Thinking Out Loud

July 1, 2019

Earlier Modern Worship Songs Which are Still Viable

Long ago, in a time before Hillsong, Jesus Culture and Elevation; in a world uninhabited by Chris Tomlin, there existed another universe of praise and worship…

This list is comprised of songs which are not the most popular from the ’90s, but chosen by a criteria consisting of, “Would these songs work well with today’s congregations?” or, “Are these songs which could be re-introduced?”

Why this matters: There were some substantive songs which people who have been around church remember, but are not currently sung. The songs represent music for a demographic that is not longing for the nostalgia of the Gaither Music years — they aren’t that old yet — but longing for some connection to past songs where there is greater singability. 

This could include things from Maranatha Music, Vineyard Music, etc.

Statistically, the median age of established churches rises over time. The key is to keep this demographic engaged, but present music that doesn’t sound dated to the younger demographic churches are hungry to reach.

This is the list I assembled:

  • You Are the Mighty King
  • The Servant King
  • You Are Worthy of My Praise (I Will Worship With All of My Heart)
  • Blessed Be the Lord God Almighty
  • Above All
  • Glorify Thy Name (Father, I Love You…)
  • You Are My King (with 2nd verse)1
  • Once Again
  • Shout to the North
  • Majesty2
  • All Heaven Declares
  • You Are My All in All
  • Lord I Lift Your Name on High (with 2nd verse)
  • Trading my Sorrows
  • Open the Eyes of My Heart

Related: A History of Modern Worship Music

1 You are My King 2nd Verse
2 Majesty Extra Verses

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March 2, 2019

A Pre-Internet Example of Accelerated Social Change

Filed under: blogging, Christianity, music, technology, writing — Tags: , , , , , — paulthinkingoutloud @ 9:22 am

Tomorrow, I want to look at one or two particular effects on the church that have been brought about by the internet, or perhaps one specific aspect of it. But today, as a prequel, I want to go back in time about 50 years.

We all are aware that the internet greatly accelerated social change in the countries that had access to it. The way we shop, the way we interact, the manner in which we obtain information, how we handle our financial affairs, etc.; all these have been greatly affected.

Printing PressThe standard comparison is that we are living in a time very similar to what happened when the moveable type printing press was introduced. Mass publication of printed materials was suddenly an option, and even more so when the presses were attached to steam power.

There was however, a small ripple of accelerated social change that took place in the 1960s and the medium of choice was the music of the day which we now know as rock. If you visited in a record store in the early part of the decade, the standard categories were:

  • popular
  • folk
  • classical
  • spoken word
  • country
  • marching band
  • big band / jazz
  • sacred;

but by the end of the decade, well over half the record store’s real estate was taken up with rock. “Drums and guitars;” wasn’t so much a description of the sound as a constant complaint on the lips of those who didn’t like it.

Let it BeYou can’t write about this without mentioning The Beatles. They certainly exploded quickly on the scene and were an icon of the rock music age. Their songs are forever identified with the musical style that defined the ’60s

But how much of this would have happened anyway? If you listen to the bands that were around in the pre-Beatles age, you certainly see the trajectory where music was heading. The group’s name is, after all, a play on words on the emerging “beat music” which was being played in clubs in both Europe and North America.

But in the wake of The Beatles, social change happened, and it happened fast:

1966 — Men for the first time in recent history started sporting long hair. It wasn’t necessarily the hair style of previous centuries, either. There was also a radical shift in fashion taking place introducing new colors, shapes, fabrics and combinations.

1967 — Psychedelic drugs in particular and drug use in general swept colleges and high schools. “Tune in, turn on, drop out;” was a motto that recognized the link between tuning in the music (on radio, the primary source for music awareness) and turning on (with both hard drugs and soft drugs).

1968 — Rock music became a unifying factor in the opposition to the U.S. war in Vietnam. Protests spread throughout the U.S. “War! What is it good for?” (albeit from 1970, the year Wikipedia notes anti-war songs peaked in volume) is hauled out of the archives to this very day when America’s military finds itself involved overseas.

1969 — The sexual revolution. The Woodstock Festival and others like it introduced a sexual liberation such as had never been seen in the U.S and a movie documentary would take that revolution to cities and towns; and people who were unable to attend in person.

A good study of all that happened in those four y ears would be the 1968  musical Hair, summing up all the various things listed here (drugs, nudity, pacifism and of course hair itself) in a single production.

My point is that in terms of societal change, the 1960s were basically two decades for the price of one. In other words, change that might have come about over a 20-year period happened in seven years (if you track the Beatles back to 1963) instead.

beatles-cover-lifeWhy did this happen? Music!

Again, all this serves as introduction to an article coming later this week. I want to argue that the same thing has happened to the church, not because of music but because of the internet. By this I don’t mean church websites or live streaming of services, any more than The Beatles’ influence is limited to the playback conversion from vinyl to eight-track tapes. Rather, I want to make the case that a number of things happened in the same quick succession as we saw in the larger culture in the four years from 1966 to 1969.

I may not have the years so exact, but I think you’ll see that also similar to those years, the accelerated ecclesiastic change in the church brought about by the internet has come to a screeching halt.

Weigh in! If you have a comment that you would like to see form a part of the next article, feel free to email or leave it here.

February 4, 2019

People in Your Church — Not Just the Staff — Have Gifts

This concerns a topic that is recurring around our supper table. It was many years in the making, and something that both of us had been thinking and talking about for a long, long time before she wrote it all out. Not the first time presenting it here, but I believe it’s still relevant, if not more so than when all this happened.


• • • by Ruth Wilkinson

A number of years ago, a terrible thing happened.

Our local Christian school had just celebrated their Grade 8 graduation. Excited 14-year-olds, proud parents and grandparents, a ceremony, a party.

That was Friday evening.

One of the students, a girl, went home that evening, full of life and fun and hope, said good night to her parents, went to sleep, fell into a diabetic coma and died in the night.

The next day, phone lines burned up as the word spread and the Christian community prayed together for this family and for the girl’s friends.

Sunday morning during the service, the then pastor of #thechurchiusedtogoto mentioned the terrible thing in his ‘pastoral prayer’ before the sermon and the congregation prayed together for the comfort and healing of us all.

Over the next week, it started to sink in as these things will do, and a lot of people, solid believers who love Jesus, began asking hard questions. People deeply wounded by the fact that God could allow this to happen.

We own the local Christian bookstore, and some of these folks came in looking for answers. The best we could do was share their questions and their pain. Because there are no answers, besides the trite ones that don’t work.

The next Sunday, I was scheduled to lead worship. I chose songs that were familiar and simple, songs that spoke only of who God is and always had been and avoided “I will worship you” and “Thank you” types of lyrics.

On the platform, in my allotted one minute of speech, I said that a terrible thing had happened last week. That a lot of us were still hurting and questioning and angry. That it can be difficult to sing praises at a time like this, out of our woundedness. But that God was still God and though we don’t understand, we can trust him.

And we sang.

The next day, I got an email. From the (P)astor. Telling me off.

Apparently I had crossed a line. I’d been “too pastoral”. He said that I had no right to address the need in the congregation that week because he had “mentioned it” in his prayer the week before. And that was his job, not mine.

This was in the days before I was liberated enough to allow myself to ask, “What the hell?” so I went with the sanctified version of same, “What on earth?”. How could I possibly have been wrong to acknowledge what we were all thinking, and to act accordingly?

But, knowing from long experience that there was no point in arguing, I acquiesced and he was mollified.

However.

That episode stuck with me. Like a piece of shrapnel the surgeons couldn’t quite get.

“Too pastoral”.

Ephesians 4:11 speaks about gifts given to “each one of us”. The writer lists 5. Widely accepted interpretation of this verse sees each of the 5 as a broad category of Spirit-borne inclination and ability, with every one of us falling into one or another.

Apostles – those whose role it is to be sent. To go beyond the comfort zone and get things started that others would find too intimidating or difficult. Trailblazers.

Prophets – those whose role it is to speak God’s heart. To remind us all why we do what we do, and, whether it’s comfortable or not, to set apart truth from expediency. Truth-speakers.

Evangelists – those whose role it is to tell others about Jesus. To naturally find the paths of conversation that lead non-believers to consider who Christ is. Challengers.

Pastors – those whose role it is to come alongside people, to meet them where they are and to guide them in a good direction. To protect, to direct, to listen and love. Shepherds.

Teachers – those whose role it is to study and understand the written word of God, and to unfold it to the rest of us so we can put it into practice. Instructors.

I’ll be the first to point out that “worship leader” isn’t included in the list. Which means that those of us who take that place in ecclesial gatherings must fall into the “each one of us” who have been given these gifts.

Every time a worship leader (or song leader or whatever) stands on the platform of your church and picks up the mic, you are looking at a person to whom has been given one of the 5-fold gifts.

But can you tell?

Don’t know about you, sunshine, but I want to.

I think that, after a week or two, you should be able to tell. From their song choices, from the short spoken word they’re given 60 seconds for on the spreadsheet, from what makes them cry, smile, jump up and down – you should be able to tell that:

  • This woman has the gift of an evangelist. She challenges us to speak about Jesus to the world because he died for us.
  • That guy has the gift of a teacher. He chooses songs with substance and depth of lyric. He doesn’t just read 6 verses from the Psalms, he explains things.
  • That kid is totally a prophet. He reminds us of what’s important and what’s not.
  • This dude is an apostle. He comes back to us from where he’s been all week and tells us what’s going on out there.
  • This woman is a pastor. Her heart bleeds when yours does. She comes alongside and walks with you through the good and the bad and encourages you to keep going.

A worship leader who is free to express their giftedness in the congregation is, himself, a gift to the congregation.

A worship leader who is bound by rules and by “what we do” is a time filler.

Church “leadership” who restrict the use of Christ-given gifts are, in my humble opinion, sinning against the Spirit and the congregation.

Those gifts are there for a reason.

Let us use them.


January 6, 2019

The Church Today Viewed Through the Lens of Tomorrow

I have strongly come to believe that if Jesus Christ’s second coming does not otherwise interrupt the trajectory of Evangelicalism in North America, Australia/New Zealand and Western Europe, that something like the following will be written about us in the not-so-distant future:

They allowed music to be an all-important feature of their gatherings to the point where it became a dominant factor in shaping their view of God and His ways and attracting people to their churches. They did so at the expense of songs of testimony, songs of proclamation, songs of commitment, songs of assurance, songs narrating the history of God’s people, and songs after the pattern of the Psalter which reiterate passages from the scriptures.

They created a generation with an incomplete picture of the work of the Church and the purposes of God; trading this to sing platitudes often distant from their hearts.

…At least that’s my opinion.

November 30, 2018

In Christ Alone: 14 Countries and Hundreds of Hours of Editing

Or…

The Choir Whose Members Never Met Each Other

…Several years ago I introduced readers here and here to the music of David Wesley. We go to the same church, and on Sunday, David led worship, this time around playing electric guitar. Is it ironic that a guy who plays so many different instruments is best known for acapella videos? Also, if you read our Wednesday Connect columns, you’ll also know that I’ve linked many times to his NoPro Worship training videos for modern worship leaders.

This is David’s third time putting together one of these virtual choir videos. This time around there were 48 singers — a handy number if you’re putting them all in a single video frame — representing 14 nations. The Stuart Townend and Keith Getty composition is a favorite of David’s and the arrangement is his. You get to hear his instrumental arranging ability (which we get to hear locally during Easter Week when about eight churches combine for a single service) but you’ll also recognize the trademark rhythmic vocals which characterize his acapella performances. [Check out all his videos at this link.]


Support David on Patreon: http://patreon.com.davidwesley
Facebook: http://facebook.com/davidwesleymusic
Twitter: @singdavidwesley
E-mail List: http://eepurl.com/cbc9o9

Sub-headline disclaimer: Some of the choir members have met each other.

November 26, 2018

Let’s Talk Classical Music, If You Think You Can Handel It

Saturday night the choir in which my wife sings presented, a more or less complete performance of Handel’s Messiah. Despite being intimately familiar with some of the pieces either through playing or singing, this was my first time hearing everything in full context.

Handel‘s orchestral works are among my all time favorite classical pieces. Especially the Overture to the Royal Fireworks and the Finale from the Suite in D major of the Water Music. (Is it nerdy that I have favorite classical pieces? I don’t think so. Yesterday at church I was belting out the lyrics to Jesus Culture and Elevation Worship with everyone else.)

I knew some of the Messiah pieces well enough to spot some changes in interpretation that the new music director of the choir was bringing to this performance. I suppose this is how music critics get started, but even as a seasoned writer, I would find a choral concert review a rather daunting task.

So two thoughts here:

One is the same question I found myself asking when the same choir performed a Requiem by Fauré: How many of these singers and musicians truly know the One about whom they are singing? Do they believe that “the Lord God omnipotent reigneth?” Or let’s get really Evangelical: Does the Lord God omnipotent reign in their hearts? (Not a recommended opening evangelistic question.)

Exactly a week earlier, I had stood on a stage in front of a much smaller audience and sung the Andrae Crouch lyric, “No, it’s not just a story, but reality.” It was part of a larger, 3-night series of mini-performances involving people from across a wide spectrum in the community. I did wonder how many of the performers would be in a worship service that weekend. Everyone knows the lyric, “God and sinners reconciled;” but how many can tell you how that atonement process works? Or how they’ve experienced it?

Perhaps that’s asking too much. Students of classical music simply take the religious texts as a given. That was the music of the day. People went to church on Sunday, too; but that’s another discussion. In the choir were some of the best of the best musicians in our little town; people who themselves would be directing church choirs the next morning — being paid to do so — but the question would still stand; is this just another gig or do they know the Jesus of whom we speak? Let’s face it, musicians are the worst. The poster children for total depravity.

All this begs a greater question when it comes to the members of the audience: At a personal level how do they relate to the lyrics as they are hearing them? Are they simply captivated by the soloists vocal ability or the richness of the full choir harmony in a glorious crescendo? Or do they internalize the message that “He shall reign forever and ever.” (And ever and ever.)

We never really know the spiritual state of someone else. How God has worked and continues to work in their lives. Or what masks of pretension they don when walking into a church building. 

Messiah is about Jesus. He’s not in the choral work insofar as he doesn’t show up to turn water to wine, feed the 5,000 or raise Lazarus. But it’s all about him. It’s helpful to know that on a personal level.

Second, I marveled at the texts from Isaiah in a new and fresh way. They were almost… I don’t know… prophetic. (Okay, that was bad.) You grow up in church and you know that the writings in that section of your Bible are called ‘Major Prophets’ for a reason, but when your mind is awakened to the details of those prophecies — particularly the Messianic ones — it’s as though the writers were inspired. (Okay, that was also bad.)

…Messiah doesn’t end with the chorus ‘Hallelujah.’ There is a much shorter third part and then the climax is ‘Worthy Is the Lamb.’ provided below.

Blessing and honor and glory and power be unto Him!

► One of this blog’s all-time most popular posts is, Hallelujah Chorus: Should Audiences Still Stand? There are now 112 comments and they are far more interesting than what I wrote! (Yes, we stood on Saturday night.)

 

 

August 25, 2018

Music Ministry: Methodology

Yesterday we looked at some very superficial reasons which draw people into the larger music business with a hope that church musicians can understand their own music-personality type. Today we want to be more specific in looking at the raw, on-the-surface practicalities of drafting the music for Sunday morning.

treble clefFinding the recipe

If you look at a recipe, it’s always divided into two sections. First you have a list of ingredients, and then you have the instructions as to how you wish to use them. Worship planning is very similar. There’s a list of songs you want to use, but how do you blend and mix them? Perhaps there’s a song that is going to occur at the beginning and the end of the service. Possibly two songs might play off each other (i.e. How Great Thou Art and How Great is Our God). Some might stand alone, while others might combine into medleys.

Ingredients are key

You want to choose your ingredients carefully. Just as in baking, some elements might conflict. Some choices might be too spicy. Others might be too bland. In a salad, you go for color and music is no different. A seasoned worship leader will have about 5,000 songs in their head at any one time. Unless you get to plan a worship night, you’re probably only going to do about five songs. You have 4,995 songs to leave out.

What people are hungry for

Your job is to give people the means by which they can respond to God for his greatness and goodness, his holiness and majesty, his love and compassion; just to name a few. The songs should resonate with young and old, and therein lies a challenge. With different strains of ingredients (classic hymns, 20th century gospel hymns, Maranatha! Music, Vineyard, modern worship leaders, modern hymns, soaking music, Hillsong, UK-based songs, etc.) you can appeal to different demographics, or you can choose to present a more musically-unified selection. If you want to see a younger demographic, you also have to skew your choices to people who perhaps aren’t there yet. That’s risky, but some churches do this.

Appetizer or main course?

Some Evangelicals see the worship time as preparing the hearts of people for the teaching of the word. Some Evangelicals see the praise time more liturgically as valid on its own. I personally lean more to the second position. Still you want to know what the sermon topic is so your two selections don’t conflict.

Toppings

A worship time will be rather uneventful if it is just straight singing. You want to intersperse related quotations, read one of the verses before or after singing it, include quotations, or even do a “story behind the song” type of introduction. Many leaders default to Psalms, but some congregants tune them out. But there are exceptions; last week in our church the readings were all from the same Psalm and the songs chosen around that.

A shared meal

One of the values of corporate worship is that there are things we can do together that we can’t do alone (i.e. just listening or singing along with an album or Christian radio station at home.) The music should somewhat exploit the congregational dynamics. There should be some lively songs (by whatever parameter you measure that in your style of church) and there should be some songs where the beauty of blended voices can be both heard and felt.

When people like the recipe, don’t take credit

It’s very humble to say, “God gave me these songs this week;” but better to deflect the credit to the creators of the songs, or best, God Himself. “This is a new song, written by a musician who God is really using to stir us to deeper worship.” Or, “This song really focuses on God’s knowledge and wisdom and helps us consider how the ways of the Lord are so much beyond anything we could understand.” With opening statements like that it takes the focus away from you; you’re seen rather as a hunter and gatherer of worship that’s already out there.

We’re part of a much larger banquet

Occasionally, I would remind our congregation of the vast number of churches that were joining us in worship across our city, across our denomination, and in our nation; and then I would remind them that in North America, we occupy a place at the end of the timezones, joining a worship service that has been taking place around the world that weekend. Just thinking about that now, I am reminded of its potential to reshape how we approach worship.

So those are the superficial factors. But there are also some very spiritual considerations. That would make a great third part to this weekend series, but Laura covered that for us so well a few years ago, I’m going to invite you to simply click here.

August 24, 2018

Music Ministry: Motivation

So you want to be a rock ‘n roll star? You can do that in many ways in many places, including your local church.

What attracts people to work in the music industry in general? I’ve listed a few things below that I think apply both within and outside the church context, and one, at the end of the list, that I believe is more common only within Christian experience. Worship leaders: Perhaps finding what attracts you to music in the first place will help you understand your personality type as a musician.

treble clefPerformance

Some people just want to play. They live to gig. If you’re a drummer and you can’t sing, you’re never going to be center stage, and people might not even know your name, but that’s okay, right? The idea is to simply make music, either in a live context or in a studio. The busier the schedule, the better.

Profile

For others, being center stage is really important. They are attracted by the idea of being a name you would know. They might already have their own web domain. Or an agent.

Product

The goal for some people is just to make an album. They aren’t looking for bookings and they aren’t looking for fame. They just want to have that physical CD in a plastic case that they can give to their friends, and show to their kids some day. (“That’s neat, Mom. Too bad we can’t play it on anything.”) Or worst case, the digital equivalent. Sales in retail stores would be an added bonus.

Publishing

The nice thing about this as a goal is you don’t have to give a single concert or even be able to carry a tune. But if you can compose meaningful songs and get others to perform them your music can travel to places you can’t. For people who are happy behind the scenes, this is an achievable goal, though usually the singer/songwriter usually has their own material. For people who do perform, the goal here is getting their songs covered by other groups or solo artists.

Production

Just as there are frequencies that only dogs can hear, there is a smell in recording studios that only some people detect. To most of us, a 48-channel recording console looks intimidating, like the cockpit of a jet plane, but to them, the lights and dials are all in a day’s work. Their job demands that they live to serve the needs of others, but we know the names of many producers who have never recorded a single note themselves.

Profit

Although this can apply to any of the areas listed above, if we’re dealing with the area of motivation, then money can be a driving force. If you’re competent at publishing, performance, production, etc. and you need to pay the bills, you do what you’re good at.

Proclamation

This is the one I feel is more common to Christian musicians, though it’s not entirely unique since it applies to anyone who feels they have a message to communicate, whether it’s 60s hippies protesting the Vietnam War, or 80s rockers crusading for environmentalism. Today the message might still be anti-war, or racial equality, or perhaps gay rights. It is in this milieu that Christian artists raise their voices to express their faith or tell their story, though in the last dozen years, Christian music has been dominated by vertical worship — we could have had another P-word, Praise — which lessens the number of testimony or teaching songs being heard. We have, as Randy Stonehill put it many, many years ago, “the hottest news on the rack,” and so that motivates Christian musicians to make music which reflects their core faith beliefs.

…Of course, playing because you want to have a message to share is a noble ideal, but many musicians also fall into one of the other categories as well. They want to make an album, or achieve popularity, or be able to make a living from their art. That’s okay, right?

Tomorrow we’ll look at some of the practical ingredients of worship, comparing it to a recipe that worship leaders bake each week!

This may not interest everyone, but today, one of the other blogs in the Thinking Out Loud blog network is celebrating its tenth anniversary. Christian Book Shop Talk is written for the owners, managers and staff of Christian bookstores in Canada. To drop in on the party, click this link.

 

August 18, 2018

On the Passing of Aretha Franklin

Filed under: Christianity, music — Tags: , , , — paulthinkingoutloud @ 12:11 pm

So much is available for you to read online. I only want to make three observations:

♪ The first is a bit tangential, I admit, but it was refreshing to see an inspirational remembrance of the Queen of Soul displace Washington politics from the top of the network news agenda, both in Canada and the United States. NBC Nightly News devoted the first ten minutes to Aretha Franklin and this can be considered a measurement of her impact on music listeners and musicians alike. The orange man dominates the news rundown on far too many nights.

♪ I didn’t realize that Aretha’s first gospel album was her all-time bestseller. I believe the one at right (or above if you’re reading this on your phone) is the one I saw pictured on screen in one of the reports. It’s a double album, which I believe is the same song selection as the ones listed on the later-released CD version, shown below. Another example of how gospel music (and we can infer also, the Gospel itself) carried African Americans through the Civil Rights years. (There have been many other gospel collections by her in the years since.)

♪ The story, part of the next day’s reporting at NBC News on Aretha filling in for Pavarotti at the 1998 Grammy Awards is so inspiring. The show director didn’t know the opera star would be a no-show until 10 minutes into the broadcast. Aretha had performed the song as a tribute two days before at a tribute for Luciano, but this was a different arrangement, in a different key, with a large choir. She listened to a cassette in her dressing room for a few minutes, then went onstage to do her own number with The Blues Brothers, then went back to relearn the arrangement, and walked onstage saying, “This is going to be fun.” You can read the director’s story here — a related video is missing but you can watch that on YouTube.


Kick back with some Aretha gospel! This video begins a playlist of 16 songs.

 

August 5, 2018

The K•LOVE We Never Knew

Filed under: Christianity, music — Tags: , , , , , — paulthinkingoutloud @ 1:43 pm

If this graphic image doesn’t look familiar, click the links at the bottom of this piece for two recent rants about Christian music on radio, and modern worship in churches.

All this weekend, K-LOVE has been offering an online feed called “K-LOVE Classis: 80s, 90s and Early 2000s.” You can catch it at this link.

It’s in some respects, the K-LOVE that never was, though the station’s beginnings trace back to 1980.

There were a lot of people doing a lot of creative things in the earlier days of what we call CCM, but like K-LOVE itself, this is a rather safe, sanitized version of another generation’s Christian music. Perhaps what I’m longing to hear would be more of an Air1 classics station (Air1 is a sister station network to K-LOVE.) The first hour was interesting, but then everything started sounding the same.

Some of the trip down memory lane contained a few familiar songs — we played “Guess the Artist” while waiting for the ten second delay of the song ID onscreen — there were only a couple that really resonated where I turned the volume up high, and remember I was making my living full time from sales of this music in the 80s. (My wife handily won the artist guessing contest, however.)

We’ve discussed Christian music a few times here, so I don’t want to belabor this, you can read those articles at the following links.

Also, if you missed this 14-minute video,

 

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