Thinking Out Loud

December 18, 2014

Exodus: Don’t Wait for the Video

Exodus-Gods-and-Kings-Movie-Poster-Wallpaper-960x540

Because I have worked in and around the Christian retail industry for too long, I know that the surge of Christian-themed movies at the box office these past few months always has a ripple effect in the Christian bookstores. Current top sellers in such stores — and their online equivalents — include God’s Not Dead and Mom’s Night Out, both of which had theatrical runs first.

I don’t think you’re going to see the same happen with Exodus: Gods and Kings. For the most part, Christian retailers act as gatekeepers for what their constituency reads or listens to or watches, and the Christian media have not entirely received this movie well, though as you’ll see at the bottom of this piece, there are exceptions.

At The Gospel Coalition, Joe Carter writes:

Moses is a central figure in three of the most populous world religions. He’s mentioned more times in the Qur’an than anyone else, and more times in the New Testament than any other Old Testament character. In Judaism he’s not only the central figure, he quite literally wrote the book on the religion. He has, in other words, a lot of name recognition.

…So why does [director Ridley] Scott go out of his way to ruin the story of Moses? The reason can’t be chalked up to “artistic license,” because that would imply some sort of artistry behind the decision. The changes Scott makes, though, are not only art-less, they’re nonsensical and spoil anything of value in his film.

At viewer-rating site, Faith Based Films, one viewer writes:

There is no cloud by day, or pillar of fire by night, or any indication of manna, or the gold, silver and other riches that the Bible teaches were freely given to them by the Egyptians on their departure from Egypt.  It leaves those who know the biblical account wondering how the Israelites will ultimately build God’s tabernacle.  The film’s depiction of a rag-tag herd of refugees—totally absent the riches they took from Egypt, leaving them with nothing to fulfill their destiny of building the tabernacle and all its instruments of worship.

Significantly, the burning bush scene when Moses first encounters God as a child is set in the context of Moses’ journey up the mountain in a rain storm, which triggers a landslide that sweeps Moses downward and results in his being hit on the head by rocks.  He is left submerged in mud except for his face—suggesting that perhaps Moses’ ongoing conversations with God are injury-induced hallucinations or the fantastical imaginings of a schizophrenic. And when Moses is on the mountain receiving the Ten Commandments, it is Moses and not the “finger of God” writing them—without any hint of the blinding glory of God’s presence. In fact God’s portrayal is never that of a sovereign God of magnificent and overwhelming glory.  To the contrary, he is depicted as a somewhat dirty young boy who chats with Moses while serving tea.

Speaking of that website, Christian Newswire notes:

Scott’s portrayal of God makes him almost unnecessary in the film to the point that Exodus wouldn’t have suffered much if He had not been in it. Ultimately, the movie misses the central point of the story,” said Chris Stone, Certified Brand Strategist and Founder of Faith Driven Consumer.

The issue is the casting at this article at CNN:

We’ve known since the moment the full cast was announced: nearly every major role in the movie is played by a white actor.

What makes it worse for many observers is that, on the flip side, virtually every black actor in the movie is playing a part called “Egyptian thief” or “assassin” or “royal servant” or “Egyptian lower class civilian.”

…The deeper problem is one of conflating whiteness with heroism and power. Is it so hard to imagine our biblical heroes as being nonwhite? Is it beyond belief that one of the greatest empires in world history had authentically dark skin, rather than being white folks just wearing a ton of makeup?

Finally, in the spirit of the biblical ‘Love Chapter,’ Christianity Today finds some good things to say about it:

The costumes, jewelry, makeup, architecture, embellishments and textures in every shot of Exodus feel as authentic as something you’d see under glass in the British Museum. There are few filmmakers who do world-building better than Ridley Scott (Alien, Gladiator, Prometheus), and on this score Exodus may be his crowning achievement.

Plot deviations and minutiae aside, key themes of the Exodus story are there. Moses is rightly portrayed as a reluctant and rough-around-the-edges leader, though ultimately faithful to his calling. God’s favor upon and covenant faithfulness to the Hebrews is evident, especially in contrast to the ineffectual polytheism of the Egyptians. The presence of God with his people is clear (“God is with us!” shouts Moses on the banks of the Red Sea), even as the “wrestle” between Yahweh and the often-unfaithful Israelites also comes through. “Israel,” after all, literally means “struggle with God.”

Will LifeWay, Family Christian, Parable and Mardel stock the movie when the time comes? That remains to be seen. The film is PG-13 for violence, so some stores may think twice on that basis. But concerns about the film’s accuracy will probably rule the day. 

For a complete look at the differences between the Bible and the screenplay for Exodus, check out this article.  Note: Contains many spoilers; be sure to read all four pages.

 

December 13, 2014

Facebook Pulling Back Feeds of Status Updates for Businesses, Churches

Sample of Church Facebook Page

From home-based hobby sales, to cottage industries, to small business, to corporations having 500,000 likes, Facebook is scaling back the practice of putting posts into the feeds of readers, and the policy change has impact for non-profits and churches as well.

facebook-logo-289-75Many small businesses currently operate as a ‘page’ adjunct to an individual’s personal Facebook profile. Just as you ‘friend’ the person, you ‘like’ the business. Years ago, Facebook started restricting what you see from individuals and business alike.  The logic went, ‘if you have 300 friends and they post twice a day, you’d have 600 updates to read daily.’

But small businesses noticed that much of what they posted wasn’t getting to anyone, with averages of 16% being normal. If someone took the effort to visit the page, they could see everything, but most people who ‘check Facebook’ read only what the algorithm assigns to their feed.

Instead they were being told to ‘boost’ each post with a payment ranging — for small business — between $5 and $33. Many times the posts weren’t even selling anything, but updating readers on local events in an effort to build community.

Then last month, the Wall Street Journal reported things would change more severely:

The change will make it more difficult for entrepreneurs… to reach fans of their Facebook pages with marketing posts that aren’t paid advertising.

Businesses that post free marketing pitches or reuse content from existing ads will suffer “a significant decrease in distribution,” Facebook warned in a post earlier this month announcing the coming change…

…More than 80% of small companies using social media to promote their businesses list Facebook as their top marketing tool, followed by LinkedIn and Twitter, according to a recent survey of 2,292 small businesses by Webs, a digital services division of Vistaprint. The top three reasons owners cited for creating a Facebook page were customer acquisition, building a network of followers and increasing brand awareness, according to the survey.

Dan Levy, Facebook’s vice president of small business, says that Facebook’s paid-advertising options have become more effective recently and that companies should view Facebook as a tool to “help them grow their businesses, not a niche social solution to getting more reach or to make a post go viral.”

He says he has “a lot of empathy” for business owners who “are feeling this evolution” in the reduction of what he describes as organic reach. But, he says, organic reach is only one of several reasons companies benefit from having a presence on Facebook. Last month, there were more than one billion visits to Facebook pages directly. “Having a presence where you can be discovered still has a ton of value,” he says…

This is a small part of the entire article, click here to read at WSJ.

But it gets worse, as churches and non-profits will also be affected.  One writer suggests the strategy over the next few months should be to get those Facebook friends to respond to something that provides their email address (and in countries where applicable, express consent for placing them on on a list.)

Over the past 18 months, one of the biggest challenges with Facebook marketing is not knowing exactly what changes are on the horizon and how it will impact organic reach. We believe that eventually organic reach on larger nonprofit Facebook pages will reach close to 0%, so marketing on Facebook will significantly change.

Read more at NonBoardBoard

One website, while overtly trying to sell a print report, offers some clues:

The ability to build communities of fans, and then maintain contact and encourage engagement using content published to fans’ News Feeds was a critical aspect of Facebook’s early appeal to marketers. The opportunity of achieving engagement at scale motivated many brands and corporates to invest millions in developing communities and providing for care and feeding via always-on content…

This isn’t an academic exercise. Facebook Zero is a reality now facing every brand and business with a presence on the platform. Action is required, and specific decisions will need to be made with regard to content planning, paid support for social media activities, audience targeting and much more.

Read more at Ogilvy.com

But social media of one kind or another is so essential. In a recent 48-minute podcast at the aptly-named Church Marketing Sucks, the director of Social Media for Saddleback Church offered a number suggestions as well as stressing the importance of social media for churches.

Listen to the podcast here.

The same website also offered suggestions for using social media at Christmas. While most of these arrive too late for this year, you could file them away for 2015, but with Facebook Zero coming soon, the information may seem antiquated a year from now, or even sooner.

Want to switch your emphasis over to Instagram. I wouldn’t. Remember, in 2012, Facebook paid $1 Billion to acquire the photo site. What’s happening on FB will certainly follow on Instagram.

Twitter, anyone?

This page is a reminder that what Facebook decides here has worldwide impact on Churches and Christian charities.

This Facebook page image serves as a reminder that what Facebook decides here has worldwide impact on Churches and Christian charities. That’s 2,868 people the organization is engaging with in the UK that it now has to find other means to reach.

November 7, 2014

Media Musing: Who Owns Christian Publishers, Deline of Music Sales

Filed under: books, media, music — Tags: , — paulthinkingoutloud @ 7:41 am

Two stories today that have a common link

Christian Publishing: Who owns what?

First, Christianity Today ran this chart a few days ago which helps put the various Christian publishers that are part of huge multi-nationals in perspective. Each stream begins with the corporate name of the parent company, and then you see divisions and individual book imprints (if it were music, we’d call them labels) color-coded as to the type of audience they primarily target.

Christian Publishing Imprints of Major CompaniesClick the image to read the article. A similar analysis can be found at this link.


Putting music sales in perspective

Each one of the following statements can be supported by a quick online search, but I chose not to clutter this with the links. Basically, the point is that country-turned-pop singer Taylor Swift had great success in the past week with the album 1989 which left everything else that’s happened lately in the dust…

  • In just 7 days, Taylor Swift sold more copies of 1989 than the combined sales of albums at # 2 to # 107 on Billboard.
  • 22% of all albums sold in the U.S. last week were Taylor Swift.
  • Just 3 weeks ago people were saying “2014 is expected to become the first year in modern history where no artist has sold more than 1m albums in the US.” *
  • With only about seven weeks left in the year, she is the first platinum album for 2014, and possibly the last platinum album ever.
  • In a broader perspective, the new album is the fastest selling record in the past twelve years.

*studio albums, since the Frozen soundtrack achieved this

July 7, 2014

The Happy Rant Podcast

Church Clothes 2.5 John Piper LecraeOkay…I’m staying loyal to the Phil Vischer Podcast (and they’ve got video) but I now have new audio podcast favorite.

The Happy Rant is Stephen Altrogge, Barnabas Piper, and Ted Kluck

Self-described as “talking about things that don’t matter,” the latest, Episode 5, looks at alternative study Bibles we’d like to see. (Didn’t Mad Magazine do this premise?)

The Andre the Giant Study Bible
The Zangief from Street Fighter Study Bible
The Tootie from Facts of Life Study Bible
The Other Girl from Facts of Life, The One Who Is a Christian Speaker Study Bible
The Crease from Karate Kid Study Bible
The Dwight Schrute Study Bible
The “The Situation” Study Bible
The Chaz Marriot Study Bible
The “Platform” Study Bible
The Pete Rose Should Be in the Hall of Fame Study Bible
The Lloyd Dobler Study Bible
The U2 Lyrics Study Bible
The Mike Seaver Study Bible
The Super Bowl Shuffle Study Bible feat. William “The Refrigerator” Perry
The Twitter Every Word Is Hashtagged and Every Name is Squigglied Study Bible
The 1986 Mets Featuring Daryl Strawberry and Keith Hernandez and Mookie Wilson Study Bible
The Joyce Meyer Study Bible

or this suggestion, “I want a Minnesota Sports Fan Study Bible which basically consists of Job, Ecclesiastes and Revelation.”

They also discuss John Piper’s upcoming gig with Lecrae, hence today’s graphic.

To listen to the podcast, click this link.

June 24, 2014

Radio is No Longer About the Music

When I was in the 6th grade, I had pretty well solidified my career goal: To work in the television industry. Not in front of the camera, or even operating a camera, but in the control room or behind the scenes. Later on, this objective widened to include radio; an industry where you were both host and producer of what people heard. I’ve been told many times I have a great face for radio.

I realize that in 2014 radio is not the primary delivery method by which people are exposed to new music. There is always someone who has heard of a new music channel available for phone or laptop. But I miss those old days, and I especially miss listening to the announcers talk — what was called patter — between songs. I still go on YouTube and look up airchecks some of the original rock stations that were part of my growing up, WLS-Chicago, WNBC-New York, WOWO-Fort Wayne, WLW-Charlotte, CKLW-Detroit/Windsor, WKBW-Buffalo, WCFL-Chicago, WABC-New York, WXYZ-Detroit and some of the stations in Miami and greater Los Angeles I got to know later on.

radio-towerI love listening to the DJs talk. The cadence, the rhythm, the emphasis, the seemingly endless passion. “Be the sixth caller when you hear the secret sound and you win one-hundred dollars.” My goodness. A hundred bucks. Just for calling in. (Later, I would be such a lucky caller, and won a small sailboat, but that’s another story.)

Back then, the deejays talked about the songs. The singers. The album the song was from. The studio it was recorded in. The fact they were touring and doing shows in Dayton and Cincinnati and Lansing and Bowling Green, Kentucky. I got out the atlas to find those cities. There was a song about Bowling Green and I loved the name and wanted to go there. My friends said I was a walking encyclopedia when it came to music, and much of what I knew, I knew from listening to the guys — and it was always guys back then — on the radio. Some announcers picked all their own music, too — it was the days before everything was formatted in a highrise in Nashville — and it helped that they had a love for what they were playing.

What sparked all these memories was something that happened a few days ago as we were driving home and had the radio on in the car. I realized that the DJ wasn’t talking about the albums, the songs, the music at all. One singer just got married. Another was divorcing. Two of the guys in this band were gay. Two of the girls in that band were living with two actors who were starring in a current film. Another singer is suing his neighbor. Yet another is involved in a custody suit with his ex-partner for custody of their child.

I recognize that people want their radio announcers to seem close to the stars; they want to feel that the guy playing the music is just two or three degrees of separation away from the artists he or she is playing; or that they actually met backstage at a concert or at an in-studio appearance at the station. People want to think they have a sense of intimacy to their music heroes, and today opportunities exist whereby you can, in fact, send a note to a celebrity and get an actual, personal reply. Not often but it happens.

As we kept driving, I tried to find some common interest in all the marriages and breakups and shacking up, but failed to see how this was anymore relevant to the music than the relationship status of the guy who had just changed the oil on the car, or the woman who had rung in our groceries. Just as sure as water seeks its lowest level, radio had succumbed and now could only reflect the shallowness of the broader culture. Studios? Songwriters? You’d have to read the credits, but they are buried in one-point type in the booklet that comes with the CD, if you ever actually see a physical disc for that artist at all.

Decades ago Time Magazine did a piece when “rock ‘n roll” was emerging and observed that while outwardly this was music that highlighted drums and guitars, it was more than that; it was about the clothing and the hairstyles and the attitudes. Rock culture was born. Teens put pictures of their idols on their bedroom walls. I realize that is a fact of life where music is concerned, but it strikes me that today’s kids are missing out if they listen to radio at all, or whatever is the modern equivalent for the distribution of information about the songs and the artists. It’s all about who is having sex with who.

In my younger days, I would watch Entertainment Tonight. The show was all about the movie, TV, music and publishing industries. They showed how the stunts happen, how the songs get recorded, how the contestants get on the game shows. Today, ET has morphed into a celebrity gossip show and spawned a host of imitators. Talent has been replaced by looking good.

Some parents point their kids toward Christian radio as an alternative. It’s supposed to be safe. But even there, many times the DJ patter is borrowed from Facebook and gets preoccupied with the relationships between the band members, or the number of awards that singer has received, or the fact she gets her clothing from the same designer who does more famous people. How about, “This song is based on a phrase that occurs in Psalms;” or “This group takes there name from a verse in Jeremiah;” or “This song is about a woman who was a faith hero from back in the middle ages.” Maybe those songs don’t exist anymore, either.

I have no conclusion here. Tag me under #lament. I just wish things were different both for Christian radio and the broader market, because last time I checked, radio is still out there, cars still come equipped with them, and satellite providers still include a cross-section of radio stations in their basic packages.

 

 

June 13, 2014

Southern Baptists Condemn All “Heaven” Books

Heaven is for Real books

If you haven’t heard, this week’s Southern Baptist Convention convention (redundancy intended) included a resolution that basically said, ‘To hell with heaven books.’ Blogger Kristine McGuire summarizes the story accurately in this introduction,

There is an article on Charisma News which is reporting that the Southern Baptist convention has issued a resolution stating books (and now presumably movies) such as Heaven is for Real and others like it (such as My Journey to Heaven by Marvin Besteman, To Heaven and Back by Dr. Mary Neal, and 90 Minutes in Heaven by Don Piper) are not in line with “the sufficiency of Scripture regarding the afterlife” and are determining to remove Heaven is for Real from Lifeway Christian Stores.

And it’s taken them how many years to come to this decision? Heaven is for Real has been in stores since 2010…

continue reading here

Christian Retailing reported the same story:

…The parent body of LifeWay Christian Stores stopped short of calling for such products to be pulled from the retail chain, however.

Delegates—known as messengers—to the Baptist body’s assembly focused on “the sufficiency of Scripture regarding the afterlife,” cautioning against putting books about personal heaven experiences on the same level as the Bible’s description of the hereafter…

continue reading here

But certainly the rule here should be caveat lector, let the reader beware. By extension, isn’t any Christian book in danger of being elevated to the same status of the Bible? And doesn’t this already happen in certain circles, where the words of both Charismatic and Reformed superstars are given an almost divine authority.

Black Christian News reported:

In another cultural pushback, Baptists affirmed “the sufficiency of Scripture regarding the afterlife” and criticized best-selling movies and books that have focused on heaven and suggested descriptions of it.

“Many of these books and movies have sought to describe heaven from a subjective, experiential source, mainly via personal testimonies that cannot be corroborated,” they said.

In the same session where the resolution was passed, a messenger asked that Heaven Is for Real be removed “for theological reasons” from LifeWay Christian Stores, which are affiliated with the SBC. The request was ruled out of order.

continue reading here

J.D. Hall at the blog Pulpit and Pen notes:

What’s forgotten is that Burpo’s book (and Wallace’s movie by the same name, Heaven is for Real) is nothing new, novelty, or unique. Phil Johnson gives a good list of books with similar testimonies that have become so prominent in the evangelical marketplace that Tim Challies has come to call the genre “Heaven Tourism.” Johnson gives the list including My Journey to Heaven: What I Saw and How It Changed My Life, by Marvin J. Besteman; Flight to Heaven: A Plane Crash . . .A Lone Survivor . . .A Journey to Heaven—and Back, by Dale Black; To Heaven and Back: A Doctor’s Extraordinary Account of Her Death, Heaven, Angels, and Life Again: A True Story, by Mary Neal; 90 Minutes in Heaven: A True Story of Death and Life, by Don Piper; Nine Days In Heaven, by Dennis Prince; 23 Minutes In Hell: One Man’s Story About What He Saw, Heard, and Felt in that Place of Torment, by Bill Wiese.

continue reading here

Heaven is for RealHis article is titled “Heaven is for Real: Is Discernment Dead?” and makes the point that in the final analysis, “the details of the book ought to strictly and immediately raise the red flag of discernment for even the most elementary of Christians – let alone those serving as provost of Southern Baptist seminaries.” But he seems to disagree that giving so much stock to the child’s story as to render it worthy of condemnation is the wisest move. Good, personal discernment is all that’s needed.

Many articles noted that LifeWay did not actually end up having to remove the book from sales. There’s too much money to be lost, and LifeWay is a cash cow for the denomination. In various places here we’ve reported on instances where the company puts profit over principles, such as Southern Baptists’ wholesale condemnation of women in ministry, while at the same time publishing and promoting the ministry of Beth Moore. 

By falling just shy of condemning the book outright at LifeWay, the company leaves itself open to carrying the DVD, certain to be both popular and profitable. The film has earned $89,007,517 in the U.S. so far according to Box Office Mojo, and ranks 15th for 2014. The movie is scheduled to release on July 22nd from Sony Pictures Home Entertainment, with an initial MSRP of $30.99 for DVD and $40.99 for Blu-Ray.

Related:

May 10, 2014

Everybody’s Famous in a Small Town

Mr and Mrs Mugs

It probably started in California.
Most cultural things do.
People getting married and the woman keeps her maiden name.

It probably started with the film industry.
People who had careers.
Movie stars with name recognition wanting to keep their identity.

But then it spread to the broader society.
“I’m keeping my name;” she would say.
And we all got accustomed to that.

And then it came to church.
We have some friends who went on a one-year overseas mission.
The computer used to generate their support letters had to be reprogrammed.

The trend then moved away from urban centers to rural areas.
Because in the local village everybody has an identity.
Everybody’s famous in a small town.

The Bible talks about leaving and cleaving.
Nothing about changing your driver’s license after the wedding.
They had a different system of surnames back then.

So this shouldn’t be a deal-breaker.
It shouldn’t be a thing that creates walls and divides.
But people like an excuse to judge, don’t they?

border

Image: Mr. and Mrs. Mugs from Dayspring

…and no, today’s post wasn’t triggered by anything in particular.

May 9, 2014

Curriculum Review: AHA by Kyle Idleman

AHA Church Kit - Kyle Idleman - City on a Hill ProductionsAfter veering off into a more documentary style with the small group curriculum for Kyle Idleman‘s Gods at War, City on a Hill Productions returns to the cinematic type of production it does best: an integrating of multiple dramatic story lines with direct teaching. AHA: Awakening.Honesty.Action takes a modern look at the story of The Prodigal Son in Luke’s gospel and has the courage to suggest that not every wayward son who has a moment of clarity while feeding the pigs actually makes it back home.

I thoroughly enjoyed watching all six episodes. The video clips run about a half hour each. The acting is superb to the point where I wondered, with all the Christian movies releasing lately, if City on a Hill ought to be reaching for an even wider audience.

There are various applications to this curriculum. So far, Idleman, the teaching pastor of Southeast Christian Church in Louisville, Kentucky has released three books and three videos, plus the H20 video series (see the review linked below) which landed him on our radar. So that leaves you with several choices, and these are just my suggestions:

  • If I were working with new Christians or even seekers for whom the story of The Lost Son in Luke is foreign, I would probably use the video.
  • If I were working with people who have been Christians for awhile, I might do the book study.
  • If I were working with people who have been in small groups for a fair amount of time, and like to think and like to discuss, I would do the video.

The video really provoked some thought when we watched it as a family in ways that the book didn’t. And like the parable, not everybody lives happily ever after. But the book is excellent by itself as I stated earlier this year.  And the curriculum possibilities get even more complex:

  • The church kit comes with a leader’s guide and a journal. You could simply watch the videos, have a weekly discussion, and a small homework assignment for the following week.
  • You can also get a journal for each group member, for which a sample is included. It provides a day-by-day writing assignment between group meetings, so the teaching content remains fresh when the group reconvenes and there is opportunity for personal transformation.

If you’ve been around the church for any length of time, you might argue there’s nothing new here. In many respects, Idleman’s Gods at War covered material also found in Tim Keller’s Counterfeit Gods or Pete Wilson’s Empty Promises and AHA is reminiscent of Keller’s Prodigal God which Idleman quotes at one stage in both the book and the video.

But Jesus’ parable in Luke offers limitless applications; it’s the story that keeps on giving.

[Note: This is a review of the Small Group Kit; AHA is also available for a teaching series in your local church in a Pastor’s Kit, which is an entirely different product containing only short video clips at a much lower price.]

At the end of the last episode, we watched a couple of the features which clearly reveal the hearts of the director and cast. They are truly committed to excellence. Honestly, I can’t wait to see where City on a Hill Productions goes next. I leave you with their corporate tagline:

Story is the language of our Hearts
Media is the language of our times
We use both to share Jesus with the world

May 8, 2014

Yet Another Faith-Centered Movie Coming in August

Filed under: media, Uncategorized — Tags: , , , , , — paulthinkingoutloud @ 7:34 am

Calvary_movieposterI’ve got to say this one intrigues me.

Calvary opened in the UK in a respectable 7th place and held on to that place during its second week. As I write this, the movie is still holding on in the top ten, in 9th place.

After reading a little about the movie online, it seems to combine intrigue with enough quirky characters to keep you engaged, and the questions of faith it raises seem to be front and center. The beautiful scenery in Ireland can’t hurt this either. Here’s the succinct “elevator pitch” from IMDb:

After he is threatened during a confession, a good-natured priest must battle the dark forces closing in around him.

A review in The Irish Post provides the movie’s opening line, a reminder that if you’re a conservative Evangelical perhaps this is not the film for you. The Catholic Herald provides some context for that scene, “While the opening scene raises the disturbing topic of the sex abuse scandal, the film is not an assault on the Church.” The reviews headline offers that this film is, “a jet black comedy with serious things to say about faith.” In case you missed that, let me repeat that from all indications this is a very dark comedy, but the Catholic publication goes on to give it four stars. The Telegraph’s review seems to see the opening lines as a microcosm of the film as a whole.

The one-hour, forty-minute film is schedule to open in the US (and presumably Canada) in August. It will be interesting to see the reaction of North American critics.

 

May 6, 2014

Mom’s Night Out: A Faith-Friendly Comedy

Filed under: media — Tags: , , , , , — paulthinkingoutloud @ 6:11 am

If you’re like most North American Christians, your media obligations have shifted from the Christian bookstore to the local cinema, and this Friday your family gets another opportunity to visit what has become for many, the sanctuary of choice in 2014.

Moms’ Night Out opens May 9th and contains a broad enough script that there’s something here for women, men and children. Alex Kendrick is in this movie, and one of the problems that female film-goers had with other movies connected to him such as Courageous, Fireproof, Flywheel, and Facing the Giants is that the scripts were far too male; there were firemen, car dealers, football players and policemen, but not so much for feminine tastes. (Count the words beginning with the letter f in that sentence!) October Baby filled the void more recently, but it was a rather subdued, cerebral script that offered little for a male audience.

In Moms’ Night Out that balance has been struck, but a little at the expense of a strong faith message that some might prefer. For that reason, I’m calling this faith-friendly instead of faith-focused, though there are a few scenes which touch on what it’s like to be a pastor’s wife (or a pastor’s daughter) and another scene where some moral teaching arises from an unlikely source.

Moms’ Night Out gives that pastor’s wife role to Patricia Heaton (Everybody Loves Raymond and The Middle) who, with her husband David Hunt co-produced the movie with a release date timing out perfectly for Mother’s Day weekend in the U.S. and Canada. Other cast members include Sarah Drew (Grey’s Anatomy), Sean Astin (Lord of the Rings), and platinum-selling country recording artist Trace Adkins (The Lincoln Lawyer).

When the preview showing ended two weeks ago on Wednesday night, we walked out into Dundas Square in Toronto (a knockoff of Times Square in NYC) and there was that week’s episode of The Middle playing live on one of the jumbo screens. Patrica Heaton was everywhere that night!

The trailer (below) outlines the plot sufficiently; the core of the movie is the stress of being a mother and how men understand so little of what that role entails. It’s about friendship, the image we try to maintain, and how when things go wrong, sometimes they go crazy wrong. The plot does indeed get a little complex near the end, but the whole thing is building like a British comedy, ever-ready to explode.

For all the movie tries to do, it succeeds. I wish the film’s producers the best in what is certainly a budget-stretching time for Christian families who have found themselves buying a lot of movie tickets lately. I expect however this film will find its biggest response among a broader, general audience who are looking for some good clean fun and something they can take the kids to, or something the kids can treat mom to for her special day.

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