Thinking Out Loud

October 4, 2014

Who Says Youth Groups Won’t Sing?

…and How Running The Internet Rabbit Trails Led Me to New Discoveries

…and The Theology of Acapella Worship

Rural Hill Church Camp

So it all started on Monday night when I was wrapping up the link list. A visit to The Christian Chronicle, a news page of the Churches of Christ revealed that they had started a new feature, Voices Only Wednesday on September 17th. Kicking it off was what appeared to be an eight-minute camp music video from Rural Hill Church of Christ. It reminded me of a couple of Young Life Clubs I attended at another high school many years ago.

There’s a moment in this video near the end (about 6:18) where they go into a James Cleveland song, Get Right Church. (You want to play this loud.) There’s a lot going on in this song. A lot of fun. A lot of energy. A lot of passion. But also a lot of musical complexity. Who says you can’t get youth groups to sing? They call this part of the facility The Singing Porch (see photo above). I’ll bet a lot of audio memories are made there. (You really want to click the link, okay?)

I fired off the link to people I know who work with choirs, with camps, and with youth groups. But found myself wanting to look a little closer. So I checked out the Facebook page for the church. Many more videos from summer camp were waiting. But by this point, I wanted to learn more. 

The church website is visitor-friendly. Remarkably so. On the About Us page there is a notation:

We  do not use instruments in worship. We simply use our voices and our hearts. If  you have never experienced this type of worship, you may be surprised at how  heartfelt and uplifting it can be! We sing a mixture of traditional and  contemporary songs – reflective of the diverse age range and preferences in our  congregation.

So that’s where the kids get this. This musical paradigm is caught at an early age. It’s part of the worship style they’ve grown up with. Yes, there’s Power Point and microphones, but no keyboards, no drums, no guitars.

Days later I checked out the denomination’s description at Wikipedia and learned more:

The Churches of Christ generally combine the lack of any historical evidence that the early church used musical instruments in worship and the belief that there is no scriptural support for using instruments in the church’s worship service to decide that instruments should not be used today in worship. Churches of Christ have historically practiced a cappella music in worship services.

The use of musical instruments in worship was a divisive topic within the Stone-Campbell Movement from its earliest years, when some adherents opposed the practice on scriptural grounds, while others may have relied on a cappella simply because they lacked access to musical instruments. Alexander Campbell opposed the use of instruments in worship. As early as 1855, some Restoration Movement churches were using organs or pianos, ultimately leading the Churches of Christ to separate from the groups that condoned instrumental music.

(See the link for footnotes.)

Finally I went to YouTube in search of more songs. You can search under Church of Christ acapella, or Church of Christ singing. I used Church of Christ music and ended up listening to a 30-minute teaching from Mountain Creek Church of Christ on why they don’t use ‘mechanical instruments.’ The pastor takes a very easy-going approach on this, and while I would disagree with his hermeneutics, or even the logic by which the conclusion is reached, there’s no denying his hardline conviction. I just don’t think you should take a minority reading of a passage and then argue it quiet so dogmatically.

As an aside, several years ago I met with the lay-leader of a small congregation in our neighborhood, that I knew used only the King James Version. I asked him if there was a theological underpinning for this, and he quickly cut in and said, “No it’s a preference and only a preference. Our people can read anything they want, and many do.” That was refreshing. Rather than preach about the doctrine of acapella music, I would love it if this person simply talked about the rich musical heritage of the capital ‘C’ church — Christianity is a singing faith — and said the acapella thing is just a preference, just the way they do things.

Bottom line? I didn’t find anything on YouTube that grabbed me the way Get Right Church did that first day, but if I were ever in Antioch, Tennessee, I would definitely want to experience what Rural Hill offers first-hand. It would beat spending the Sunday at just another generic megachurch. And I wouldn’t let the reasons they may have for their music stop me from enjoying the rest of the worship service, especially when the music would be the reason I was there at all!


Photo: Ironically, the video from which this was taken (click the image to link) has background music which included a full instrumental background.

 

September 11, 2014

Veteran Christian Artists Offer Scripture Music Collections

“Wait a minute;” I can hear someone saying, “Isn’t all Christian music supposed to be based on scripture?”

Well, as true as that should be, even today’s vertical worship music is rather subjective in its composition and most CCM simply offers a Christian perspective on life, love and living and even that is often veiled. The two projects we look at today are remarkably different.

Michael Card - CD series based on the Gospels

Michael Card‘s collection of four CDs based on the gospels reflects an entirely different genre lyrically. Released between February, 2011 and July, 2014, the four albums aren’t exactly the old “Scripture in Song” material, either; but rather offer something refreshingly unique. The series is called Biblical Imagination and each has a book which corresponds to it, suggesting that the songs come out of the depth of study necessary to complete the books. Both books and music are distributed by InterVarsity Press (IVP), so if your local Christian music outlet only deals with Provident, or Capitol, or EMI, they might not have access.

For those old enough to remember Michael’s song Known by the Scars, the style is really unchanged. (Card is also the author of Amy Grant’s El Shaddai.)

The album I was given as a sample, Mark: The Beginning of the Gospel includes a very classical performance by Fisk University Jubilee Singers before settling down into more familiar Michael Card territory. Scripture references are provided, though here the texts are used more as springboards for more poetic considerations and impressions from the life and teachings of Christ.

I’ll be reviewing the accompanying book here at a later date, but honestly speaking, owning one of the CDs only makes me want to own the entire set.  If my remarks here don’t accurately convey the nature of this recording, it’s only because the beauty and depth is rather hard to describe.


Brian Doerksen and The Shiyr PoetsThe Shiyr Poets (pronounced ‘sheer’) on the other hand takes a more word-for-word approach, but with a conversion to modern English from the Hebrew and with the addition of recurring choruses as keeping with the structure of modern music. In many ways, bringing these texts into our century captures the heart and anguish of the Psalmist in ways we might miss with a cursory reading of the text.

The band is the latest project from worship leader Brian Doerksen composer of Refiner’s Fire, Come Now Is The Time to Worship, You Shine, and Faithful One. The sound is consistent with past Doerksen albums, a gentle, more intimate sound. (Foreshadowing this project was the song Fortress 144 from a few years back; a song Brian said was written especially to be a song that men could embrace in a corporate worship setting.)

On Songs for the Journey, Volume One the goal is to begin working sequentially through the book of Psalms, hence this album covers the first ten, with two bonus tracks. Yes, this is an ambitious project! The group used crowd-funding to partially underwrite the launch of the first project and probably would need to do that again to create successive volumes, as this has not been produced for a major label.

You can listen to an audio sample from Psalm 3, at the band’s website by clicking here, or watch a video from a Christian television program here and here. The physical album is only available in Canada, but you can download it digitally anywhere from iTunes

Again, there’s a lot going on in the Psalms that we miss, and this project accurately captures both the tension and the wonder.

 

 

July 10, 2014

Creating A Worship Song Set

Filed under: music, worship — Tags: , , , , , — paulthinkingoutloud @ 7:10 am

Worship moment

Although our friend Laura has been leading worship for a relatively short time, she comes to this from a background in choral music in a more liturgical setting, so many of the modern worship songs and gospel hymns that are familiar to Evangelicals have been to new to her. With that perspective, her approach to leading in our home church is always marked by a careful choosing of songs, crafting original readings, and a most-evident continuity of theme.

She was asked recently to write about the song selection process — the always challenging and even mysterious part of worship leading to those who have never done it — and we got her permission to use this here at Thinking Out Loud. I really appreciated how she was able to cut to the core issues; the things that matter. I hope you’ll copy the link for this and send it to anyone who chooses the music for any sized event at your church.

Planning A Worship Set

by Laura Steen

In scripture, we are instructed to teach “using psalms, hymns and songs from the spirit, and to sing with gratitude in our hearts” (Colossians 3:16). How, then, do we plan a worship set that will set the spirit free, and make hearts thankful and ready to receive God’s word? How do we become organized, yet flow in the spirit? How do we work within the tension of careful preparation and spontaneity?

Prayer – the most important planning element. We enter into prayer as we think about the needs within the congregation and songs that may speak to those needs. We ask ourselves … is there a theme we need to work with, is there something in the message that needs to be reinforced through the music, do people just need to know God’s heart? It is amazing where answers come from … other people, scripture, books we are reading, or messages we have heard. We pray for preparation in our own hearts so that we can enter into worship and connect the hearts of God’s people with Him.

Song Selection – easier said than done. There are so many songs to choose from! Once prayer has given us a clear focus for the set, this process unfolds. We keep in mind several other items; are the words meaningful and scripturally based, are they right for the voices and instruments we have to work with, do they move us from praise to worship of our God?

Transitions – important smaller details. These create a natural flow through the worship set, often assisting in freeing the spirit. Scriptures, prayers, readings, heartfelt words or images are used to offer encouragement. Sometimes, a planned pause can speak volumes! Images, too, can speak a thousand words.

Practice – it isn’t about perfection, but rather to prepare the leader and team to work together and to create an arrangement that works for the songs. It isn’t just about technicalities, it’s a process that frees us to discover what works best for the song – voices, harmonies, instruments. Practice roots us in the purpose of our leadership and prepares us for the unexpected. We want people to feel freed to worship as the spirit moves them.<

And finally, Gratitude – we are grateful to be able to be used by God for the purpose of preparing hearts, freeing the spirit and encouraging others … and, while the planning takes time, there is so much joy in making music for God and his people!

 

June 8, 2014

My Kind of Worship Music (and How I Heard About It)

Filed under: music, worship — Tags: , , , , , — paulthinkingoutloud @ 8:12 am

I don’t actually follow every news story that is making the rounds. I pick and choose. So the tectonic activity taking place among the staff and elders of Mars Hill Seattle (i.e. Mark Driscoll’s home base) is on my radar, though I’m not tracking it closely.

Nonetheless, Warren Throckmorton had an article on Friday about the church losing a popular worship director, Zach Bolen.  I clicked the video clip of his band Citzens, and have to say that as a keyboard player, this type of sound is like water to a thirsty man. (Or maybe I just borrowed a similar metaphor from the song.)  Too much of American Christian music is guitar-based, Nashville-rooted and all sounds the same. Well, IMHO anyway.

There’s a great endorsement from the UK Christian music magazine Crossrhythms (which figures because the sound is more aligned with European Christian music):

Clearly Citizens have a bright future ahead of them. As Breathecast commented, “Musically, Citizens have created a patented type of indie rock that flutters with the electronic beat of Switchfoot, yet shimmers with the emotional intensity of Hillsong United. Above all, Bolen sings with a sense of honest gravitas; it is as if leading worship is more than just a day job. Rather, he sings with a deep-seated passion that can only come from a man who knows grace.”

Enjoy!

May 20, 2014

Saving Modern Worship

CCLI

Because there was so much interest in my short post on Sunday about modern worship, we actually got comments! That never happens here, despite a huge daily readership. This means that throughout Monday I was still engaging this topic, and it was then that it occurred to me that something that would have helped greatly this past weekend, and something I wish now I had included in my criteria for a broader, more inclusive song set, would have been to actually have a couple of songs that appear in the current CCLI top 25 list.

For churches that are concerned about copyrights, CCLI is the organization that makes it possible to see that mechanical royalties (not performance royalties) are paid to the appropriate songwriters and publishers for the manufacture of printed or projected lyrics. In so doing, they are party to great amounts of data about what churches in the U.S., Canada, Great Britain, South Africa, Australia, etc. actually want to sing.

By using these songs, worship leaders are:

  • using material that has been proven; songs that lead congregations into worship
  • choosing songs that might be reinforced throughout the week on Christian radio
  • selecting compositions known to visitors from other churches

Here is the current list for the U.S.

1 10,000 Reasons (Bless The Lord)
Jonas Myrin, Matt Redman
2 How Great Is Our God
Chris Tomlin, Ed Cash, Jesse Reeves
3 Mighty To Save
Ben Fielding, Reuben Morgan
4 Our God
Chris Tomlin, Jesse Reeves, Jonas Myrin, Matt Redman
5 Blessed Be Your Name
Beth Redman, Matt Redman
6 Revelation Song
Jennie Lee Riddle
7 Amazing Grace (My Chains Are Gone)
Chris Tomlin, John Newton, Louie Giglio
8 Here I Am To Worship
Tim Hughes
9 Everlasting God
Brenton Brown, Ken Riley
10 Forever Reign
Jason Ingram, Reuben Morgan
11 In Christ Alone
Keith Getty, Stuart Townend
12 Jesus Messiah
Chris Tomlin, Daniel Carson, Ed Cash, Jesse Reeves
13 One Thing Remains (Your Love Never Fails)
Brian Johnson, Christa Black Gifford, Jeremy Riddle
14 Your Grace Is Enough
Matt Maher
15 How He Loves
John Mark McMillan
16 Open The Eyes Of My Heart
Paul Baloche
17 Hosanna (Praise Is Rising)
Brenton Brown, Paul Baloche
18 Forever
Chris Tomlin
19 You Are My King (Amazing Love)
Billy J. Foote
20 The Stand
Joel Houston
21 Holy Is The Lord
Chris Tomlin, Louie Giglio
22 Come Now Is The Time To Worship
Brian Doerksen
23 From The Inside Out
Joel Houston
24 Hosanna
Brooke Ligertwood
25 Shout To The Lord
Darlene Zschech

Here is the current list for Canada which is very similar:

 

1 10,000 Reasons (Bless The Lord)
Jonas Myrin, Matt Redman
2 How Great Is Our God
Chris Tomlin, Ed Cash, Jesse Reeves
3 Mighty To Save
Ben Fielding, Reuben Morgan
4 Here I Am To Worship
Tim Hughes
5 Hosanna (Praise Is Rising)
Brenton Brown, Paul Baloche
6 Our God
Chris Tomlin, Jesse Reeves, Jonas Myrin, Matt Redman
7 Blessed Be Your Name
Beth Redman, Matt Redman
8 In Christ Alone
Keith Getty, Stuart Townend
9 Everlasting God
Brenton Brown, Ken Riley
10 Amazing Grace (My Chains Are Gone)
Chris Tomlin, John Newton, Louie Giglio
11 Revelation Song
Jennie Lee Riddle
12 Jesus Messiah
Chris Tomlin, Daniel Carson, Ed Cash, Jesse Reeves
13 How Deep The Father’s Love For Us
Stuart Townend
14 Forever
Chris Tomlin
15 Your Grace Is Enough
Matt Maher
16 Hosanna
Brooke Ligertwood
17 You Are My King (Amazing Love)
Billy J. Foote
18 Open The Eyes Of My Heart
Paul Baloche
19 Come Now Is The Time To Worship
Brian Doerksen
20 One Thing Remains (Your Love Never Fails)
Brian Johnson, Christa Black Gifford, Jeremy Riddle
21 Beautiful One
Tim Hughes
22 Forever Reign
Jason Ingram, Reuben Morgan
23 Happy Day
Ben Cantelon, Tim Hughes
24 Shout To The Lord
Darlene Zschech
25 The Stand
Joel Houston

I’m not sure how recent this UK list is; it seems older. There are a couple of songs here that may be unfamiliar to American churches, although we are aware of them in Canada.

 

1 In Christ Alone
by Getty, Keith\Townend, Stuart
2 Shout To The Lord
by Zschech, Darlene
3 Here I Am To Worship
by Hughes, Tim
4 How Great Is Our God
by Cash, Ed\Reeves, Jesse\Tomlin, Chris
5 Be Still
by Evans, David J.
6 How Deep The Father’s Love For Us
by Townend, Stuart
7 King Of Kings Majesty
by Cooper, Jarrod
8 How Great Thou Art
by Hine, Stuart Wesley Keene
9 Psalm 23
by Townend, Stuart
10 The Servant King
by Kendrick, Graham
11 There Is A Redeemer
by Green, Melody
12 Blessed Be Your Name
by Redman, Beth\Redman, Matt
13 Come Now Is The Time To Worship
by Doerksen, Brian
14 Everlasting God
by Brown, Brenton\Riley, Ken
15 Faithful One
by Doerksen, Brian
16 I Will Offer Up My Life
by Redman, Matt
17 Knowing You
by Kendrick, Graham
18 Great Is Thy Faithfulness
by Chisholm, Thomas Obediah
19 Shine Jesus Shine
by Kendrick, Graham
20 Mighty To Save
by Fielding, Ben\Morgan, Reuben
21 Lord I Lift Your Name On High
by Founds, Rick
22 All Heaven Declares
by Richards, Noel\Richards, Tricia
23 Once Again
by Redman, Matt
24 Forever
by Tomlin, Chris
25 Hosanna (Praise Is Rising)
by Baloche, Paul\Brown, Brenton

Despite the cartoon, please restrict comments to the issue of the familiarity and singability of worship songs; this was not a discussion of legal responsibility with respect to copyrights.

May 18, 2014

Modern Worship Movement Dead-Ended

Filed under: ministry, music, worship — Tags: , , , — paulthinkingoutloud @ 5:34 pm

worship_tshirt

As of today, I have seen the future of the modern worship movement, and even now, I am convinced that we are not being well-served.  Today I got to observe the height of performance-oriented worship formatting; songs that were completely unfamiliar pitched in keys that rendered them completely un-singable. I also saw the approach toward casual dress of platform/stage personnel at its worst. I also observed song lyrics that simply cannot be supported theologically. Throughout it all, I was expected to remain standing.

Oddly enough, part of the reason we decided to take our free Sunday at this church was because of its history and reputation for outstanding worship. I really don’t want to be a curmudgeon, but I honestly feel that worship leaders to need to rethink some basics before assembling a worship set.

  • At least one hymn (yes, mostly for demographic reasons, but also for theological ones)
  • At least one modern hymn (as in Townend, Kendrick, Gettys, Sovereign Grace)
  • At least one modern worship composition that proved itself in the ’80s, ’90s or early ’00s.
  • For another two songs, you can have your recent modern worship songs, but try to go with something of substance. (Doerksen or Baloche for at least one would be nice)

There’s a five song worship song list I could live with.

In the meantime, if I were in leadership at the church we attending this morning, I would be convening an emergency meeting early in the week.

Just because your church has achieved success numerically is no reason to assume you’re doing everything right.

March 31, 2014

How Evangelicals Miss Good Friday

good-friday

If, by someone coming here via a search engine, I can help even one church make their Good Friday service more meaningful, this will have been worth the effort.

I’ve always found it interesting that no matter how contemporary or how alternative some churches are, many of them often begin their communion service with the “words of institution” from I Corinthians 11. It’s like a little, tiny slice of liturgy in an unexpected place.

Today, I want to propose we add another little slice of formality, namely the construction of the Good Friday service, if indeed your church or community has one. If this were a song by Jamie Grace* the line would be, “We need to get our Anglican on.”

I wrote about this two years ago:

Evangelicals don’t know how to do Good Friday…

Good Friday is a big deal here. All the churches come together… Right there, I think the thing has become somewhat unmanageable.  Each church’s pastor has a role to play, one introduces the service, another prays, another takes the offering, yet another reads the scripture, one preaches the sermon and so on. It’s all rather random and uncoordinated. They really need a producer…

In Evangelicalism, nothing is really planned. I love extemporaneous prayers, as long as some thought went into them, but the tendency is to just “wing it.”  Like the pastor a few years ago who opened the Good Friday service by talking at length about what a beautiful spring day it was; “…And I think I saw a robin.”

Fail.

This is Good Friday, the day we remember Christ’s suffering, bleeding, dying.  Evangelicals don’t understand lament. We don’t know how to do it, we don’t know what to say.

My wife says we tend to ‘skip ahead” to Easter Sunday. We give away the plot and lose the plot all at the same time. We place the giant spoiler in the middle of the part of the story to which we haven’t yet arrived; diminishing the part where we are supposed to be contemplating the full impact of what Jesus did for us.  We rush to the resurrection like a bad writer who doesn’t take the time to develop his story, and then wonders why the impact of the ending is not as great.

I learned this year that in a number of traditions, once the season of Lent begins, you are not supposed to say or sing ‘Hallelujah.’ Then, on that day that recalls that triumphant day, the Hallelujahs can gush force with tremendous energy. But we Evangelicals spoil that by missing the moment of Good Friday entirely. Can’t have church making us feel sad, can we?

My concern now as then is that we are rushing toward Easter, rushing toward celebration, wanting to scream out at the top of our lungs, “It’s Friday, but Sunday’s coming.”

But the disciples didn’t know from Sunday. Their memory, etched so clearly, was of the life draining out of Jesus’ broken and bloodied body. At worst, rejected Messiah’s were supposed to fade into obscurity, not die a criminal’s death at the hand of the Romans. One by one they disappeared…

We need to feel that.

We need to feel what it meant for him to (a) enter into the human condition, (b) always give preference to others, (c) experience physical death, and (d) have that death be the most excruciating ever devised.

Music plays a big part. In another essay here that referred more directly to Easter Sunday, I quoted:

“Every Christmas Christians whine and complain about secular and atheistic efforts designed to take Christ out of Christmas yet more and more Christian pastors have committed an even worse offense and have removed Jesus Christ and His victorious resurrection from the grave from their Easter sermons,” said Chris Rosebrough. “Far too many pastors have played the role of Judas and have betrayed Jesus. Rather than being paid 30 pieces of silver, these pastors have sold Jesus out for the fame and adulation that accompany having a ‘growing, relevant ‘man-centered’ church’.”

My own thoughts that day included a study of songs churches in the U.S. had used:

[I]t’s amazing to see the difference between the worship leaders who really focused on the death and resurrection of Christ, and those who simply did the songs that are currently popular, or the songs they were going to do anyway before Easter “got in the way.”

…there seems little room for critical evaluation here.

The one that really got me was the church that went ahead with a sermon series acknowledging that it had nothing to do with Easter.

 

So returning to Good Friday, here is my manifesto:

  1. We need to set a tone at the very beginning of the service; allow a ‘holy hush’ to come over the crowd.
  2. We should then incorporate other silences throughout the service.
  3. As far as possible, every word spoken should be planned. We need to borrow from our Episcopalian friends for this service.
  4. We need agreement from participants on what we will not do. No, “It’s good to see everyone;” no “It’s finally warming up outside;” no “We do this in anticipation of Sunday;” or the worst, “I hope you all found a place to park.”
  5. If your service is interdenominational or has many participants, do not introduce people at all, i.e. “And now Delores Jones from Central Methodist will favor us with a solo accompanied by her husband Derek.” Don’t waste words.
  6. We need to skip the final verses of some hymns or modern worship songs if they resolve with resurrection. We need to immerse ourselves in the moment.
  7. If your church uses a printed program, consider the idea of the congregation whose Good Friday bulletin cover was simply a folded piece of black construction paper. In other words, use other media to reinforce what is taking place at the front, and remove things hanging in the sanctuary that might be a distraction.
  8. No matter how big the crowd, and how tempting this makes it, don’t use Good Friday as a fundraiser for a church or community project.
  9. Preaching needs to be Christological. This would seem obvious, but sometimes it’s not. It’s not about us, except insofar as he suffered and died for us.
  10. That said, we also need to be Evangelical. What a wonderful day for someone to stand at the level ground of the cross and look into the eyes of a loving Savior who says, ‘I do this for you;’ and then have an opportunity to respond to the finished work on the cross.

Finally, if your church doesn’t do Good Friday, consider starting it. I worship between two small towns which both have an annual interdenominational morning service, but several years ago, my wife’s worship ministry did a Good Friday evening service and over a hundred people attended. She assembled worship songs, solos, video clips, readings and had a local pastor do a ten minute homily. It will forever be one of my favorite, most cross-focused Good Friday events, even though I was busied with the planning and running of it.

 

 


*see comments

February 10, 2014

U2Charist: Rock’ n Roll Communion

u2charist St Peters

On Saturday we attended our first U2charist: The music of Bono, The Edge and the rest of U2 combined with an Anglican (Episcopalian in the U.S.) communion liturgy. Two very different forces. Do they complement each other, or stand in stark contrast as opposing elements? I’m still not sure. You can read more about it at this Wikipedia page.

I believe part of the concept is to open up the Eucharist to the broader community; perhaps to attract lapsed Anglicans or former C. of E. (Church of England) members. I didn’t see a lot of that, though. Most of the people we saw seemed to be stalwart adherents of the host church. Many were retired. It was actually demographically awkward. My wife reminded me that U2 is a boomer band, but I still clung to the opinion that if only out of curiosity, members of the church’s youth group should have shown up.

We also spoke with a lot of people afterward who said they would have attended had they heard about it, though we did our best to put the word out. The church hired a U2 tribute band, and I must say that for their part, they played their role flawlessly, this being the first U2charist they’ve performed at.

I don’t quite understand why Anglicans can’t worship without the Eucharist. Maybe that’s a bit harsh. What I mean is that it always comes back to the same default. They do have Vespers (Evensong) and something called Compline, but for the most part, the church is very Roman Catholic about re-staging the mass on a rather constant basis. And unless you’ve taken a non-Christian to a high church service lately, the enactment of communion, the drinking of Christ’s blood, which we find rather normal, appears cultic or even pagan to the uninitiated.  Could you offer a broader community a “church” experience without the Eucharist? From an Episcopal perspective, maybe not.

Could you do a “rock” Eucharist with the modern music of a leading Christian worship leader such as Paul Baloche, David Crowder, Brian Doerksen or Chris Tomlin? Again, probably not since Anglicans don’t recognize those names at all, much less the wider populace.  Still, the ‘worship concert’ format — an oxymoron to some, I realize — is the Evangelical outreach format de jour.

Again, I think the band did a great job and the host church had good intentions. Some of the songs seem well-suited to the occasion. It was the demographics of the audience that failed for me; more effort should have been made to tap into and invite various segments of the community, rather than simply make an announcement and figure that the broader community would come to them.

November 10, 2013

These are a few of my favorite songs

This is a re-post of a series of links to articles at Christianity 201 that contain worship song videos. it’s been available at that website for years, but never posted here before. Enjoy. (If there’s a song you want to recommend, feel free to add a comment.)

September 30, 2013

24 Hour Worshipathon

Filed under: music, worship — paulthinkingoutloud @ 7:48 am

This was the schedule on the weekend at Southeast Christian Church in Louisville, Kentucky; where Dave Stone is the lead pastor and Kyle Idleman is the teaching pastor:
Glory Arise - South East Christian Church

There are some links to pictures at the church’s Twitter page.

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