our musicians — should be tracking with our different doctrinal emphases.


We found today’s graphic image along with a very thorough article at this website.

For an entirely unique view on this, here’s an old post I wrote about how a particular sect expresses their story in song.

June 3, 2018

My Favorite Worship Song Doesn’t Work Congregationally

The blue Pacific on a summer’s day
Rushing in to meet the yellow sand
The view’s terrific I see Monterrey
Lookin’ mighty fine from where I stand
The water dances in the sun’s reflection
A thousand silver birds fly in my direction
Now isn’t it beauty, isn’t it sweet perfection?

If someone were to ask me my favorite worship song, I suppose I could easily think of songs like “Shout to the Lord,” “Majesty,” “How Great Is Our God,” “Revelation Song,” and a number of hymns including “Our Great Savior,” which you may or may not know.

But not every praise song is meant to be sung congregationally, and we do ourselves a disservice when we try to take every great worship chorus and force congregations to sing songs that perhaps don’t match up with their personal expression of adoration to God. Sometimes we’re just meant to listen to someone else’s thoughts.

The song embedded below is an example of that. The late Tom Howard wrote “One More Reason” with a first verse that expresses the beauty of God in creation that he is familiar with growing up in California, with its references to the Pacific Ocean and Monterrey; the spirit of which was captured by the person who made the tribute video. To sing this in our church, the first thing I would want to do is make that verse more generic, but I’ve never got around to writing different lyrics because I rather enjoy the song just the way he wrote it.

The sky is singing, the earth proclaims
Always one more reason to praise Your name.

April 21, 2018

Adding to the Difficulty of Singing Modern Worship Songs

Filed under: Christianity, music, worship — Tags: , , , — paulthinkingoutloud @ 8:12 am

When the musical aspect of the last ten years of modern worship is examined, the unique technical distinctive that will be remembered is what’s known as “the octave jump.” For reasons outlined in the video below, it has become a staple of modern worship. Unlike “the key change” which increases energy, but usually doubles the number of chords required for any given song, octave-jumping allows musicians to continue following the same basic chord structure, while the vocalists do the heavy lifting.

If we’re talking about a concert, then it’s the people onstage who are trained singers. However, in a church setting, the aforementioned vocalists are you and me, and the result is going to be vocal strain. Bungee jumping might be safer than octave jumping, and that’s allowing for the screaming when you first jump.

After two weeks looking at the issue of the pitch range of modern worship songs — especially when contrasted with their hymn counterparts — a veteran worship leader looks at octave jumping. We’re joining David Wesley in the middle of a series here, so if you’re up for more or are just a frustrated congregation member who wants to forward something to your worship leader (!) click through to YouTube — on the bottom right of the video — then click his channel name underneath the video.  On the other hand, you can just click here.

 

April 3, 2018

Cruising the Liturgical Worship Continuum

A few years ago, Evangelicals starting using words like Advent and Lent and Lectio Divina. While some purists probably thought this was the proverbial “Road to Rome,” some of us were thankful that the Episcopals, Anglicans and Catholics didn’t have a copyright on the liturgical calendar.

However, at the same time as this is taking place there is another distressing trend at the other end of the worship continuum. Increasingly, worship leaders seem blissfully unaware that there are songs which are especially suited for Easter Sunday and more disturbingly, Good Friday, or the mandate that these days issue to them.

I attended a number of Good Friday services this year and got to witness this firsthand. The lack of focus was rather appalling, however, as I said, the standard has been eroding for at least the past decade, to the point where younger worship leaders and worship planners have never had an Evangelical Good Friday service properly modeled for them.

I covered this in two previous articles:

One of the services I attended included Hosanna, which is a song for Palm Sunday and comes packed with the mood you’re not trying to create on Good Friday. Ironically, of all the services we attended or watched online, it was a capital “L” Liberal denomination’s church that got it right. We sat in a room with only 22 attendees and although there was no sermon, I give them 100% for liturgy and 100% for music in terms of capturing the intent of a Good Friday service.

This is a rant I will never stop. I’m sorry, but… well, here’s what I tweeted a week ago, possibly in anticipation of the weekend which was to follow.

It’s not just Good Friday, either. Thanksgiving has slowly fallen off the worship leaders’ radar. I’m not saying we need to sing We Gather Together or Come, Ye Thankful People Come endlessly; I’ll take a modern worship expression of the same theme. But the people choosing our songs apparently live in a total vacuum when it comes to awareness of the seasons in question. (And yes, I know Thanksgiving isn’t part of the liturgical calendar.)

March 4, 2018

Resource for Worship Leaders Who Aren’t Pros

Over the years I’ve shared some of the music of David Wesley with readers here or mentioned new videos in the weekly link lists. David does multi-track recording of Christian songs and posts videos of him singing each part, complete with a costume change for each track. I’m privileged to know him personally and to get to share conversations about worship in the local church. (If you’ve haven’t heard his music, I’ve embedded two videos at the bottom of this article.)

Today, I want to share a couple of the recent videos he’s produced in a new series called NoPro Worship: New principles, strategies, tips and tricks every Friday! It’s for people who aren’t on staff at a local church, or feel they’re no professionals, or no pro for short.

After a couple of getting-to-know-you videos where he introduced the series, he then looked conceptually at the Six Purposes of Worship in the Church. (Click to watch; that one’s not below.)

But then he moved into a really challenging topic: Does it matter where our songs come from? What about the life of the composer? What about the writer’s doctrinal perspective when it’s quite different from your own on key issues? He uses a really challenging example of a song that many worship wrestled with a few years back. Can you comfortably lead a tainted song? Check it out:

Then last Friday, he looked at the size of a worship leader’s (or church’s) repertoire. Is your congregation seeking freshness or familiarity? There’s also some practical advice on choosing songs generally. And how can worship be considered Spirit-led if you have to plan it all out ahead of time? After watching this one, if you give worship leadership at your church, consider subscribing to the series. And if you’d like to support what David is doing with this series, you can learn how to do that at the end.


For the first sample of his music, although he has more complex videos, I thought given the subject matter it was a fitting tie-in here to include this one, O Church Arise.

Finally, I had to include this one because my wife sings on it! This is David’s virtual choir and band — representing many different countries — performing an original arrangement of Nothing But The Blood.


Videos watched on WordPress blogs register on YouTube as views, but send David some “stats love” by clicking through (the YT logo in the bottom right when the video is playing) and watching a few more. And be sure to forward the NoPro Worship videos (or link to this blog post) to the worship leader at your church.

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