Going through our archives, I thought I’d pay a return visit today to Tom Lawson at the (mostly) worship blog, Adorate to see what he’s written more recently.
While criticism of contemporary worship music is sometimes fully justified, I’m baffled that older gospel songs seem insulated from such scrutiny. The truth is hymns, gospel songs, and contemporary worship music all have their fair share of either shallow, silly or even wholly heretical (a phonetic oxymoron) lyrics.
We ought to stop longing for A Mansion over the Hilltop. In 1611 the word “mansion” simply meant a place to live. The actual idea in John 14:1-2 is clearly the “Father’s house” has more than enough room for everyone. The gospel song seems to suggest heaven is going to be a land of millions of eternal antebellum southern plantations. I would note this is an image of heaven many black Christians, for some reason, find less than appealing.
Sometimes, the images are so deeply rooted in the presumed mythology of popular Christianity that even well-informed believers are surprised at the absence of any biblical basis for them.
What’s wrong with any of that?
If we’re talking about the overall intention of the song, nothing whatsoever. The centrality of the atoning sacrifice of Christ in dying on a cross for the sins of the world has been and must remain a core truth of Christianity. For our sake, He was crucified under Pontius Pilate. He suffered death and was buried. On the third day, He rose again, according to the scriptures. He ascended into heaven and is seated at the right hand of the Father.
But, unless you are hiding something in the attic that would be a real show-stopper on the Antique Roadshow there is no “old rugged cross” for you to hang onto…